stile antico in Handel’s oratorios’, church music “The ripienists must also be at This annual index follows the same principles by Minji Kim least eight, namely two for each part”: the of arrangement as the Early Music 25-year BAVINGTON, PeTeR “Magnano Clavichord Leipzig line of 1730—some observations’, by index (Oxford, 1998). Symposium’ (Magnano, September 2011) Andreas Gléckner 575 (Report) 663 CLEMENTS, JAMEs ‘Instrumental fantasy in the Back, Davip ‘Bach cantatas: one for all, Habsburg lands’ (BR) 611 MAIN INDEX all for one’ (RR) 448 Cote Janie “The marvels of the Medici a cappella heresy ‘Evidence contrary to the Bonaventure ‘Sweet singing in three voices: intermedi’ (BR) 263 a cappella hypothesis for the 15th-century a musical source from a South German colonial Mexico ‘Villancicos from Mexico chanson’, by Peter Urquhart and Heather convent?’, by Barbara Eichner 335 City for the Virgin of Guadalupe’, by Drew de Savage 359 Book reviews 93, 263, 415, 605 Edward Davies 22 Academy of Sciences ‘The clavecins a maillets Borromeo, Federigo “Geronimo Cavaglieri, Colonna, Cardinal Ascanio ‘Warriors and of Marius and Veltman: new observations the Song of Songs and female spirituality musicians: notes from the Colonna family on some of the first pianos in France’, by in Federigo Borromeo’s Milan’, by Laura archive’, by Melanie Marshall 195 Giovanni Paolo Di Stefano 35 Macy 349 Colonna, Marc’Antonio II ‘Warriors and aging ‘Col tempo: musical time, aging Bowers, Rocer “The high and lowe keyes musicians: notes from the Colonna family and sexuality in 16th-century Venetian come both to one pitch”: reconciling archive’, by Melanie Marshall 195 paintings’, by Jane Hatter 3 inconsistent clef-systems in Monteverdi’s Cotton, Lisa ‘Languishing for provenance: Agnelli, Scipione ‘Winds, cupids, little zephyrs vocal music for Mantua’ 531 Zelo tui langueo and the search for women’s and sirens: Monteverdi and Le nozze di Brancaccio, Giulio Cesare “Warriors and polyphony in England’ 315 Tetide (1616—1617)’, by Tim Carter 489 musicians: notes from the Colonna family combined harpsichord-piano ‘The clavecins air de cour ‘Guillaume Tessier’s travels archive’, by Melanie Marshall 195 4 maillets of Marius and Veltman: new in Scotland and England’, by Jeanice Brooks, JEANICE AND MELANIE L. observations on some of the first pianos in Brooks MarsHaALt Editorial 155 France’, by Giovanni Paolo Di Stefano —-35 ANDERSON, MICHAEL “His name will be Brooks, JEANICE ‘Guillaume Tessier’s travels contrafacta “Geronimo Cavaglieri, the Song called John”: reception and symbolism in Scotland and England’ 185 of Songs and female spirituality in Federigo in Obrecht’s Missa de Sancto Johanne Busnoys, Antoine ‘Evidence contrary to the Borromeo’s Milan’, by Laura Macy 349 Baptista’ a cappella hypothesis for the 15th-century contratenor ‘Evidence contrary to the a ANNIBALDI, CLaupio ‘The singers of the chanson’, by Peter Urquhart and Heather cappella hypothesis for the 15th-century said chapel are chaplains of the pope’: de Savage 359 chanson’, by Peter Urquhart and Heather some remarks on the papal chapel in early BuTLer, KATHERINE ‘Alehouse ditties and de Savage 359 modern times’ godly psalms’ (BR) 415 convents, music in ‘Sweet singing in three Augsburg ‘Sweet singing in three voices: a Camp, Grecory ‘Gesualdo myths on disc’ voices: a musical source from a South musical source from a South German (RR) 114 German convent?’, by Barbara Eichner convent?’, by Barbara Eichner Cooper, JOHN MicHAEL ‘Historical timpani —— ‘Monteverdi past and present (RR) 636 BaBINGTON, A. L. “European Renaissance tone’ (BR) 428 Carter, Tim “Winds, cupids, little zephyrs and music’ (RR) 281 Correspondence 478 sirens: Monteverdi and Le nozze di Tetide BacciaGaLuppt, CLaupio “More on Vivaldi in (1616-1617)’ 489 Céthen ‘J. S. Bach’s Trauer-Music for Prince Switzerland’ 597 Leopold: clarification and reconstruction’, Catholic music ‘Music and musicians in the Bach choir “The ripienists must also be at Catholic chapel of James II at Whitehall, by Andrew Parrott least eight, namely two for each part”: the 1686-1688’, by Peter Leech 379 Cristofori, Bartolomeo ‘A Spanish Leipzig line of 1730—some observations’, by harpsichord from Domenico Scarlatti’s Cavaglieri, Geronimo ‘Geronimo Cavaglieri, Andreas Gléckner 575 environs’, by John Koster 245 the Song of Songs and female spirituality Bach, Johann Sebastian ‘Further thoughts in Federigo Borromeo’s Milan’, by Laura Cross, Eric “Telemann and friends’ (RR) 460 on Bach’s 1722 temperament’, Macy 349 cultural capital “Warriors and musicians: by Luigi Swich 401 celebration ““The pride of noise”: drums notes from the Colonna family archive’, by —— “The ripienists must also be at least and their repercussions in early modern Melanie Marshall 195 eight, namely two for each part”: the England’, by Christopher Marsh 203 Cypess, Repecca ‘An Italian in Dresden’ Leipzig line of 1730—some observations’, by chansons ‘Evidence contrary to the a cappella (BR) 417 Andreas Gléckner 575 hypothesis for the 15th-century chanson’, by da Udine, Giovanni “‘si chiama fagotto”: —— ‘J. S. Bach’s Trauer-Music for Prince Peter Urquhart and Heather de Savage 359 concerning a drawing of musical Lbeyo pAonlddr:e wc laPrairfrioctatt ion and reconstruction’,5 87 chiavbeottthe to ““oTnhee phiticghh” :a nrde cloonwciel iknegy eisn ccoonmseis tent oitnhsetrrwuimseen tsk nobyw nG ioasv aGninoiv anRnicia mdaat oUrdii,n e’, by balletto ““In grembo a Citherea”: the clef-systems in Monteverdi's vocal music Martin Kirnbauer 217 representation of ingenium and ars in for Mantua’, by Roger Bowers 531 Davies, Drew Epwarp ‘Villancicos from GCloaruddoino HMoanrtaemvaekrid i's Tempro la cetra’, by5 03 chittaanrdr at haet iguoirtbtaatrae t‘hTehoerb éceh:i ttaa rrreaa ppartaiiosrabla’t,a by Mexico City for the Virgin of Guadalupe’ 229 Banchieri, Adriano “The high and Monica Hall 25 Davies, SARAH ‘Philips and Sweelinck lroewcoen ckielyiensg cionmceo nsbiostthe ntt o colneef -spyisttche”m:s in choraunst ico‘ Siign niHfaincdaenlc’es aonrda toerffieocst’ , ofb yth eM isntjiile Kim iUnn iMvoernstirteya,l Maonndt reAable,r deFeenb’r ua(rMyc Gi20l1l1 , and bMoyn Rtoegveerrd iB'osw ervosc al music for Mantua’, 531 563 U(nRievpeorrsti)t y3 01o f Aberdeen, March 20) Curissocuoipis, ILias “An emblem of Barker, Naomi J. ‘Frescobaldi keyboard modern music: temporal symmetry in the Davison, ALAN Painting for a Requiem: music’ (RR) 633 prologue of L’Orfeo (1607)’ 519 Mihaly Munkacsy’s The last moments of —— ‘Anew Frescobaldi edition’ (MR) 107 Mozart (1885)’ 79 CuunG, Davip ‘A German keyboard Baroque music ‘Significance and effect of the compendium’ (RR) ng de Gallot, Henry Francois ‘The chittarra 674 EARLY MUSIC NOVEMBER 2011 stile antico in Handel’s oratorios’, church music “The ripienists must also be at This annual index follows the same principles by Minji Kim least eight, namely two for each part”: the of arrangement as the Early Music 25-year BAVINGTON, PeTeR “Magnano Clavichord Leipzig line of 1730—some observations’, by index (Oxford, 1998). Symposium’ (Magnano, September 2011) Andreas Gléckner 575 (Report) 663 CLEMENTS, JAMEs ‘Instrumental fantasy in the Back, Davip ‘Bach cantatas: one for all, Habsburg lands’ (BR) 611 MAIN INDEX all for one’ (RR) 448 Cote Janie “The marvels of the Medici a cappella heresy ‘Evidence contrary to the Bonaventure ‘Sweet singing in three voices: intermedi’ (BR) 263 a cappella hypothesis for the 15th-century a musical source from a South German colonial Mexico ‘Villancicos from Mexico chanson’, by Peter Urquhart and Heather convent?’, by Barbara Eichner 335 City for the Virgin of Guadalupe’, by Drew de Savage 359 Book reviews 93, 263, 415, 605 Edward Davies 22 Academy of Sciences ‘The clavecins a maillets Borromeo, Federigo “Geronimo Cavaglieri, Colonna, Cardinal Ascanio ‘Warriors and of Marius and Veltman: new observations the Song of Songs and female spirituality musicians: notes from the Colonna family on some of the first pianos in France’, by in Federigo Borromeo’s Milan’, by Laura archive’, by Melanie Marshall 195 Giovanni Paolo Di Stefano 35 Macy 349 Colonna, Marc’Antonio II ‘Warriors and aging ‘Col tempo: musical time, aging Bowers, Rocer “The high and lowe keyes musicians: notes from the Colonna family and sexuality in 16th-century Venetian come both to one pitch”: reconciling archive’, by Melanie Marshall 195 paintings’, by Jane Hatter 3 inconsistent clef-systems in Monteverdi’s Cotton, Lisa ‘Languishing for provenance: Agnelli, Scipione ‘Winds, cupids, little zephyrs vocal music for Mantua’ 531 Zelo tui langueo and the search for women’s and sirens: Monteverdi and Le nozze di Brancaccio, Giulio Cesare “Warriors and polyphony in England’ 315 Tetide (1616—1617)’, by Tim Carter 489 musicians: notes from the Colonna family combined harpsichord-piano ‘The clavecins air de cour ‘Guillaume Tessier’s travels archive’, by Melanie Marshall 195 4 maillets of Marius and Veltman: new in Scotland and England’, by Jeanice Brooks, JEANICE AND MELANIE L. observations on some of the first pianos in Brooks MarsHaALt Editorial 155 France’, by Giovanni Paolo Di Stefano —-35 ANDERSON, MICHAEL “His name will be Brooks, JEANICE ‘Guillaume Tessier’s travels contrafacta “Geronimo Cavaglieri, the Song called John”: reception and symbolism in Scotland and England’ 185 of Songs and female spirituality in Federigo in Obrecht’s Missa de Sancto Johanne Busnoys, Antoine ‘Evidence contrary to the Borromeo’s Milan’, by Laura Macy 349 Baptista’ a cappella hypothesis for the 15th-century contratenor ‘Evidence contrary to the a ANNIBALDI, CLaupio ‘The singers of the chanson’, by Peter Urquhart and Heather cappella hypothesis for the 15th-century said chapel are chaplains of the pope’: de Savage 359 chanson’, by Peter Urquhart and Heather some remarks on the papal chapel in early BuTLer, KATHERINE ‘Alehouse ditties and de Savage 359 modern times’ godly psalms’ (BR) 415 convents, music in ‘Sweet singing in three Augsburg ‘Sweet singing in three voices: a Camp, Grecory ‘Gesualdo myths on disc’ voices: a musical source from a South musical source from a South German (RR) 114 German convent?’, by Barbara Eichner convent?’, by Barbara Eichner Cooper, JOHN MicHAEL ‘Historical timpani —— ‘Monteverdi past and present (RR) 636 BaBINGTON, A. L. “European Renaissance tone’ (BR) 428 Carter, Tim “Winds, cupids, little zephyrs and music’ (RR) 281 Correspondence 478 sirens: Monteverdi and Le nozze di Tetide BacciaGaLuppt, CLaupio “More on Vivaldi in (1616-1617)’ 489 Céthen ‘J. S. Bach’s Trauer-Music for Prince Switzerland’ 597 Leopold: clarification and reconstruction’, Catholic music ‘Music and musicians in the Bach choir “The ripienists must also be at Catholic chapel of James II at Whitehall, by Andrew Parrott least eight, namely two for each part”: the 1686-1688’, by Peter Leech 379 Cristofori, Bartolomeo ‘A Spanish Leipzig line of 1730—some observations’, by harpsichord from Domenico Scarlatti’s Cavaglieri, Geronimo ‘Geronimo Cavaglieri, Andreas Gléckner 575 environs’, by John Koster 245 the Song of Songs and female spirituality Bach, Johann Sebastian ‘Further thoughts in Federigo Borromeo’s Milan’, by Laura Cross, Eric “Telemann and friends’ (RR) 460 on Bach’s 1722 temperament’, Macy 349 cultural capital “Warriors and musicians: by Luigi Swich 401 celebration ““The pride of noise”: drums notes from the Colonna family archive’, by —— “The ripienists must also be at least and their repercussions in early modern Melanie Marshall 195 eight, namely two for each part”: the England’, by Christopher Marsh 203 Cypess, Repecca ‘An Italian in Dresden’ Leipzig line of 1730—some observations’, by chansons ‘Evidence contrary to the a cappella (BR) 417 Andreas Gléckner 575 hypothesis for the 15th-century chanson’, by da Udine, Giovanni “‘si chiama fagotto”: —— ‘J. S. Bach’s Trauer-Music for Prince Peter Urquhart and Heather de Savage 359 concerning a drawing of musical Lbeyo pAonlddr:e wc laPrairfrioctatt ion and reconstruction’,5 87 chiavbeottthe to ““oTnhee phiticghh” :a nrde cloonwciel iknegy eisn ccoonmseis tent oitnhsetrrwuimseen tsk nobyw nG ioasv aGninoiv anRnicia mdaat oUrdii,n e’, by balletto ““In grembo a Citherea”: the clef-systems in Monteverdi's vocal music Martin Kirnbauer 217 representation of ingenium and ars in for Mantua’, by Roger Bowers 531 Davies, Drew Epwarp ‘Villancicos from GCloaruddoino HMoanrtaemvaekrid i's Tempro la cetra’, by5 03 chittaanrdr at haet iguoirtbtaatrae t‘hTehoerb éceh:i ttaa rrreaa ppartaiiosrabla’t,a by Mexico City for the Virgin of Guadalupe’ 229 Banchieri, Adriano “The high and Monica Hall 25 Davies, SARAH ‘Philips and Sweelinck lroewcoen ckielyiensg cionmceo nsbiostthe ntt o colneef -spyisttche”m:s in choraunst ico‘ Siign niHfaincdaenlc’es aonrda toerffieocst’ , ofb yth eM isntjiile Kim iUnn iMvoernstirteya,l Maonndt reAable,r deFeenb’r ua(rMyc Gi20l1l1 , and bMoyn Rtoegveerrd iB'osw ervosc al music for Mantua’, 531 563 U(nRievpeorrsti)t y3 01o f Aberdeen, March 20) Curissocuoipis, ILias “An emblem of Barker, Naomi J. ‘Frescobaldi keyboard modern music: temporal symmetry in the Davison, ALAN Painting for a Requiem: music’ (RR) 633 prologue of L’Orfeo (1607)’ 519 Mihaly Munkacsy’s The last moments of —— ‘Anew Frescobaldi edition’ (MR) 107 Mozart (1885)’ 79 CuunG, Davip ‘A German keyboard Baroque music ‘Significance and effect of the compendium’ (RR) ng de Gallot, Henry Francois ‘The chittarra 674 EARLY MUSIC NOVEMBER 2011 atiorbata and the guittare theorbée: a and the medieval English purification of (Kalamazoo, MI, May 2011) {46th reappraisal’, by Monica Hall 25 women after childbirth ceremony’, by Sue International Congress on Medieval de Salazar, Antonio ‘Villancicos from Mexico Niebrzydowski 327 Studies] (Report) City for the Virgin of Guadalupe’, by Drew Fernandez, Diego ‘A Spanish harpsichord Groves, STEPHEN ‘Haydn vocal works: Edward Davies 229 from Domenico Scarlatti’s environs’, by canonic and obscure’ (RR) DE SAVAGE, HEATHER AND PETER John Koster “Period instrument performances of Urquuart ‘Evidence contrary to the a Fischer, Adam ‘Haydn's symphonies: choral works, 1794-1846" (RR) 658 cappella hypothesis for the 15th-century problems of instrumentation and guitar “The chittarra atiorbata and the guittare chanson’ 359 performance tradition’, by Andreas theorbée: a reappraisal’, by Monica Hall 25 de Sumaya, Manuel ‘Villancicos from Mexico Friesenhagen guittare theorbée “The chittarra atiorbata City for the Virgin of Guadalupe’, by Drew Florigerio, Sebastiano ‘Col tempo: musical and the guittare theorbée: a reappraisal’, by Edward Davies 229 time, aging and sexuality in 16th-century Monica Hall 25 Derry, SIAN ‘Beethoven as pianist’ (BR 104 Venetian paintings’, by Jane Hatter Hatt, Monica “The chittarra atiorbata and the D1 STEFANO, GIOVANNI PAOLo ‘The clavecins FLYNN WiLLIAM “The beginnings of Christian guittare theorbée: a reappraisal’ 25 a maillets of Marius and Veltman: new singing’ (BR) 605 Handel, Georg Frideric ‘Handel's students, observations on some of the first pianos in Franciscans ‘Sweet singing in three voices: two lovers, and a shipwreck’, by David France’ a musical source from a South German Hunter 157 Dionysian ‘Painting for a Requiem: Mihaly convent?’, by Barbara Eichner —— ‘Joseph Harris, Birmingham organist Munkacsy’s The last moments of Mozart FREEDMAN, RICHARD AND THEODOR (1744-1814), and his Messiah manuscript’, 1885)’, by Alan Davison Dumirrescu ‘Filling the gaps’ (Centre by Thomas McGeary 165 doppione “‘si chiama fagotto”: concerning d’Etudes Supérieures de la Renaissance, —— ‘Significance and effect of the stile antico a drawing of musical instruments by Tours, October 2010) (Report) 140 in Handel’s oratorios’, by Minji Kim 563 Giovanni Ricamatori, otherwise known as French piano-makers ‘The clavecins a maillets HaraMakl, Gorpon “In grembo a Citherea”: Giovanni da Udine’, by Martin Kirnbauer of Marius and Veltman: new observations the representation of ingenium and ars in 217 on some of the first pianos in France’, by Claudio Monteverdi's Tempro la cetra’ 503 Dorati, Antal ‘Haydn’s symphonies: problems Giovanni Paolo Di Stefano 35 harpsichord music, 18th-century “The of instrumentation and performance FRIESENHAGEN, ANDREAS ‘Haydn's composer and the subscriber: a case study tradition’, by Andreas Friesenhagen 253 symphonies: problems of instrumentation from the 18th century’, by Margaret Seares drums “The pride of noise”: drums and their and performance tradition’ 253 6 repercussions in early modern England’, by furor “In grembo a Citherea”: the ——lIberian ‘A Spanish harpsichord from Christopher Marsh 203 representation of ingenium and ars in Domenico Scarlatti’s environs’, by John dulcai adnr aw“i‘snig choifa mmuas icfaaglo ttion”s:t rcuomnecnetrs nibnyg CGloaruddoino MHoanrtaemvaekrid i's Tempro la cetra’, by5 03 Koster 45 ——-Spanish ‘A Spanish harpsichord from Giovanni Ricamatori, otherwise known as GALBRAITH, Davip “Thomas Wright’s Domenico Scarlatti’s environs’, by John Giovanni da Udine’, by Martin Kirnbauer innovative method for expressing tempos, Koster 245 217 as shown in his Concerto for harpsichord or DuMITRESCU, THEODOR AND RICHARD piano forte (1797)’ 409 HARRIMAN, JAN ELLEN ‘From gittern to citole’ (London, November 2010) (Report) 139 FREEDMAN ‘Filling the gaps’ (Centre gender “The pride of noise”: drums and their d'Etudes Supérieures de la Renaissance, repercussions in early modern England’, by Harris, Joseph ‘Joseph Harris, Birmingham Tours, October 2010) (Report) 140 Christopher Marsh 203 organist (1744-1814), and his Messiah manuscript’", by Thomas McGeary 165 Dunn, MaTtTHEW ‘Polyphony at Peterhouse’ ——‘Col tempo: musical time, aging and (Peterhouse College, Cambridge, sexuality in 16th-century Venetian Hart, ANTHONY ‘New findings on the possible September 2010) (Report) 142 paintings’, by Jane Hatter copyists and owners of the Scarlatti sonata manuscripts in Miinster: the role of Early English Church Music [series genius ‘Painting for a Requiem: Mihaly Antonino Reggio’ 57 early pianoforte “The clavecins a maillets of Munkacsy’s The last moments of Mozart Marius and Veltman: new observations (1885)’, by Alan Davison Hatter, JANE ‘Col tempo: musical time, aging and sexuality in 16th-century Venetian on some of the first pianos in France’, by GIALDRONI, TERESA M. ‘The diversity of the paintings’ Giovanni Paolo Di Stefano 35 Italian cantata’ (BR) 419 Haydn, Joseph ‘Haydn’s symphonies: Editorial 1, 155, 313, 487 Giorgione ‘Col tempo: musical time, aging problems of instrumentation and EICHNER, BARBARA ‘Sweet singing in three and sexuality in 16th-century Venetian performance tradition’, by Andreas voices: a musical source from a South paintings’, by Jane Hatter 3 Friesenhagen German convent?’ GIvLIANI, RoBerto ‘Instrumental music of the Hayes, William “The composer and the —— Editorial early 17th century’ (RR) 7 subscriber: a case study from the 18th English music ‘Languishing for provenance: GLOCKNER, ANDREAS ““The ripienists must also century’, by Margaret Seares 65 Zelo tui langueo and the search for women’s be at least eight, namely two for each part”: HELsEN, Kare ‘Tradition and transmission in polyphony in England’, by Lisa Colton 315 the Leipzig line of 1730—some observations’ early chant’ (BR) 93 fagotto “‘si chiama fagotto”: concerning 575 Hitt, Davip, AND ROBERT a drawing of musical instruments by Gotoms, Uri ‘Instrumental Bach: questions of MEIKLE Correspondence (Corr.) 478 Giovanni Ricamatori, otherwise known as scoring and interpretation’ (RR) 122 historical inventories ‘More on Vivaldi in Giovanni da Udine’, by Martin Kirnbauer GoopwIn, CHRISTOPHER “Two centuries of Switzerland’, by Claudio Bacciagaluppi 597 217 delights’ (RR) 109 historiography ‘Languishing for provenance: Fede, Innocenzo ‘Music and musicians in the Granata, Giovanni Battista “The chittarra Zelo tui langueo and the search for Catholic chapel of James II at Whitehall, atiorbata and the guittare theorbée: a women’s polyphony in England’, by Lisa 1686-1688’, by Peter Leech 379 reappraisal’, by Monica Hall Colton 315 female interpretation ‘Asperges me, Domine, Grau, ANNA KATHRYN AND MICHELLE Hogwood, Christopher ‘Haydn’s symphonies: hyssopo: male voices, female interpretation UrserG ‘Musicology at Kalamazoo’ problems of instrumentation and EARLY MUSIC NOVEMBER 2011 675 performance tradition’, by Andreas Edinburgh’ (University of Edinburgh, male voice ‘Asperges me, Domine, hyssopo: Friesenhagen 253 July 2011) (Report) 477 male voices, female interpretation and the Hottick, DouGtas ‘Scarlatti and Soler’ —— ‘Seven Goldbergs’ (RR) 126 medieval English purification of women after (RR) 289 — Editorial 1, 487 childbirth ceremony’, by Sue Niebrzydowski 327 HoLMAN, Peter ‘A Handel lexicon’ (BR) 102 Koster, JoHN “A Spanish harpsichord from Mantua ‘Winds, cupids, little zephyrs and —— ‘Purcell performance in perspectives’ Domenico Scarlatti’s environs’ 245 sirens: Monteverdi and Le nozze di Tetide (RR) 445 L’homme armé “His name will be called (1616-1617)’, by Tim Carter 489 Hunter, Davip ‘Handel’s students, two lovers, John”: reception and symbolism in manuscript transmission ‘More on Vivaldi in and a shipwreck’ 157 Obrecht’s Missa de Sancto Johanne Baptista’, Switzerland’, by Claudio Bacciagaluppi 597 iconography ‘Col tempo: musical time, aging by Michael Anderson 547 MANzE ANDREW “The mysteries of Stradivari’ and sexuality in 16th-century Venetian L’Orfeo ‘An emblem of modern music: (BR) 269 paintings’, by Jane Hatter temporal symmetry in the prologue of —— ‘Painting for a Requiem: Mihaly L’Orfeo (1607)', by Ilias Chrissochoidis 519 MariCniot,h erGeiaa”m: batthte isrteapr es“eInnt atgiroenm boof ina genium Munkiacsy’s The last moments of Mozart La Musica ‘An emblem of modern music: and ars in Claudio Monteverdi's Tempro la — (188“5s)i’ ,c hbiya mAal anf agDoatvtios”o:n concerning a tL’eOmrpfoeroa l( 16s0y7m)m’,e tbryy Iliinas tChhe ripsrsoolcohgouied iosf 519 Maricuestr,a ’,J ebayn Go“Trhdeo nc laHveacriansm aka im aillets of 503 dGriaowvainnngi ofR imcuasmiactaolr i,i nsottrhuemrewnitsse bkyn own as Lafs,f oFri iPrrsitinnc e ‘|.L eS.o pBoladc:h ’sc larTirfaiucearti-oMnu saincd oMna risuosm e anofd t hVee ltfmirasnt :p inaneows oibns eFrrvaantcei’o,n s by Giovanni da Udine’, by Martin Kirnbauer reconstruction’, by Andrew Parrott Giovanni Paolo Di Stefano 35 217 Lause, MarrHew ‘Med-Ren 2011’ (Institut Marsh, CHRISTOPHER “The pride of noise”: instcfroourn mtetrhnaetr ya 1l5 ttoph -atcrheteni tcau irpcyaa ptpiceohlnal nas ‘oEhnvy’ip,do etnbhcyee s iPest er daB’naEdrs cteRuldeoinnsaa i,s CsaJatunalclyae n 2s0,M1 1u]s Biac(r RceeCplooonrnftae))r en| cMee,d ieval 474 dmroudmesr n anEdn gltahnedir’ , rbeyp eCrhcruissstioopnhse ri n Meaarrslyh 203 Urquhart and Heather de Savage 359 Leacn, EvizaBetH Eva ‘Confronting the MARSHALL, KimBerty ‘Bach's 325th birthday’ instruments “‘si chiama fagotto”: concerning “cyclic” Mass’ (BR) 95 (RR) 451 a drawing of musical instruments by —— ‘Medieval repertories’ (RR) 627 MARSHALL, MELANIE L. AND JEANICE Giovanni Ricamatori, otherwise known as LepBetrer, Davip “Bach’s meaning?’ (BR) 421 Brooks Editorial 155 Giovanni da Udine’, by Martin Kirnbauer MarsHaLt, MELANIE ‘Warriors and musicians: 217 Leecn, Peter ‘Music and musicians in the notes from the Colonna family archive’ 195 Catholic chapel of James I] at Whitehall, InviING, Davip R. M. ‘Latin American Baroque’ 1686-1688" 379 Mass ““His name will be called John”: (RR) 295 reception and symbolism in Obrecht’s —— ‘Renaissance masterworks’ (RR) 629 Lehm1a72n2, teBmrpaedrlaeym en‘tF’u,r thbeyr Lutihgoiu gShwtisc ho n Bach'4s0 1 MMiiscshaa eld e ASnadncetros oJno hanne Baptista’, by 547 JohnObJ boytrh hneMe”ci :hcB tha’arpseet clie sMptiAt sinsod“ane H ridsaseon dnSn aansmcytemo b owJilolilh sambne n eic na lBlaepdt ista’, LeipeAzLienigigdhp rtz,ei“ ag“sn T alhmieGne lelé rycoi pfki nte1wen7ori 3s t0fs-o r— mseuoasmcteh apolabsrost e”rb:ve a ttahite o nlesa’s,t 5b7y5 —— osMnyaesn“ ttTeuphmaiset’ c ,h i”hn:ib gyMhr o eRncaotongendevc rei rllodiBwinoe'gw se kirensvyc oeocsna sli csomtmueesn ti cb colfteohfr - to5 31 Jonctursa,n siBteiornt’a (B‘RL)o ndon stage music in Leo rXe ce“pHtiison naanmde swyimllb oblei scmal leidn OJborhenc”h:t ’s Matepoesr,sp eActLiBvEeRsT Oo n HoEpRerNaA’N D(IEnZs tit‘uStpioann ish Kenyon, NicHoias Editorial Missa de Sancto Johanne Baptista’, by Fernando el Catélico, Zaragoza, November Kevorkian, TANYA ‘Bach athome’ (BR) 104 Michael Anderson 2010) (Report) 303 keyboard sonatas, 18th-century ‘New findings liturgy and music ‘The singers of the said McCLeLLanD, Ciive ‘Exploring opera with a on the possible copyists and owners of the chapel are chaplains of the pope’: some companio’ (BR) 22 Stchaer lraotltei osfo nAanttao nmiannou scRregigpitos’ , inb yM iAinnsttheorn: y rmeomdaerrkns toinm est’h,e pbayp aCll acuhdaipoe lA ninni ebaarlldyi McGeBairrym,i ngThHaomM aosr gan‘iJsots ep(h1 74H4a-r1r8i1s4,) , and his Hart liturgy ‘Asperges me, Domine, hyssopo: male Messiah manuscript’ 165 Kim,a nMtiicnoy t in ‘HSaingdneilf'icsa nocrea taonrido se’f fect of the stile vmoeidciees,v alf emEanlgel isihn tepruprrieftiactaitoino n aonfd wtohme en after —— ‘Aclassicist tackles opera’ (BR) childbirth ceremony’, by Sue Niebrzydowski McKEAN, JOHN ‘Bountiful Bach’ (RR) 454 King James II “Music and musicians in the Catholic chapel of James II at Whitehall, 327 Medieval and Renaissance Music 1686-1688", by Peter Leech Lorescu, Nata.ia ‘A pioneer harpsichordist’ Conference ‘Med-Ren 2011’ (Barcelona, (BR) 275 July 2011) (Report), by Matthew Laube 474 KinG, ANDREW H. “The resurrection of forgotten sacred choral music lovers ‘Handel’s students, two lovers, and a medieval music ‘Languishing for provenance: on CPO’ (RR) shipwreck’, by David Hunter 157 Zelo tui langueo and the search for women’s KignBaver, Martin “‘si chiama fagotto”: MacCrackeNn, THomas G. ‘Viol Symposium polyphony in England’, by Lisa Colton 315 concerning a drawing of musical at Kloster Michaelstein’ (Stiftung Kloster MEIKLE, ROBERT, AND Davip HILt instruments by Giovanni Ricamatori, Michaelstein, Blankenburg, November Correspondence (Corr.) 478 otherwise known as Giovanni da Udine’ 2010) (Report) 143 Messiah ‘Joseph Harris, Birmingham organist KitCHEN, JonN ‘Instrumental Bach’ (RR) Macy, Laura ‘Geronimo Cavaglieri, the Song (1744-1814), and his Messiah manuscript’, ofS ongs and female spirituality in Federigo by Thomas McGeary 165 Klagt, Kinder ‘}. S. Bach’s Trauer-Music Borromeo’s Milan’ 349 metronome “Thomas Wright’s innovative for Prince Leopold: clarification and reconstruction’, by Andrew Parrott madrigals ‘Geronimo Cavaglieri, the Song of method for expressing tempos, as shown in Songs and female spirituality in Federigo his Concerto for harpsichord or piano forte KNIGHTON, Tess “Fortunate Iberia’ (RR) Borromeo’s Milan’, by Laura Macy 349 (1797)’, by David Galbraith 409 —— ‘Recreating Iberian soundworlds’ Mauitet, Damien “The fortepiano at a military music “The pride of noise”: drums (RR) crossroads’ (Cornell University, Ithaca, and their repercussions in early modern KNIGHTS, FRANCIS ‘Early keyboards at August 2011) (Report) 665 England’, by Christopher Marsh 203 676 EARLY MUSIC NOVEMBER 2011 MontaGu, JEREMY ‘Iberian drums’ (BR 427 Obrecht’s Missa de Sancto Johanne Baptista’, Picander ‘J. S. Bach’s Traver-Music for Prince Monteverdi, Claudio ““In grembo a Citherea”: by Michael Anderson 547 Leopold: clarification and reconstruction’, the representation of ingenium and ars in Observation 245, 401, 587, 597 by Andrew Parrott 87 Claudio Monteverdi's Tempro la cetra’, by opera ‘Winds, cupids, little zephyrs and sirens: polychoral repertory ‘Music and musicians in Gordon Haramaki 503 Monteverdi and Le nozze di Tetide (1616- the Catholic chapel of James I] at Whitehall, “The high and lowe keyes come both to 1617)’, by Tim Carter 489 1686-1688’, by Peter Leech 379 one pitch”: reconciling inconsistent clef- operatic prologue “In grembo a Citherea”: power ““The pride of noise”: drums and their systems in Monteverdi's vocal music for the representation of ingenium and ars in repercussions in early modern England’, by Mantua’, by Roger Bowers 531 Claudio Monteverdi's Tempro la cetra’, by Christopher Marsh 203 ‘Winds, cupids, little zephyrs and sirens: Gordon Haramaki 503 Prince Leopold of Anhalt-Céthen ‘J. S. Monteverdi and Le nozze di Tetide (1616 oratorios ‘Significance and effect of the stile Bach’s Trauer-Music for Prince Leopold: 1617)’, by Tim Carter 489 antico in Handel’s oratorios’, by Minji Kim clarification and reconstruction’, by ‘An emblem of modern music: temporal 563 Andrew Parrott symmetry in the prologue of L’Orfeo Ozmo, ZAK, NINA TREADWELL AND Pat PritcHarD, MartHew ‘Analysiansd plain 1607)’, by Ilias Chrissochoidis 519 SPARKS ‘James Tyler’ (Obit.) 149 speaking’ (BR) Moopy, Ivan ‘Monophony, polyphony and PAGE, JANET K. \ Viennese woman composer’ prologue ‘An emblem of modern music: pianos’ (RR 441 BR 618 temporal symmetry in the prologue of motet ‘Languishing for provenance: Zelo L’Orfeo (1607)’, by Ilias Chrissochoidis papal chapel “The singers of the said chapel tui langueo and the search for women’s are chaplains of the pope”: some remarks Purification ritual ‘Asperges me, Domine, polyphony in England’, by Lisa Colton on the papal chapel in early modern times’, hyssopo: male voices, female interpretation Mozart, Wolfgang Amadeus ‘Painting for by Claudio Annibaldi 15 and the medieval English purification of a Requiem: Mihaly Munkacsy’s The last women after childbirth ceremony’, by Sue papal singers “The singers of the said chapel moments of Mozart (1885)’, by Alan Davison Niebrzydowski 327 are chaplains of the pope”: some remarks on the papal chapel in early modern times’, Qutnney, Ropert ‘Mendelssohn the organist’ Munkacsy, Mihaly ‘Painting for a Requiem: by Claudio Annibaldi 15 (BR) 431 Mihaly Munkacsy’s The last moments of PARDEE, KATHARINE ‘Bach in Edinburgh’ Ratuey, Markus “Buxtehude vocal music’ Mozart (1885)’, by Alan Davison Edinburgh, August 2011) (Report) 664 (RR) 639 Minster ‘New findings on the possible Paris ‘The clavecins a maillets of Marius and Raval, Sebastian ‘Warriors and musicians: cmoapnyuissctrs ipatnsd oinw nMeirisn stoefr :t het heS carrollaet tiof sonata Vfierlstt mpaina:n osn ewin oFrbasnecrev’a,t iboyn sG ioonv asnnoim e Poafo ltoh e nMoetleasn ifer oMma rtshhea lClo lonna family archive’, b1y9 5 Antonino Reggio’, by Anthony Hart Di Stefano 35 Rawson Ropert ‘Kroméfiz explored’ (BR) 609 music publishing ‘The composer and the subscriber: a case study from the 18th Parrott, Andrew “The high and lowe keyes Recent Researches in the Music of the Baroque century’, by Margaret Seares 65 come both to one pitch”: reconciling Era |series| 435 inconsistent clef-systems in Monteverdi's recorder “‘si chiama fagotto”: concerning a Music reviews 107, 279, 435, 621 vocal music for Mantua’, by Roger Bowers drawing of musical instruments by Giovanni music societies ‘More on Vivaldi in 531 Ricamatori, otherwise known as Giovanni Switzerland’, by Claudio Bacciagaluppi 597 ‘J. S. Bach’s Trauer-Music for Prince da Udine’, by Martin Kirnbauer 217 music subscription “The composer and the Leopold: clarification and reconstruction’ Recording Reviews 109, 281, 441, 627 sceunbtsucrryi’b,e r:b y a Mcaarseg arsetutd y Sefarreosm the 18th 65 587 recordings ‘Haydn’s symphonies: problems patronage “The singers of the said chapel are of instrumentation and performance musical time ‘Col tempo: musical time, aging chaplains of the pope”: some remarks on tradition’, by Andreas Friesenhagen and sexuality in 16th-century Venetian the papal chapel in early modern times’, by Regensburg ‘Sweet singing in three voices: paintings’, by Jane Hatter 3 Claudio Annibaldi 5 a musical source from a South German Musikkollegium Winterthur ‘More on Vivaldi pendulum ‘Thomas Wright’s innovative convent?’, by Barbara Eichner in Switzerland’, by Claudio Bacciagaluppi 59 hmiest hoCdon cefrotro exfoprr ehsasripnsgi chtoermdp osor, piasa nsoh ofwornt e in Reggpioos,s iAblnet ocnoipnyios ts‘ Naenwd ofiwnndeirnsg s oofn t hteh eS carlatti Nares, James “The composer and the 1797)’, by David Galbraith 409 sonata manuscripts in Miinster: the role of subscriber: a case study from the 18th Pepusch, Johann ‘Handel’s students, two Antonino Reggio’, by Anthony Hart 57 century’, by Margaret Seares 65 lovers, and a shipwreck’, by David Hunter Reports 139, 301, 473, 663 New Spain ‘Villancicos from Mexico City for 157 tDhaev iVeisr gin of Guadalupe’, by Drew Edward2 29 percaunsds iothne ir ‘“rTehpee rcpursisdieo nosf nioni seea”r:l y dmroudmes rn RequM(i1u8en8m5k)a ’c, s‘ybPa’yis nA tliTanhng e Dflaoarvst i sam oRonem qeunitesm : ofM Miohzaalryt 79 News and events 147, 306, 479, 668 England’, by Christopher Marsh 203 Ricamatori, Giovanni “‘si chiama fagotto”: NIEBRZYDOWSKI, SUE ‘Asperges me, Domine, Performing matters 253, 409 concerning a drawing of musical hyssopo: male voices, female interpretation performance practice “Thomas Wright's instruments by Giovanni Ricamatori, and the medieval English purification of innovative method for expressing tempos, otherwise known as Giovanni da Udine’, by women after childbirth ceremony’ as shown in his Concerto for harpsichord or Martin Kirnbauer 217 nuns ‘Geronimo Cavaglieri, the Song of piano forte (1797)’, by David Galbraith 409 RoBeRTSON, MICHAEL ‘Posch explored’ Songs and female spirituality in Federigo performing traditions ‘Haydn’s symphonies: (BR) 97 Borromeo’s Milan’, by Laura Macy 349 problems of instrumentation and Rosinson, Lucy “The viol rules” OK’ (BR) 99 —— ‘Sweet singing in three voices: a musical performance tradition’, by Andreas source from a South German convent?’, by Friesenhagen —— “The heart of sensibility” (BR) 424 Barbara Eichner 335 Rocue, ELizABETH ‘Baroque on the stage’ phagotum “‘si chiama fagotto”: concerning a Obituary 149 drawing of musical instruments by Giovanni (RR) Obrecht, Jacob ““His name will be called Ricamatori, otherwise known as Giovanni da —— ‘Five Handel operas’ (RR) John”: reception and symbolism in Udine’, by Martin Kirnbauer 217 —— ‘Handel arias’ (RR) EARLY MUSIC NOVEMBER 2011 677 —— ‘Instrumental Handel’ (RR) keyboard repertory’ (RR) 134 Trauer Ode ‘}. S. Bach’s Trauer-Music Ropricuez-Garcia, EsPERANZA ‘On stile antico ‘Significance and effect of the stile for Prince Leopold: clarification and Victoria's gooth anniversary’ (BR) 265 antico in Handel's oratorios’, by Minji Kim reconstruction’, by Andrew Parrott Rome “The singers of the said chapel are 563 Trauer-Music ‘).S. Bach’s Trauer-Music chaplains of the pope”: some remarks on stile moderno ‘Significance and effect of the for Prince Leopold: clarification and the papal chapel in early modern times’, by stile antico in Handel’s oratorios’, by Minji reconstruction’, by Andrew Parrott Claudio Annibaldi 15 Kim 563 TREADWELL, Nina, ZAK OZMO AND PauL —— ‘Warriors and musicians: notes from Striggio, Alessandro ‘Winds, cupids, little Sparks ‘James Tyler’ (Obit.) the Colonna family archive’, by Melanie zephyrs and sirens: Monteverdi and Le tricinium ‘Sweet singing in three voices: a Marshall 195 nozze di Tetide (1616—-1617)’, by Tim Carter musical source from a South German Rose, StePHEN ‘Lutheran music through thick 489 convent?’, by Barbara Eichner and thin’ (RR) 443 students ‘Handel’s students, two lovers, and a tuning ‘Further thoughts on Bach’s 1722 sacred music ““The singers of the said chapel shipwreck’, by David Hunter 157 temperament’, by Luigi Swich 401 are chaplains of the pope”: some remarks Swicu, Luici ‘Further thoughts on Bach’s 1722 Tyler James ‘James Tyler’, by Zak Ozmo, NINA on the papal chapel in early modern times’, temperament’ 401 TREADWELL AND PAUL SPARKS (Obit.) by Claudio Annibaldi 15 Switzerland ‘More on Vivaldi in Switzerland’, 149 Sawkins Lionet ‘Charpentier appreciated’ by Claudio Bacciagaluppi 597 urban music ““The pride of noise”: drums (BR) 270 symbolism “His name will be called John”: and their repercussions in early modern Scarlatti, Domenico ‘A Spanish harpsichord reception and symbolism in Obrecht’s England’, by Christopher Marsh 203 from Domenico Scarlatti’s environs’, by Missa de Sancto Johanne Baptista’, by UrBerG, MICHELLE, AND ANNA KATHRYN John Koster 245 Michael Anderson Grau ‘Musicology at Kalamazoo’ —— ‘New findings on the possible copyists tactus ‘Col tempo: musical time, aging (Report) (Kalamazoo, MI, May 2011) and owners of the Scarlatti sonata and sexuality in 16th-century Venetian {46th International Congress on Medieval manuscripts in Minster: the role of paintings’, by Jane Hatter Studies] 473 Antonino Reggio’, by Anthony Hart 57 Tatpot MicHaet “Music from Avison’s URQUHART, PETER AND HEATHER DE SCHWALBACH, BURKHARD ‘New variations on workbooks’ (MR) 435 SavaGeE ‘Evidence contrary to the a cappella Bach’s chorus’ (RR) 641 Talbot, James ‘The chittarra atiorbata and the hypothesis for the 15th-century chanson’ 359 Scotland, music in ‘Guillaume Tessier’s travels guittare theorbée: a reappraisal’, by Monica vacatio ““In grembo a Citherea”: the in Scotland and England’, by Jeanice Brooks Hall 25 representation of ingenium and ars in 185 teaching ‘Handel’s students, two lovers, and a Claudio Monteverdi's Tempro la cetra’, by Seares, MARGARET “The composer and the shipwreck’, by David Hunter 157 Gordon Haramaki 503 subscriber: a case study from the 18th temperament ‘Further thoughts on Bach’s 1722 VAN BENTHEM, JAAP ‘Senfl revisited’ (Vienna, century’ temperament’, by Luigi Swich 401 June 2011) (Report) 475 sexuality ‘Col tempo: musical time, aging tempo “Thomas Wright’s innovative method VarwiG, Bettina “The lives of German and sexuality in 16th-century Venetian for expressing tempos, as shown in his musicians in novels and autobiographies’ paintings’, by Jane Hatter Concerto for harpsichord or piano forte (BR) 613 Suay, RoBERT No, nothing offend our Fairy (1797)’, by David Galbraith 409 Veltman, Andries “The clavecins a maillets of Queen”: a majestic new edition’ (MR) 279 temporal symmetry ‘An emblem of modern Marius and Veltman: new observations SHEPHARD, Tim ‘New Du Fay recordings’ (RR2) mofu sLi’cO:r fteeom p(o1r60a7l) ’,s ybmym eIltirasy Chirn itshseo cphrooildoigsuse1 9 oGni ovsaonmnei ofPt ahoelo fiDris t Sptieafnaonso in France’, by 35 Sidnieny ,S cSoitrl aPnhdi liapn d ‘EGnugillalnadu’m,e bTye sJseiaenri’cse tBrarvoeolks1 s85 TessiSecro,t lCahnadr laensd E‘nGgulialnlda’u,m eb yT eJsesaineirc’es Btrraovoeklss 1i8n5 VenetVtieimnaee,nt iaapgnai inngpt aiiannngtdi ngs‘seC’xo,lu albtieytm ypJ oai:nn e m1Hu6asttihtc-eacrle ntury 3 SKOWinRtOeNraEcCtKio,n ’ TI(BLRM)A N ‘Mozart: text and 616 TessitBerrrao,voe lkGssu iiln lSacuomtela nd‘ Gaunidl laEunmgel anTde’s,s iebry’s Jeanic1e8 5 Vesptseoyr ssot neem “s Tpihitenc hM”ho:in gtrhee vcaeonrndcd iil’lison wge v oikcnaeclyo ensms uicssotiemcne t f obcrol etfh- Song of Songs ‘Geronimo Cavaglieri, the Song Mantua’, by Roger Bowers 531 oBfoS rornogmse oa’nsd Mfielmaanl’e, sbpyi rLiatuuarlai tyM aicny F ederig3o4 9 Tetisd(ie1r6 e1n6s‘-:W1 i6Mn17do)sn’,t, e vcbueypr idTdiis ,m alnCidtat rlteL eezr enpohzyzer s dia nTde tide 489 villatnhcei cVoi rg‘iVni lloaf nGcuiacdosa lufpreo’m, Mbeyx iDcroe wC itEyd wfaorr d sordune “‘si chiama fagotto”: concerning a Davies 22 ddRari acaUwmdiianntgeo ’ro,if , bmyuos tMihcaearrltw iinsi en sKtkirnrunombweannut esra s bGyi oGviaonvnanin 2i17 ThomlALeaenasidsptsrz ecieahgis ug hlltiGe,nl eé ncoa“kfmT ne1hel7ery 3 0rt—iwpsoio enmfioesr t seo abmcsuhes rtvp aatraitl”os:no s ’tbh,ee 5ab7ty5 Virgmmiaenld eiM eavvraoliyc eEs‘,nA gslfpieesmrhag leeps u rmiienf,ti ecrDaptorimeoitnna etoi,fo nw hoyasmnsedop no t:h eaf ter Sparks, Paut, ZAK OzMO AND NINA childbirth ceremony’, by Sue Niebrzydowski TREADWELL ‘James Tyler’ (Obit.) 149 THOM(PBRS)O N, SHIRLEY “Celebrating Lalande’ 271 327 split-notes ‘Evidence contrary to the a cappella Virgin of Guadalupe ‘Villancicos from Mexico hypothesis for the 15th-century chanson’, by THORMAHLEN, WieBkE “Kleinmeister” City for the Virgin of Guadalupe’, by Drew Peter Urquhart and Heather de Savage 359 music—A conflict of interests?’ (RR) Edward Davies 22 St Matthew Passion ‘). S. Bach’s Trauer- tonante “‘si chiama fagotto”: concerning Vivaldi, Antonio ‘More on Vivaldi in Music for Prince Leopold: clarification and a drawing of musical instruments by Switzerland’, by Claudio Bacciagaluppi 597 Giovanni Ricamatori, otherwise known reconstruction’, by Andrew Parrott 587 as Giovanni da Udine’, by Martin vocal music ‘Sweet singing in three voices: Stewart-MacDona.p, ROHAN ‘A Mozart Kirnbauer 217 a musical source from a South German bonanza’ (RR) 650 convent?’, by Barbara Eichner 335 transposition “The high and lowe keyes come —— ‘Beethoven refreshed and revitalized’ both to one pitch”: reconciling inconsistent Watts, Peter Correspondence (Corr.) 78 (RR) 469 clef-systems in Monteverdi's vocal music wedding entertainment ‘Winds, cupids, little —— ‘New vistas onto the Classical—Romantic for Mantua’, by Roger Bowers 531 zephyrs and sirens: Monteverdi and Le 678 EARLY MUSIC NOVEMBER 2011 nozze di Tetide (1616—1617)’, by Tim Carter Lalande et ses contemporains. Actes du colloque Masses, ed. Theodor Dumitrescu, Early international: Versailles 2001. Hommage a English Church Music, lii (Lisa Colton) 621 White, Bryan ‘Purcell’s elusive life’ (BR Marcelle Benoit, ed. Lionel Sawkins (Shirley Frescobaldi, Girolamo: Orgel- und Clavierwerke, WOLLENBERG Susan ‘C. P. E. Bach for Thompson) 271 ed. Christopher Stembridge with Kenneth connoisseurs and amateurs’ (MR 437 Little, William A.: Mendelssohn and the organ Gilbert. Vol.i.a: Recercari et canzoni WOoLLsTON, Sitas ‘Lawes manuscripts in the Robert Quinney) 431 franzese, BA 8411 (Naomi J. Barker) 107 witness box’ (BR) 267 Lowerre, Kathryn: Music and musicians on the Frescobaldi, Girolamo: Orgel- und Clavierwerke, women ‘Languishing for provenance: Zelo London stage, 1695-1705 (Berta Joncus) 100 ed. Christopher Stembridge with tui langueo and the search for women’s Maloy, Rebecca: Inside the offertory: aspects of Kenneth Gilbert. Vol.i.2: Toccate e partite polyphony in England’, by Lisa Colton — 315 chronology and transmission (Kate Helsen) 93 d’intavolatura di cimbalo, libro primo, BA WooOLLeY, ANDREW ‘Italian concertos Marsh, Christopher: Music and society in early 8412 (Naomi J. Barker) 107 unknown and known’ (RR) modern England (Katherine Butler) 415 Purcell, Henry: The Fairy Queen, ed. Bruce —— ‘Vivaldi highs and lows’ (RR) 131 Molina, Mauricio: Frame drums in the medieval Wood and Andrew Pinnock, The Works of Wright, Thomas “Thomas Wright's innovative Iberian peninsula (Jeremy Montagu) 27 Henry Purcell, vol.xii (Robert Shay) 27 method for expressing tempos, as shown in New perspectives on Marc-Antoine Charpentier, Scarlatti, Francesco: Six concerti grossi, ed. Mark his Concertfoo r harpsichord or piano forte ed. Shirley Thompson (Lionel Sawkins) 270 Kroll, Recent Researches in the Music of the Baroque Era, clix (Michael Talbot) 435 (1797)’, by David Galbraith 409 Page, Christopher: The Christian West and its Early English Church Music {series} 621 singers: the first thousand years (William The Eton Choirbook: facsimile and introductory Recent Researches in the Music of the Baroque Flynn) 605 sFtiutdcyh,) ed. Magnus Williamson (Fabrice Era {series Pollens, Stewart: Stradivari (Andrew Manze) 269 Rose, Stephen: The musician in literature in the RECORDINGS age of Bach (Bettina Varwig) 613 Schweizer, Steven L.: Timpani tone and the A due cembali obligati: 18th century music for Aspects of the secular cantata in late Baroque interpretation of Baroque and Classical music 2 harpsichords, Jan Devlieger, Guy Penson Italy, ed. Michael Talbot (Teresa M. John Michael Cooper) 428 (David Chung) 119 Gialdroni Sehnal, Jifi: Pavel Vejvanovsky and the Kromériz Adieu vous di: Ars Nova oft he Low Countries, Bianco, Aurelio: ‘Nach englischer und music collection: perspectives on 17th-century Fortuna (Ivan Moody) 441 frantzésischer Art’: Vie et oeuvre de Carlo musicin Moravia, trans. Judith Fiehler Al compas de vihuela, Rafael Bonavita FDraersidnea) (a(vReecb| ec ‘céad itCiyonp esdess cing recueils de 417 Robert Rawson) 609 (Christopher Goodwin) 109 BootDhe,c eCpotliivne: nDoitda tiBoanc h in reBalalryo qmueea nk eythbaota?r d SkowrSoinane ckD,er rTyi) lman: Beethoven the pianist 104 AlbinHoanrim,o nTiocmeass o:M unCdoinc,e rdtiir . aC lcianuqduieo OAps.t1r0,o no music (David Ledbetter) 421 The Cambridge companion to 18th-century opera, (Andrew Woolley) 457 Brewer, Charles E.: The instrumental music ed. Anthony R. Del Donna and Pierpaolo Homage to a Spanish Grandee: Selection of Schmeltzer, Biber, Muffat and their Polzonetti (Clive McClelland) 422 from ‘Concerti a cinque’, Op.10, Collegium contemporaries (James Clements) 611 The Cambridge Handel encyclopedia, ed. Musicum 90, dir. Simon Standage (Andrew Annette Landgraafn d David Vickers (Tanya Woolley) 457 Communication in 18th-century music, ed. Danuta Mirka and Kofi Agawu (Matthew Kevorkian) 104 Antico Moderno: Renaissance madrigals Pritchard) 271 Treadwell, Nina: Music and wonder at the embellished 1517-2009, Capriccio Stravagante Medici court: the 1589 interludes for ‘La (A. L. Babington) 281 Crum, Alison: The viol rules: a notebook (Lucy Robinson) 99 pellegrina’ (Janie Cole) 263 Avecillas sonoras: villancicos from 18th-century Watchorn, Peter: Isolde Ahlgrimm, Vienna and Latin America, Musica Temprana, dir. Cunningham, John: The consort music of the early music revival (Natalia Loresch) 275 Adrian Rodriguez Van der Spoel (David R. William Lawes, 1602-1645 (Silas Wollston) 267 Wood, Bruce: Purcell: an extraordinary life M. Irving) 295 (Bryan White) Bach, Johann Sebastian: The Art ofF ugue, de Vicente, Alfonso: Tomas Luis de Victoria. George Ritchie (Kimberly Marshall) 451 Cartas (1582-1606) (Esperanza Rodriguez- Garcia) 265 — Bach arranging and arranged, The Bach Players (Uri Golomb) 122 Filippi, Daniele V.: Tomas Luis de Victoria Avison, Charles: Concerto grosso arrangements (Esperanza Rodriguez-Garcia) 265 of Geminiani’s op.1 violin sonatas, ed. Mark —The Brandenburg Concertos, La Petite Bande, Godt, Irving: Marianna Martines: a woman Kroll, Recent Researches in the Music of the dir. Sigiswald Kuijken (John Kitchen) 283 composer in the Vienna of Mozart and Baroque Era, clx (Michael Talbot) 435 Brandenburg Concertos, Orchestral Suites, Haydn, ed. John A. Rice (Janet K. Page) 618 Bach, Carl Philipp Emanuel: The complete Bach Collegium Japan, dir. Masaaki Suzuki Holman, Peter: Life after death: the viola da works, Vol.II/3.2: Keyboard trios II, ed. (John Kitchen) 283 gamba in Britain from Purcell to Dolmetsch Steven Zohn (Susan Wollenberg) 437 ——Cantatas—swv 131 and 182, Arcis- (Lucy Robinson) 424 Bach, Carl Philipp Emanuel: The complete Vocalisten Miinchen, Barockorchester Irving, John: Understanding Mozart’ s piano works, Vols.I/4.1 and I/4.2: Kenner und L’Arpa Festante, dir. Thomas Gropper sonatas (Tilman Skowroneck) 616 Liebhaber Collections III, ed. Christopher (David Black) 448 Ketterer, Robert C.: Ancient Rome in early opera Hogwood (Susan Wollenberg) 437 — Cantatas, vol. 45, Bach Collegium Japan, (Thomas McGeary) 614 D’Anglebert, Jean Henry: The collected works, dir. Masaaki Suzuki (David Black) 448 Kirkman, Andrew: The cultural life oft he early ed. C. David Harris (David Chung) 624 ——Cantatas, vol. 46, Bach Collegium Japan, polyphonic Mass: medieval context to modern Fifteenth-century liturgical music, VI: Mass dir. Masaaki Suzuki (David Black) 448 revival (Elizabeth Eva Leach) 95 settings from the Lucca Choirbook, ed. —Cantatas, vol. 47, Bach Collegium Japan, Kokole, Metoda: Isaac Posch: ‘diditus eois Reinhard Strohm, Early English Church dir. Masaaki Suzuki (David Black) 448 hesperiisqueplagis— ‘ Praised in the lands of Music, xlix (Lisa Colton) 621 —The cello suites, Angela East (Uri Golomb) dawn and sunset’ (Michael Robertson) Fifteenth-century liturgical music, VII: The York 122 EARLY MUSIC NOVEMBER 2011 679 —Cembalo concertos, Francesco Sera, | ——NMass in B minor, Dunedin Consort Buxtehude, Dieterich: Membra Jesu nostri, The Barocchisti, dir. Diego Fasolis (John & Players, dir. John Butt (Burkhard Purcell Quartet, Fretwork (Markus Rathey) Kitchen) Schwalbach) 641 639 ——Chamber music, Lorenzo Ghielmi, La ——Mass in B minor, Bwv 232, Cappella ——Opera Omnia VII: Vocal works 3, Divina Armonia (Uri Golomb) Amsterdam, Orchestra of the Eighteenth Amsterdam Baroque Orchestra and Choir, ——Chromatic Fantasia and Fugue; Partita Century, dir. Frans Briiggen (Burkhard dir. Ton Koopman (Markus Rathey) —_-639 no.4; English Suites no.3, Lisa Goode Schwalbach) 641 ——Opera Omnia XI: Vocal works 4, Crawford (John McKean) ——Matthiius-Passion, La Petite Bande, dir. Amsterdam Baroque Orchestra and Choir, ——Clavieriibung I, Alexander Weimann Sigiswald Kuijken (Burkhard Schwalbach) dir. Ton Koopman (Markus Rathey) 639 (John McKean) 454 641 Scandinavian cantatas, Theatre of Voices, ——Clavier-Ubung II, Pascal Dubreuil (John ——DMissae Breves Bwv 233 & 236, Pygmalion, dir. Paul Hillier (Markus Rathey) 639 McKean) 454 Raphael Pichon (Burkhard Schwalbach) 641 Caldara, Antonio: Ip]i tt bel nome, El Concierto ——The complete Clavier Suites of J. S. Bach, —Musikalisches Opfer, Amsterdam Espanol, dir. Emilio Moreno (Tess vol.2, John Paul (John McKean) 454 Baroque Orchestra, dir. Ton Koopman Knighton) 647 Complete concertos for solo harpsichord, (Uri Golomb) Canto Novello: Maria! Virgin, Beloved, Mother, Elizabeth Farr (John Kitchen) 283 Orchestral Suites for a young prince, and Queen of Heaven—Laude from late- Ensemble Sonnerie, dir. Monica Huggett medieval Italy, Ars Choralis Coeln, dir. Oni ——Complete harpsichord concertos, (John Kitchen) 283 Wytars (Elizabeth Eva Leach) 627 Davitt Moroney, Karen Flint, Arthur Haas, JungHae Kim, Adam Pearl Organ works, vol.g, Jacques van Carrion, Jeronimo de: Ah de los elementos, (John Kitchen) 283 Oortmerssen (Kimberly Marshall) 451 Capilla Jeronimo de Carrién (Tess Complete organ works, Gerhard ——Orgelmesse: ‘Clavier-Ubung’ Part III, Knighton) 647 Weinberger (Kimberly Marshall) 451 Hansjérg Albrecht (Kimberly Marshall) 451 Cavalli, Francesco: Ercole Amante, Nederlandse ——Das Wohltemperierte Clavier: Book II, Peter Partiten BwV825—830, Francesco Corti Opera, dir. Ivor Bolton (Elizabeth Roche) Watchorn (John McKean) 454 (John McKean) 454 463 ——Der seele Paradies, Dorothea Passio secundum Johannem, Ricercar A century of domestic keyboards, 1727-1832, Zimmermann, Ensemble Bizzaries, dir. Jan Consort, dir. Philippe Pierlot (Burkhard Joanna Leach (Rohan Stewart-MacDonald) Katzschke (David Black) 448 Schwalbach) 641 134 Desire: ] S & ] C Bach Cantates, Il Sonatas for flute and harpsichord, Mario Chacona, Jan Griiter (Christopher Goodwin) Gardellino, dir. Marcel Ponseele (David Folena, Roberto Loreggian (Uri Golomb) 109 Black) 448 122 Clementi, Muzio: Early piano sonatas vol.2, ——Die Kunst der Fuge, Peter Kofler (John Sonatas for violin and keyboard, Richard Susan Alexander-Max (Rohan Stewart- McKean) Tognetti, Neal Peres da Costa, Daniel MacDonald) 134 Yeadon (Uri Golomb) Comes, Joan Baptista: In festo Corporis Christi ——Die Kunst der Fuge, Christian Rieger (Kimberly Marshall) Sonate a 2 Clav. & Pedal., Bwv 525-530, (Valencia, ca. 1635), Victoria Musicae, dir. Benjamin Alard (Kimberly Marshall) 451 Josep Gil-Tarrega (Tess Knighton) 291 Die Kunst der Fuge, Bengt Tribukait (Kimberly Marshall) ——St John Passion, Yorkshire Baroque Concert Parisien, Luc Beauséjour, Héléne Soloists, dir. Peter Seymour (Burkhard Plouffe, Juan Manuel Quintana, Grégoire Early Cantatas Vol.3: Weimar Cantatas II, Schwalbach) 641 Jeay (Eric Cross) 460 Emma Kirkby, Michael Chance, Charles Daniels, Peter Harvey, The Purcell Quartet ——St John Passion, Bwv 245, Cappella Concerti d'amore, Bell’arte Salzburg, dir. (David Black) 448 Amsterdam, Orchestra of the Eighteenth Annegret Siedel (Eric Cross) 460 Century, dir. Frans Briiggen (Burkhard The Contest of Apollo and Pan: An anthology Easter & Ascension Oratorios, Retrospect Schwalbach) 641 ofi nstrumental music by Castello and his Ensemble, dir. Matthew Halls (Burkhard Schwalbach) 641 —'The Transcendent Genius’: The Great 18 contemporaries, Apollo & Pan (Roberto Chorale Preludes, Gail Archer (Kimberly Giuliani) 117 Fantasia & Fuge, Léon Berben (John Marshall) 451 Crai, crai, crai! Music at the Spanish Court McKean) 454 Triosonatas for organ, Reine-Marie ofN aples, Ensemble Oni Wytars (Tess Goldberg Variations, Aapo Hakkinen Verhagen, Tini Mathot (Uri Golomb) — 122 Knighton) 291 (Francis Knights) 126 Beethoven, Ludwig van: Complete symphonies, Crux: Parisian Easter music from the 13th & 14th Goldberg Variations, Matthew Halls La Chambre Philharmonique, Choeur de centuries, Ensemble Peregrina, dir. Agnieszka (Francis Knights) Chambre Les Eléments, dir Emmanuel Budzinska-Bennett (Elizabeth Eva Leach) 627 ——Goldberg Variations, Martin Schmeding Krivine (Rohan Stewart-MacDonald) 469 Dall’ Aquila, Marco: Pieces for lute, Paul O’ Dette (Francis Knights) ——Concerti 1 & 2 pour le pianoforte avec (Christopher Goodwin) 109 Goldberg Variations, Benjamin-Joseph accompagnement d’orchestre, Arthur The Dedication of the Temple: Music from Steens (Francis Knights) 126 Schoonderwoerd, Ensemble Cristofori the Templars’ Jerusalem Breviary, Schola ——Goldberg Variations, Silke Strauf, Claas (Rohan Stewart-MacDonald) 469 Gregoriana of Cambridge, dir. Jeremy Harders (Francis Knights) 126 Piano Concertos WoO4 & no.2, Ronald White (Elizabeth Eva Leach) Goldberg Variations, Swiss Chamber Brautigam, Norrképing Symphony Diminutions and ostinati, Saskia Coolen, Soloists (Francis Knights) 126 Orchestra, dir. Andrew Parrott (Rohan Rainer Zipperling, Patrick Ayrton (A. L. ——Goldberg Variations, Canonic variations, Stewart-MacDonald) 469 Babington) Pieter Dirksen (Francis Knights) 126 —Piano Trio op.1, no.3; Symphony no.2 in D Dominica Resurrectionis ad Matutinum, ——Inventions & Sinfonias Bwv 772-801, Peter major, op.36, Atlantis Trio (Rohan Stewart- Cantorum Amsterdam (Ivan Moody) Watchorn (John McKean) 454 MacDonald) 469 Dreams of Andalusia, Joglaresa, dir. Belinda ——L’Art de la Fugue, Régis Allard (Kimberly ——Sonatas & trios, Queen’s Chamber Trio Sykes (Tess Knighton) Marshall) 451 (Rohan Stewart-MacDonald) 469 Du Fay, Guillaume: Chansons, Tetraktys, ——Markus-Passion, Amarcord, Kélner Buxtehude, a tercentenary tribute: Music of dir. Jill Feldman and Kees Boeke (Tim Akademie, dir. Michael Alexander Willens the Baroque avant-garde, Douglas Hollick Shephard) (Burkhard Schwalbach) 641 (David Chung) ng ——Dufay and the Court of Savoy, Binchois 680 EARLY MUSIC NOVEMBER 2011 Consort, dir. Andrew Kirkman (Tim Woolley) 457 cantatas, Peter Kooij, Hana Blazikova, Shephard 112 Gluck, Christoph Willibald: Ezio, Orchester L’Armonia Sonora, dir. Mieneke van der —Supremum est mortalibus bonum, Cantica der | udwigsburger Schlossfestspiele, dir. Velden (Stephen Rose) 443 Symphonica, dir. Giuseppe Maletto (Tim Michael Hofstetter (Wiebke Thormiahlen) Hassler, Hans Leo: Sacred and secular music, Shephard) 112 655 Currende, dir. Erik van Nevel (Stephen Eberl, Anton: The complete sonatas for solo Graupner, Johann Christoph: Partitas for Rose) 443 piano, John Khouri (Rohan Stewart harpsichord, Naoko Akutagawa (David Haydn, Joseph: Acide, Haydn Sinfonietta Wien, MacDonald) Chung) 1g dir. Manfred Huss (Stephen Groves) 466 Echo de Paris: Parisian love songs 1610-1660, Guerrero, Francisco: Villanescas III, Musica ——Applausus Jubilaeum Virtutis Palatium, Stephan van Dyck, Private Musicke, dir Ficta, dir. Raul Mallavibarrena (Tess Capella Augustina, dir. Andreas Spering Pierre Pitz] (A. L. Babington Knighton) (Stephen Groves) 466 Echo & Risposta: Virtuoso instrumental music Handel, George Frideric: Acis and Galatea, ——The complete Haydn Masses, Trinity Choir, from the galleries of the Abbey Church of The Royal Opera, The Royal Ballet, REBEL Baroque Orchestra, dir. J. Owen Muri, Les Cornets Noirs (Roberto Giuliani Orchestra of the Age of Enlightenment, Burdick and Jane Glover (Stephen Groves) 117 dir. Christopher Hogwood 466 El Fuego, Les Sacqueboutiers (A. L. Babington Elizabeth Roche) 463 Die Feuersbrunst, Capella Augustina, dir. 281 Ah! mio cor-—Handel Arias, Magdalena Andreas Spering (Stephen Groves) 466 El nuevo mundo: folias criollas, Montserrat Kozena, Venice Baroque Orchestra, dir. ——Die Schépfung, RIAS Kammerchor, Figueras, Tembembe Ensamble Continuo, Andrea Marcon (Elizabeth Roche) 286 Freiburger Barockorchester, dir. René La Capella Reial de Catalunya, Hespérion Apollo e Dafne, Roberta Invernizzi, Jacobs (Stephen Groves) 466 XXI, dir. Jordi Savall (David R. M. Irving Thomas E. Bauer, Furio Zanasi, La ——II mondo della luna, Theater an der Wien, 296 Risonanza, dir. Fabio Bonizzoni (Elizabeth Concentus Musicus Wien, dir. Nikolaus Felix Austria: Works for viola da gamba consort, Roche) 286 Harnoncourt (Stephen Groves) 466 Klaus Mertens, Hamburger Ratsmusik, dir —Arie per Basso, Lorenzo Regazzo, Concerto ——Philemon und Baucis, Haydn Sinfonietta Simone Eckert (A. L. Babington 281 Italiano, dir. Rinaldo Alessandrini Wien, dir. Manfred Huss (Stephen Groves) Fire burning in snow: Baroque music from (Elizabeth Roche) 286 466 Latin America—3, Ex Cathedra, dir. Jeffrey Concerti Grossi opus 6, Australian Herzog, Werner: Death forf ive voices |f ilm Skidmore (David R. M. Irving 295 Brandenburg Orchestra, dir. Paul Dyer about Carlo Gesualdo}, Il Complesso Flores de Lisboa: cancoes, vilancicos e romances Elizabeth Roche) 644 Barocco, dir. Alan Curtis, Gesualdo Consort portugueses, A Corte Musical (Tess Concerti Grossi opus 6, Avison Ensemble, of London, dir. Gerald Place (Gregory Knighton) 64 dir. Pavlo Beznosiuk (Elizabeth Roche) 644 Camp) 114 Flute sonatas by the Bach sons, Barthold Duets, Rosemary Joshua, Sarah Connolly, Hildegard von Bingen: In Festis Beatae Mariae Kuijken, Ewald Demeyere (Uri Golomb) 122 The English Concert, dir. Harry Bicket Virginis, Ars Choralis Coeln, dir. Maria Four Elements / Four Seasons: A choreographic Elizabeth Roche) 286 Jonas (Ivan Moody) 441 concert, Juan Kruz Diaz de Garaio Esnaola, —The Gentleman’s Flute, Stefan Temmingh Historia de compassione mariae: Marian Office, Midori Seiler, Akademie fiir Alte Musik Elizabeth Roche) 644 15th century, amarcord (Elizabeth Eva Berlin (Elizabeth Roche) 463 —Giulio Cesare in Egitto, Orchestra of Patras, Leach) 627 Frescobaldi, Girolamo: Affetti cantabile, Hank dir. George Petrou (Elizabeth Roche) — 286 Hummel, Johann Nepomuk: Sonata in Eb, Knox (Naomi J. Barker) 633 ——Handel in the Playhouse, Mary Bevan, Sonata in F minor, ‘La contemplazione’, Keyboard music from manuscript sources, Greg Tassell, L’Avventura London, dir. Zak Susan Alexander-Max (Rohan Stewart- Martha Folts (Naomi J. Barker) 633 Ozmo (Elizabeth Roche) 286 MacDonald) 134 —Keyboard music of Girolamo Frescobaldi, —NMessiah, Theater an der Wien, Arnold Hurel, Charles: The theorbo music (Christopher Yonit Lea Kosovske (Naomi J. Barker) 633 Schoenberg Choir, Ensemble Matheus, dir. Goodwin) 109 —Messe Grégorienne IX ‘Cum jubilo’ & Messa Jean-Christophe Spinosi (Elizabeth Roche) Kapsberger, Girolamo: Libro Terzo organa della Madonna, Marie-Claudine 463 d'Intavolatura di Chitarrone, Diego Touyére, Académie Saint-Ambroise, dir. Organ Concertos op.7, Academy of Ancient Cantalupi (Christopher Goodwin) 109 Jean-Christophe Candau (Naomi J. Barker Music, dir. Richard Egarr (Elizabeth Roche) Kassia: Byzantine hymns of the first female 633 644 composer, VocaMe (Ivan Moody) 441 ——Ricercari (1615), Liuwe Tamminga (Naomi ——Partenope, Concerto Copenhagen, dir. Kraus, Joseph Martin: Aeneas in Carthage, J. Barker) 633 Lars Ulrik Mortensen (Elizabeth Roche) 127 Sinfonia Finlandia Jyvaskyla, dir. Patrick ——The Twelve Toccatas: Toccate e partite, ——Rodrigo, Al Ayre Espanol, dir. Eduardo Gallois (Wiebke Thormihlen) 655 Rome 1615, Christopher Stembridge (Naomi Lopez Banzo(Elizabeth Roche) 127 ——NMiserere, Requiem, Stella Coeli, Deutscher J. Barker) 633 Sonatas for Flute, Jan de Winne, Lorenzo Kammerchor, La Stagione Frankfurt, dir. Froberger, Johann Jakob: Johann Jakob Ghielmi, Marco Testori (Elizabeth Roche) Michael Schneider (Andrew H. King) 298 Froberger, Christophe Rousset (David 644 L’Amor de Lonh: Medieval songs of love and loss, Chung) 119 Tamerlano, Chorus and Orchestra of Ensemble Gilles Binchois, dir. Dominique Gaultier, Denis and Ennemond: Apollo Orateur, Teatro Real, Madrid, dir. Paul McCreesh Vellard (Elizabeth Eva Leach) 627 Anthony Bailes (Christopher Goodwin) 109 (Elizabeth Roche) 127 La Spagna: Danzas del Renacimiento espanol, Gesualdo, Carlo: Madrigals, Kassiopeia Quintet ——Teseo, Staatsorchester Stuttgart, dir. Capella de Ministrers, dir. Carles Magraner (Gregory Camp) 114 Konrad Junghinel (Elizabeth Roche) —_127 (A. L. Babington) 281 Responsoria, De Labyrintho, dir. Walter ——Tolomeo, Il Complesso Barocco, dir. Alan La Tirana contra Mambrii: the tonadilla and Testolin (Gregory Camp) 114 Curtis (Elizabeth Roche) 127 popular musical comedies in Spain c.1800, Concierto Espanol, dir. Emilio Moreno Giovanni Gabrieli and his contemporaries: Trio Sonatas op.2 and op.5, Academy of (Tess Knighton) 647 Canzoni per sonare con ogni sorte di Ancient Music (Elizabeth Roche) 644 stromenti, His Majestys Sagbutts & Cornetts —Water Music, Musiciens du Louvre, dir. Lassus, Orlande de: Lagrime di San Pietro, (Roberto Giuliani) 117 Marc Minkowski (Elizabeth Roche) 644 Studio de Musique Ancienne de Montréal, dir. Christopher Jackson (David R. M. Giro d'Italia, Musica Alta Ripa (Andrew Harmoniae sacrae: 17th-century German sacred EARLY MUSIC NOVEMBER 2011 681 Irving) 629 (Rohan Stewart-MacDonald) 650 Ries, Ferdinand: Die Kénige in Israel, Laudent Deum: Sacred music by Orlande —Mozart am Stein Vis-a-Vis, Andreas Staier, Rheinische Kantorei, Das Kleine Konzert, de Lassus, Choir of St John’s College, Christine Schornsheim (Rohan Stewart- dir. Hermann Max (Stephen Groves) 658 Cambridge, His Majestys Sagbutts & MacDonald) 650 Rogier, Philippe: Polychoral works, Magnificat, Cornetts, dir. Andrew Nethsingha (David — Mozart on Italian organs, Liuwe Tamminga His Majestys Sagbutts and Cornetts, dir. R. M. Irving) 629 (Rohan Stewart-MacDonald) 650 Philip Cave (David R. M. Irving) 629 Prophetiae Sibyllarum, The Brabant — Mozart Sonatas, Linda Nicholson (Rohan —— Missa Ego sum qui sum; Motets, The Ensemble, dir. Stephen Rice (David R. M. Stewart-MacDonald) 650 Choir of King’s College London, dir. David Irving) 629 ——Piano Sonatas K279, K280 &k281, vol.1, Trendell (David R. M. Irving) 629 Prophetiae Sibyllarum, Weser-Renaissance, Robert Levin (Rohan Stewart-MacDonald) Romberg, Andreas: Der Messias, Rheinische dir. Manfred Cordes (David R. M. Irving) 650 Kantorei, Das Kleine Konzert, dir. 629 ——Piano-forte, Michel Kiener (Rohan Hermann Max (Andrew H. King) 298 ——St. Matthew Passion; Ave verum corpus, Ex Stewart-MacDonald) 650 Rosengart, Amilian: Te Deum Laudamus, Cathedra, dir. Jeffrey Skidmore (David R. ——The secret Mozart: Works for clavichord, Orpheus Vokalensemble, Ars Antiqua M. Irving) 629 Christopher Hogwood, Derek Adlam Austria, dir. Jiirgen Ess] (Wiebke Le Concert Spirituel, Le Concert des Nations, (Rohan Stewart-MacDonald) 650 Thormahlen) 655 dir. Jordi Savall (Eric Cross) 460 ——Sonatas k331 (Alla Turca), k570, Fantasia Rosenmiiller, Johann: Vox dilecti mei—Solo Le Roman de la Rose, Sabine Lutzenberger, Per- k397, Adagio k540, Tom Beghin (Rohan motets and sonatas, Alex Potter, Chelycus Sonat (Ivan Moody) 441 Stewart-MacDonald) 650 (Stephen Rose) 443 Ledesma, Juan de: Sonatas para violin y Sonatas & Rondos, Marcia Hadjimarkos Rosetti, Antonio: Jesus in Gethsemane, bajo—Spanish violin music from the time (Rohan Stewart-MacDonald) 650 NDR Chor, Mecklenburgisches of Ferdinand VI, Blai Justo, Elisa Joglar, Sonatas, Fantasy, Rondo, Stanley Hoogland Barockorchester, dir. Johannes Moesus Bernard Zonderman (Tess Knighton) — 647 (Rohan Stewart-MacDonald) 650 (Andrew H. King) 298 Machaut, Guillaume de: Flour de Flours: Lais Mudarra, Alonso: Tres Libros de Musica en Salsa Baroque, Ensemble Caprice, dir. Matthias & virelais, Norbert Rodenkirchen (Ivan cifra para vihuela, Sevilla 1546, Raquel Maute (David R. M. Irving) 295 Moody) 441 Andueza, Private Musick, dir. Pierre Pitz] Scarlatti, Domenico: Duende, Skip Sempé, Martin y Soler, Vicente: I! Burbero di Buon (Christopher Goodwin) 109 Olivier Fortin (Douglas Hollick) 289 Cuore, Orquesta Sinfonica de Madrid, Muffat, Gottlieb: Componimenti Musicali per il 16 Sonatas, Tomoko Matsuoka (Douglas dir. Christophe Rousset Cembalo, Mitzi Meyerson (David Chung) Hollick) 289 (Wiebke Thormahlen) 655 ng Sonatafso r harpsichord, Ewald Demeyere Mayr, Simon: The Marriage of Tobias, Simon Musica de la Guerra de Sucessié Espanyola, (Douglas Hollick) 289 Mayr Chorus and Ensemble, dir. Franz Grupo de Musica Barroca ‘La Folia’ (Tess Sonates, Mathieu Dupouy (Douglas Hauk (Stephen Groves) 658 Knighton) 647 Hollick) 289 Medea in Corinto, Sinfonieorchester Neapolitan flute concertos, Carlos Ipata, Auser Scheidemann, Heinrich: Harpsichord music, St Gallen, Chor und Opernchor des Musici (Andrew Woolley) 457 Pieter Dirksen (David Chung) 19 Theaters St Gallen, dir. David Stern (Stephen Groves) 658 The nightingale and the butterfly, Pamela Scheidt, Samuel: Sacrae Cantiones, Vox Luminis, Thorby, Elizabeth Kenny (Christopher dir. Lionel Meunier (Stephen Rose) 443 Melodia, Icelandic Carmina Chamber Choir Goodwin) 109 (Ivan Moody) 441 Schein, Johann Hermann: Opella Nova, MendKeollsns, ohDna,s NFeeluiex: OErlciahse,s tCehro,r udsir . MCuhsriicsutso ph Nun coKmopmosme!r s,F rTehnech Boavcehr tuPrleasy erbsy G(eDarvmiadn Black) FLoapnltéanniae d(’SIstreapelh,e nS aRgiotstea)r ius, dir. Michel 443 Spering (Stephen Groves) 658 448 Schubert, Franz: Der vierjéhrige Posten; Die Merr1y6 thm ecleanntcuhroyl,y ,J oEancghliims h Hleultde m(uCshirci sotfot phhee r PsaltAelriinoen Z&y lfboerrtaejpciha no(,D aMvairdg iCth uUnbge)ll acker, ng ZDwaisl liNneguseb riOirdcehre, stCehro,r udsir . MCuhsriicsutso phK6 ln, Goodwin) 109 Purcell, Henry: Dido and Aeneas, La Nouvelle Spering (Stephen Groves) 658 Mia ofY rlomvaen aa ndF rpeamions,a :T riMpehdoineivaal (wEloimzaanb'etsh sEovngas dM(iPéren.t eesLrte roHanonaldrmideao,n )G Caarpcpieal lAal aMrecdoint erranea, 445 ——P(iRaonhoan wSotrkesw,a rvtol-.M4a, cTDroundaellide)s Leonhardt 134 Leach) 627 Piano works, vol.6, Trudelies Leonhardt Monteverdi, Claudio: I] Nerone, ossia ——TEhneli ghFtaeirnym eQnute,e nT,h eO rGchleysntdreab ooufr nthee ACghoer uosf , (Rohan Stewart-MacDonald) 134 L’incoronazione di Poppea, La Venexiana, dir. William Christie (Peter Holman) 445 ——Schwammerl, Kemp English (Rohan dir. Claudio Cavina (Gregory Camp) 636 Stewart-MacDonald) 134 ——The Food ofL ove, Paul Agnew, Anne- ——L’Orfeo, Wiener Singakademie, dir. Paul Marie Lasla, Elizabeth Kenny, Blandine — Workfso r fortepiano, vols.3-5, Jan Vermuelen Hindemith (Gregory Camp) 636 Rannou (Peter Holman) 445 (Rohan Stewart-MacDonald) 134 Orfeo, Orchestra of Teatro alla Scala, dir. Here Let my Life, James Bowman, Daniel Seized by sweet desire: Singing nuns and Rinaldo Alessandrini (Gregory Camp) 636 Taylor, Theatre of Early Music (Peter ladies, from the cathedral to the bed ——Orfeo, Solistenvereinigung des Berliner Holman) 445 chamber, Musica Ficta, dir. Bo Holten Rundfunks, Kammerorchester Berlin, dir. Love Songs, Dorothee Mields, Lautten (Ivan Moody) 441 Helmut Koch (Gregory Camp) 636 Compagney Berlin, dir. Wolfgang Selma y Salaverde, Bartolomé de: Selma, ——Orfeo, Wiener Symphoniker, dir. Paul Katschner (Peter Holman) 445 Anthonello (Tess Knighton) 291 Hindemith (Gregory Camp) 636 ——Phantasies, Ayres & Chaconys, The Flautadors Soler, Nicolau de Figueiredo (Douglas Hollick) 289 Mozart, Wolfgang Amadeus: Claviers Recorder Quartet (Peter Holman) 445 Soler and Scarlatti in London, Luisa Morales mozartiens, Pierre Goy (Rohan Stewart- ——Theatre music, vol. 1, Aradia Ensemble, dir. (Douglas Hollick) 289 MacDonald) 650 Kevin Mallon (Peter Holman) 445 Soler, Antonio: Sonatas, Kathleen McIntosh Complete clavier works, vol.11, Siegbert Richter, Franz Xaver: Messa Pastorale, (Douglas Hollick) 289 Rampe (Rohan Stewart-MacDonald) 650 Wroclaw Baroque Orchestra, dir. Andrzej Sonatas for harpsichord, vol.13, Gilbert Complete piano trios, Trio Stradivari Kosendiak (Wiebke Thormiahlen) 655 Rowland (Douglas Hollick) 682 EARLY MUSIC NOVEMBER 2011