lian harpsichord Matthdus-Passion, Friihfassung, ed \ Gléckner Handel in sight and sound’ (RR Water tlio Cesare Rodelinda, Rinaldo, Saul Byrd, William Villiam Byrd at Duke Report Duke University conference by Philip Taylor cadence — ‘Cadences in recitative’ (Corr by Christopher D. S. Field 180 Campion, Thomas — ‘English treatises edited BR) [Campion and Coprario, ed Wilson; Bathe, ed. Karnes by Anna Jones CANDELARIA, LORENZO ropes for the Ordinary in a 16th-century chantbook from Toledo, Spain canon — ‘Canonical studies’ (Report Leuven conference , by Leofranc Ludwig van Holford-Strevens and Zoe Saunders — ‘Morley’s rule for first-species canon od and Kroll Obs.), by Julian Grimshaw Castillo, Diego del - ‘A new 17th-century fragment Iberian source of instrumental music by Paulo Estudante 645 Catcn, Joun R. Bach’s “Rosetta stone revisited’ (Cort 350 Cervantes Saavedra, Miguel de — “Cervantes at the Marco Fodella Foundation Report) [concert series], by Dinko Fabris Chapel Royal teg sR Burrows, Handel and th 1glish Chapel eter | CHATER, JAMES Yielding Willaert’s secrets BR) [Schiltz, Vulgate chiavette High” clefs in composition ind performance’, by Andrew Johnstone Ciark, Brian — ‘Pisendel and the Dresden orchestra’ (BR) |K op; endel 146 clefs High” clefs in composition and performance’, by Andrew Johnstone Cluniac order Reconstructing Cluniac music’ (BR Cluntac ecclesia v 675 Cotton, Lisa — ‘Reconstructing ( ac music BR) {Gillingham, Musi Cluniac ecclesia nstruments concertina — “Temperament in the i9th century’ (Corr.), by Douglas Leedy concerto — ‘Ritornello dynamics’ (BR McVeigh and Hirshber } ite, Giovanni Battista ncerto|, by Rebecca Kan Corelli Cataloguing concertos Edwards, English 18t by Richard Maunder itys: reflections Dazzling concertos’ (BR oduction 465 compan ett, Richard ompany of by John Irving conferences - Med—Ren: aliv Report by Stephen Rice Obrecht the versatile’ (Report Antwerp conference}, by Katelijne Schiltz — ‘Canonical studies’ (Report Leuven conference], by Leofranc Holford Strevens and Zoe Saunders EARLY MUSIC NOVEMBER 2006 s, THOMAS GORDON-SEIFERT, CATHERINE Agricola GRIMSHAW, JULIAN onference I iwtor Guton, Davin M. Baroque n Biennia Barog Peter consort music consort L| asOcK! j Coprario, John ig reatises edit Eruarpt, T ASSILO BR) |Campior ‘ \ Wilson; Bathe, ed. Karne Cont by Anna Jone EsTuDANTEP,a t ‘Correspondence’ t court music Reg R surrow InStE Fasris, Dinko : Hanover Frecp, Curistoruer D, S ( Finchcocks Collection Hogarth, William — ‘Hogart! Crawrorb, Tim — ‘| Lut te t FircCnH,, Fa BRICI HOLFORD-STREVENS, LEOFRANC, & Naple Neapolit \ Zoe § 1 I ( flute omitt Cristofori, Bartolomeo rstanding ¢ il Wraight Cross, Eri Boccherini ncet \ bins Boccherin , f Fodella Foundation Corelli, Geminiani, V« ni et Forqueray, Antoine Cruz, Agostinho da — ‘A new Iberian source of instrumenta by Paulo Estudante } “stg Derorp, Rut I. rl € ania : Forqueray Jean-Baptiste works of Du Fay ae DELL’ANTONIO, ANDREW 3 vefore Corelli > fortepiano dictionary e first printed musk dictionary R) | Tinctoris, Diffir musice, ed Panti], by Ronald W Downey, Perer — ‘Christmas| Cort Dresden — ‘Pisendel BR) |Képp, ! Druce, DUNCAN A Viennese c:V oinocleritno co(nMcRe)r toi n| CD,l emeedn.t Brow é a NA " R IrvRiVnIcN, GK,R R D Davi Du wFoayr,k s Guoif llD2 au umFeay ’, — by‘ TheR 4 utmhe r | 1 1 nea le d d t ine and ar , sa jue : ISIC I arsaw (,R eport national Conference on Diiben collection — ‘Diiben goes d fugue uga venation t Report t DDiiti ben col]l ecttiioonn I I é kAKC TI n IRVING, JOHN by Stephen Rose by Da Bod ode ‘Editorial’ Germany — S$ Epwarps, WARWICK Alexander Agricola GIULIANI, RoBerto and intuitive syllable deployment r DVD’ (RI 728 EARLY MUSIC NOVEMBER 2006 Temperament in the — ‘Reasoning a catalogue’ (BR) [RCM Corr Museum keyboard instruments catalogue, libraries iiben goes digital’ (Report ed. Wells], by Michael Latcham 684 tion, Uppsala “Music reviews’ 152, 305, 499, 687 Ros 720 Navarro, Juan — “Toledo Cathedral’s lost Mark, and Ibo Ortgies — ‘Bach-style “magnifique livre des messes” recovered, ning 613 and “new” works by Boluda, Palomares and Lully, Jean-Baptiste — ‘Revisiting Atys Navarro’, by Michael Noone 561 on Les Arts Florissants Nebra, Blasco de — ‘Blasco de Nebra edition by Geoffrey Burgess 465 Corr.), by Max W. Wheeler 350 Macclesfield Psalter — ‘Musical instruments Neidhardt, Georg Andreas — ‘Bach's the } esfield Psalter’, temperament, Occam’s Razor, and the Montagu 189 Neidhardt factor’, by John O'Donnell 625 Mc Y, THomas — ‘Hogarth’s rough music’ Neeson, Bernarvette — ‘Morales in Toledo’ rlow, The enraged musician 669 (MR/RR) | Codice 25 de la Catedral de Toledo, ed. Noone; Morales en Toledo, madrigal poetry of Monte’s madrigals Ensemble Plus Ultra 152 Poesia e musica nei madrigali a li Filippo Di Monte Noone, Micuaet — “Toledo Cathedral’s lost L. Marshall 292 “magnifique livre des messes” recovered, and “new” works by Boluda, Palomares and Marie Therese, Empress — ‘Imperial pleasures Navarro 561 t Marie Therese and music at the Obrecht, Jacob — ‘Obrecht the versatile by Julian Rushton 149 Report) [Antwerp conference], by , KIMBERLY Interpretative symbiosis Katelijne Schiltz RR) [Buxtehude, Cornet, O'DONNELL, JOHN — ‘Bach’s temperament, Merulo 163 Occam’s Razor, and the Neidhardt Mexanie L. — “The poetryo f Monte’s factor BR) |Luzzi, Poesia e musica net opera — ‘Staging a Handel opera’, by Andrew V. nque voci di Filippo Di Jones 277 292 ‘Revisiting Atys: reflections on Les Arts lo Cathedral's lost “magnifique Florissants’ production’, by Geoffrey sses” recovered, and “new Burgess 465 la, Palomares and Navarro’, orchestra — ‘Pisendel and the Dresden Noone 561 orchestra’ (BR) [Képp, Pisendel], by Brian he Ordinary in a 16th-century Clark 146 from Toledo, Spain’, O’reGAN, Nort — ‘Monteverdi motets and andelaria 587 madrigals’ (RR) {The King’s Consort, La RicHarp — ‘Cataloguing concertos Venexiana 510 lwards, English 18th-century Ornoy, Erran — ‘Between theory and practice: 148 comparative study of early music Medieval and Renaissance Music Conference performances’ 233 Ren: alive and well’ (Report Ortairs, Ino, & Mark Lindley — ‘Bach-style Rice keyboard tuning’ 613 nensuration — ‘The mensura of © in the ospedali — ‘Venetian orphans’ (BR) | Musik an f Du Fay’, by Ruth I. DeFord den venezianischen Ospedali, ed. Geyer & military music The impact of Turkish Osthoff}, by Eleanor Selfridge-Field 681 r nds on European court festivals Palomares, Fernando — “Toledo Cathedral’s th and 18th centuries lost “magnifique livre des messes” nd Bowles 533 recovered, and “new” works by Boluda, Eavesdropping oi Evensong Palomares and Navarro’, by Michael rd, Morley, Tallis 699 Noone 561 Montacu, Jeremy — ‘Musical instruments in the passion — ‘Bach’s protean Passions’ (BR/MR) 1 ld Psalter 189 |Melamed, Hearing Bach’s passions; Bach, Matthéus-Passion, Friihfassung, ed. Monte, Philippe de — “The poetry of Glockner}, by John Butt 296 Monte’s madrigals’ (BR) [Luzzi, Poesia e madrigali a cinque voci di Filippo pastorella — ‘Christmas pastorellas’ (Corr.), by Melanie L. Marshall 292 by Peter Downey 347 performance — ‘Between theory and practice: 1dowska Wanda Moopy, Ivan — ‘Medieval miscellany’ (RR comparative study of early music rd, Tonus Peregrinus et al. performances’, by Eitan Ornoy 233 Morley, Thomas — ‘Morley’s rule for first Pisendel, Johann Georg — ‘Pisendel and the I anor’ (Obs.), by Julian Dresden orchestra’ (BR) [Képp, Pisendel], by Brian Clark 146 Mozart, Wolfgang Amadeus — ‘Unsettling poetry — ‘The poetry of Monte’s madrigals’ M rt’ (BR) |W ords about Mozart, ed. (BR) [Luzzi, Poesia e musica nei madrigali a nd Nagley}, by David Wyn Jones 301 cinque voci di Filippo Di Monte}, Mozart’ (BR) [Sadie, Mozart: by Melanie L. Marshall ears|, by Julian Rushton 492 “Time stands still: devices and designs, museums — ‘In the company of Richard allegory and alliteration, poetry and music, BR) [Burnett, Company of a new identification in an old portrait’, by Michael Latcham by Anthony Rooley 443 EARLY MUSIC NOVEMBER 2006 729 Poland — See Warsaw polychoral music rt) [Levi Foundation seminar ~~ ‘ Vv polyphony Portugal Rawson, ROBERT ei ' SADLER, GRAHAM recitative recorder Scarlatti, Domenico Recording reviews ne . Renaissance Scarlatti, Francesco KATELIJN ttt, la Nef . . Tinctoris, Johannes V er Wall 5 LZE, HENDRIK 1 \ | I I “Reports N Rice, STEPHEN Toledo Scotland ritornello Tomkins, Thomas Roserts, TIMOTHY a sequence treatises ROBERTSON, MICHAEL SMITH sonata trombone trope Roc Turkey Roptn, JEsst Roo.ey, ANTHOD underlay MR autenta aturer Spain string instruments suite t t e Uppsala “ Vejvanovsky, Pavel Josef Venice Sweden EARLY MUSIC NOVEMBER 20006 Musicque de Joye: Proceedings of the international symposium on the Renaissance flute and recorder consort, » Buona Utrecht 2003, ed. David Lasocki Anthony Rowland-Jones fusitk an den venezianischen Ospedali Konservatorien vom 17. bis zum 19 Jahrhundert—Symposion vom 4 April 2001, Venedig, ed. Helen Geyer and Wolfgang Osthoff (Eleanor Selfridge-Field O’Neill, Mary: Courtly love songs of medieval France: transmission a style in the trouvere repertoire John Haines Rice, John A.: Empress Marie Therese and at the Viennese court, 179 Julian Rushton Royal College of Music, Museum of ments catalogue, part 2: Keyboard instruments, ed. Elizabeth Wells Michael Latcham Sadie, Stanley: Mozart: iTmhe early vears, vin g , , 1756-1781 (Julian Rushton f Makir Sawkins, Lionel: A thematic catalogue of th and Giovar vvoorrkkss ooff MMiicchhele-lR-iR ichi ardd lee LLaallaanndde 1657-1726) (Shirley Thompson Schiltz, Katelijne: Vulgate orecchie—purgate recchie: De relatie tussen publiek en muziek in het Venetiaanse motetoeuvre Adriaan Willaert (James Chater Stewart, Pete: The day it daws: the Lowland bagpipe and its music, 1400 David Johnson Talbot, Michael: Th e chamber canta ) yni tomio Vivaldi Andrew V. Jones Tinctoris, Johannes: Diffinitorium musice: Un dizionario di musica per Beatrice d’Aragona, ed Cecilia Panti ume ntal ene : Ronald Woodley Onathan Waliwrigat Van Orden, Kate: Music, discipline and modern France Richard Freedman Mozart: essays in honour of Sadie, ed. Dorothea Link and 1d Simon McVeigh th Naglev (David Wyn Jones Kehew, trans Snodgrass and Sica net maadrigalt ¢ i Monte L. Marshall 1 Jehoash Hirshberg 00-1760 678 5 passions 296 EARLY MUSIC NOVEMBER 2006 731 RECORDINGS EARLY MUSI¢ NOVEMBER 2006 nme Johann Nepomuk: Chamber music, licaela Comberti, Simon Standage, Pal Banda Rogers Susan Alexander-Max scombe 52 John Khouri (Peter Graham Sadler » de las t Ensemble Tess Knighton a Guerre, Elisab 1 Kitchen Sebastian: Get ssenmuller Ensemble 1 Rose Thompson Molardi (Kimber! Robert King Noel Stephen Bullamore (John Milsom 699 , Christophe: Pieces de claveci uglas Hollick (John Kitchen lozart, Wolfgang Amadeus Comple Sigbert Rampe m ar nata Andreas Staier Derek Adlam The Queen’s Chamber Tr 10 Peter Branscombe 1, Kantorei Saarlouis, La Grande Ecurie et la Chambre du Roy, dir Jean-Claude Malgoire Frauenkir David Irving Dresdner — Exsultate jubilate!, Carolyn Sampson Peter Kopp The King’s Consort, dir. Robert King 324 David Irving EARLY MUSIC NOVEMBER 2006 - Three violin concertos, Andrew Manze Inferno: Cantate drammatiche, Elisabeth he English Concert Scholl, Modo Antiquo, dir. Federico Maria David Irving ? Sardelli (Michael Talbot 706 - Concertos for flute, Marten Root Scarlatti, Domenico: Sonatas, Aline Zylberajc Ensemble Schénbrum Paul Simmonds David Irving " Sonatas, Linda Nicholson Concertante: Mozart, Paris, 1778, Paul Simmonds Suzanne Kaiser, Mara Galassi Polyphonic Music of the Scarlatti Famil) Freiburger Barockorchester, ¢ Ensemble Ex lempore, dir. Florian Gottfried von der Goltz Heyerick (Michael Talbot David Irving Sonatas volume 3, Pierre Hantai Muffat, Georg: Armonico tributo Michael Talbot Les Muffati, dir. Peter van Heyghen Sonatas para Fortepiano, Jacques Ogg Stephen Rose “4 Michael T a Ibot Musii n Piatar r iRs,e imDse lleCra thedCronaslo rta nd at N COarnntaamtaesn,t e Max¢ | i uealrs ten CenciEcr, ik OEsnes emb Francis Knights Michael Talbot Music for recorder, Hans-Martin Linde Scarlatti, Francesco lyf c Mus f the Francis Knights Scarlatti Fami isemb] « Tempore Versailles, Wieland Kuijken dir. Florian Heyerick Sigiswald Kuijken, Gustav Leonhardt Michael Talbot Francis Knights Scottish Lady Ma 1], Red Byrd Myslivecek, Josef: La passione di nostro si Ivan Mood Gesu Cristof , Chorus MusiIsc us s K6éllnr lalli1 s, Thomas: Sj alium, Oxford Das Neue Orchester, dir. Christoph nmerly Spering (Peter Branscombe Obrecht, Jacob: Secular music, Camerata Philipp lrajectina, La Caccia, Brisk Recorder Ensemble Stimmkunst, dir Quartet (Stephen Rice a iy J Stetpehre n Ros € Ockeghem, Johannes: Lamentation Trio s< Josquin Capella (David Trendell London Paradisi portas: Music from 17th-centur) Tunder, Franz Portugal, Choir of the Queen’s College Stephen Oxford, dir en Rees Valente less Knight Pisendel, Johann Georg: Solo Baroque Rachel Barton Pine (Stephen Rose Praetorius, Jacob: Organ work: Léon Berber Paul Simmonds 5 lin hyi n HHoollll oway : les and perfect beauty, Newberry Consort uN lrik Morten laap ter | Ivan Moody 59 Eric Cross Rameau, Jean-Philippe: Les Boréade Verrijt, Jan Baptis Les Arts Florissants, dir. William Christic of Musicke Graham Sadler Platee, Les Musiciens du Louvre dir. Marc Minkowski (Graham Sadler Les Paladins, Les Arts Florissants, dir William Christie (Graham Sadler Les Indes galantes, Les Arts Florissants William Christie (Graham Sadler Renaissance Christmas music, Elly Ameling lélz Knabenchor, dir. Gerhard Schmidt-Gaden (Francis Knights Revolution, Douglas Hollick (John ] Kitchen tavio | Rimonte, Pedro: Lamentations for tl nco, Seb Holy Week, La Hispanoflamenca Choir of K ess Knighton 1 David Tre Roccoco flirt |A|, Edith Mathis Westhoff Benno Kusche (Francis Knights Rache Sacred music from Notre-Dame Cathedra When angel lonus Peregrinus (Ivan Moody Musica Salvatore, Giovanni: Ricercari, canzon Roland toccate, Diego Canizzaro Naomi Joy Barker Scarlatti, Alessandro: Toccatas, Alexandet Weimann (John Kitchen Polyphonic Music of the Scarlatti Fami Ensemble Ex Tempore, dir. Florian Heyerick (Michael Talbot 734 EARLY MUSIC NOVEMBER 2006