FIGURE DRAWING FUNDAME , LESSONS ~ FROM THE GREAT MASTERS ROBERT BEVERLY HALE {Sm asomeasan orto Ent st 236 ggg 218A gon Cl is Ped eabded — 1 uata Cd Sas Cy We Capt Faded on The 9 ian pa! ca Wa a Pc svn bs Bawa Pong Cy, ‘dear ds Hy Noo te eng tly, Cat ban 122 suslireese ci eee Pink i a Uni Stas uu FOREWORD SEMEN 1 WAS ASKEO 1G) WRITE ‘thts beakocmes Us, Lsas tiled amd it venence, Lae ideit his a stuauige ehetdatiy. Ts aes canting bo Pie ty buss hal thi years ga hel-ved! Farin wle [ ave Tee When [as wvelve seas ole, ny pained, ln es ail and ety deat os ae, game new copy af Rover Besery Hales Qraning Lato som he Grea Masco, Laud abe Toved diueing, bass Huby Tk eared fereas hing, Ts eat lhe falling sears paring ser Te pass anil esxme= Jot ia Hele lou. Laue sorts wenies oF east a deo he dae dug, ual Tapplied the fardavtentsl geurnetre ennceptTiaation te all the Grasings | rede, Wiling this foresird soit ie thinking abot nny easing Hiss a cruck time Thalameutal 39. fv Cu goss sino Laas © boxe and spent owns 24 fi ill rs keok, | “tare sma Te of Agar [wer on to stuly with a for wondotu tesshes. was callucnced Ly asaiy gifted colle brilliast staders. J parsuce skills ef natmmalstic ahser- aligns] desing —skil's that Isle oncourages us to move hess. Fuithes Have bean exposed s9 melaocs aad Ils beok und might mot heve eran re painbings sel batch ot i wy thik abut lst. an orfistand ¢ teacher, Leela bo Unis bucks ceeye al pooner) principle Wha hes tne ds sa oles tame bacs then has Foued the Ledlswck weds 41) wy subseqens drawing: Krew loo aaavauy deeply sued siganire iy siraple seated seme hrongh the plstes aad che bea Hale olen anil wl ans sea lest wc dibs dares yea ta re te antes. Ta ¢ dreary snd aubsiers ants, Fig cain tha. Lacie is "Nu wate alive leap i eam dae oe cr cs ol ap Uae vous east vepresen lel in Pais Tow” reeds Wea ordi Tenge West Ales eavvy, sone the Heh cam vou actspead your ile aviag lucia tal agical couaterity 0” gists? ewe chat ike me, nay of my iit eds indy wee tape by th te Since the oviginal sublicationo, Unis Lend i 1561, satel nan lis ge rose ees the art world, [an sure Rohost Beverly Hale would bans were he developments 2 xg Lic a bit meting, hile others he might loot wper w th anruseastu. aul delish. Bul fhe cevelsp rev Tat Trost with he mote hero to gee i Ube besseniiy ual uy, el w= sas for hgve drawing tal ae helped Hasler wil this Boh. Mhe bet fing rs Face: seam a vigorous retval of Ue classed desing baal» Hale her: shel. ‘Vhere are aoe avals aad sehexks poppin pal amet as, They ove ta the ceep and seriou, Sigice drawing for shieh Hale oqustls, All oud auc Tans see allen ard beter ring ge on Draw lowe re anes ive extras as well any atest i the buh ray Ard itt doce will be betaane al Fle’ isin, devienting thors angred se Sorneda ng Leste ft le (Grae Mlavte abort —Jacon Cortans PREFACE 1 Has SraPtve sPmarmio to ne that ify om really wanted to excel in drew agg the figure, vont showed yo ard stacy with ee g vir nate of figexe daveing, It the treble is thar ere is no one alive reay cha can dra the figure very’ well there i, perhaps. np one alive today whe can dew Uh F sod in this souk he explcction Zor this are af aa is omnewhar comples, bar T suapect thee snysophistiente sles, Sau Ube esate ad factors + chet the snansom, But tng are nd muse even us well as di teal have bon they seem, cause in shese days of united repredluctions you cu omudy wish any of ths old masrars yom seis “Yom ace, yore inarrnecov in art.cam da little more shan help ye solve checal puchlems, the resis sey amich up 19 you, And even 6 ny caxcniustivn af the picluces ut this boul shou'd expose w anol tude of tebuies! peubleus, ane the artis baila: solutions. Since the studier povetives | ann attempuing ur explain ese ap parently shared fa all the artists herein, she pictures are neither placed chreralagicaly, nar gromped iy argles: hey imply are arrengel 0 yve claiey su the seat, The pietnees algo have beea elnasen to reveel all parts cf tae bay from differing poinns af ciew, and za ineinde many sedis oF Tasods, huts, aad (eet. All deuwias are repoteduued as lange a6 dhe page sire permis andl muany are eetunlly reproduced larger thin the wriginal fur duteied stunly 1 sbonid fle tae Stow Kins, tector of ie Are Sradeate Enugu, Saou Renn, Cassin of Drews, Metrgstina Sean of Aired 4. Lees a, Citar of Fries, Means sourans of S02 for shir Tor) ck prance vi the sporti oy Sis Pom £ ‘oo He epee to at mp ea, Nine Kyat Ha or ‘Ma work de bas dane. ced! an wo arise oy en, Hilden oe fara Saggetiny bo ane om vor ot power He esd apt ied the rocroror aries 3p eS cont me! By slant ers avo shivn ascoutsgement sd js the wy sauce LIS o HATETRALIONS thou Coban tenons Diy bonged Poston Rata Soo Aires Dior Tonecr cape Rotts angl Boeine vce iter “anno Comvet eter Hl Roden (Coes of ate Die reverses ate) Btn Bese Soado Bese CONTENTS LEARNING TO DRAW eas Ave Connuseveesed By Syanbols « Form: Their Shape, Lighing, anil Passion » Pr sy Li Paynas» Corarert ond Jusnapitivae = Many os « Basle Geemesri ty Pin nil Hones fete Color » Faue Comeous Lites « Liner AGRON 37 LIGHT AND PLANFS Ieaportwce uf Ligh» Tag! Ligh and Three Danensienad Borns » Gray ro Highlight 2 Dark to Reected | ght » brenovetarinssiy of Marie Bar « one Paster « Color anit Votes © Values fizerior Planes anid Iesrine ta 1» Cast Skadonss « Iecencing Your Owe Sources 5} Light « How Light Can Desteay Form « ramping Light « Violseion of Light mad Derk Dimes « Reversal of Viakuos » Wiolasion of Highlighis « Line Carver Ligh ond Shae » One Forme in Front of morker Lighten Dirzosion « The Ase Co Fee tase Mabe Reflecnod Ligh « bee De MASS Marit and Goncral Sbope Mass and Propension Macrae Valuer Lie and sass Masramd Sudrtivasin of Deval Inwsmiing Bless Cn ALLURTAYTIONS 93 POSITION, THRUST, OR DIRECTION 109 Decerinising Tivnst Problenes i Desera bi Motion Toe Modet is Atcavs Moving Values and Direation of Form Thru gud Ise Posision and Tree Shape The ag Thrust Fonms ut Drapery ARTISTIC ANATOMY ua Drawing Witour ste Move! Learning Anatomy Tomes etermnine Wedily Kornts Please Buy Sane Memes Oren not Muscter Phe Beslutionary Approach Gra he mue-Honied Amine Gi store Faniber Results of Standing rast The bngovtmace of Faseetion Functional Graeips DRIVING ALL TUE HORSES 4T ONCH The Rlemencs of Drewsing Are iiwercelated Composition ait Porspwotive Sindy he Hiseary of Art Your Burare Grosseh ex mn Artin Funan, 259