Deadly Edge bids a brutal adieu to the 1960s as Parker robs a rock concert, and the heist goes south. Soon Parker finds himself—and his woman, Claire—menaced by a pair of sadistic, drug-crazed hippies. Parker has a score to settle while Claire’s armed with her first rifle—and they’re both ready to usher in the end of the Age of Aquarius.

“Richard Stark’s Parker novels . . . are among the most poised and polished fictions of their time and, in fact, of any time.” — John Banville, Bookforum

“The Parkers read with the speed of pulp while unfolding with an almost Nabovokian wit and flair.” — Richard Rayner, Los Angeles Times

“Parker . . . lumbers through the pages of Richard Stark’s noir novels scattering dead bodies like peanut shells. . . . In a complex world [he] makes things simple.”

(William Grimes New York Times )

“Whatever Stark writes, I read. He’s a stylist, a pro, and I thoroughly enjoy his attitude.”

(Elmore Leonard )

“Richard Stark’s Parker novels . . . are among the most poised and polished fictions of their time and, in fact, of any time.”

(John Banville Bookforum )

“Parker is a true treasure. . . . The master thief is back, along with Richard Stark.”

(Marilyn Stasio New York Times Book Review )

“Westlake knows precisely how to grab a reader, draw him or her into the story, and then slowly tighten his grip until escape is impossible."

(Washington Post )

“Elmore Leonard wouldn’t write what he does if Stark hadn’t been there before. And Quentin Tarantino wouldn’t write what he does without Leonard. . . . Old master that he is, Stark does all of them one better.”

(Los Angeles Times )

“Richard Stark writes a harsh and frightening story of criminal warfare and vengeance with economy, understatement and a deadly amoral objectivity—a remarkable addition to the list of the shockers that the French call roman noirs.”

(Anthony Boucher New York Times Book Review )

"Parker is a brilliant invention. . . . What chiefly distinguishes Westlake, under whatever name, is his passion for process and mechanics. . . . Parker appears to have eliminated everything from his program but machine logic, but this is merely protective coloration. He is a romantic vestige, a free-market anarchist whose independent status is becoming a thing of the past."

(Luc Sante New York Review of Books )

"I wouldn't care to speculate about what it is in Westlake's psyche that makes him so good at writing about Parker, much less what it is that makes me like the Parker novels so much. Suffice it to say that Stark/Westlake is the cleanest of all noir novelists, a styleless stylist who gets to the point with stupendous economy, hustling you down the path of plot so briskly that you have to read his books a second time to appreciate the elegance and sober wit with which they are written."

(Terry Teachout Commentary )

"If you're a fan of noir novels and haven't yet read Richard Stark, you may want to give these books a try. Who knows? Parker may just be the son of a bitch you've been searching for."

(John McNally Virginia Quarterly Review )

"The University of Chicago Press has recently undertaken a campaign to get Parker back in print in affordable and handsome editions, and I dove in. And now I get it."

(Josef Braun Vue Weekly )

"Whether early or late, the Parker novels are all superlative literary entertainments."

(Terry Teachout Weekly Standard )

“The UC Press mission, to reprint the 1960s Parker novels of Richard Stark (the late Donald Westlake), is wholly admirable. The books have been out of print for decades, and the fast-paced, hard-boiled thrillers featuring the thief Parker are brilliant.”

(H. J. Kirchoff Globe and Mail )

Richard Stark was one of the many pseudonyms of Donald E. Westlake (1933–2008), a prolific author of noir crime fiction. In 1993, the Mystery Writers of America bestowed the society’s highest honor on Westlake, naming him a Grand Master.