Table Of Contents Acknowledgements 4 About the Author 5 Foreword 6 C minor Blues 8 F minor Blues 10 Bb minor Blues 12 Eb minor Blues 14 Ab minor Blues 16 Db minor Blues 18 " ' Gb minor Blues 20 B minor Blues 22 E minor Blues 24 A minor Blues 26 D minor Blues 28 G minor Blues 30 C major Blues 32 F major Blues 34 Bb major Blues 36 Eb major Blues 38 Ab major Blues 40 , , Db major Blues 42 Gbm ajor Blues 44 B major Blues 46 E major Blues 48 A major Blues 50 D major Blues 52 G major Blues 54 C Rhythm Changes 56 F Rhythm Changes 60 Bb Rhythm Changes 64 Eb Rhythm Changes 68 Ab Rhythm Changes 72 Db Rhythm Changes 76 GbR hythm Changes 80 B Rhythm Changes 84 E Rhythm Changes 88 A Rhythm Changes 92 D Rhythm Changes 96 G Rhythm Changes 100 3 "",-~~C~-( --- A ckn 0 W I edgm en ts The author would like to thank Brian McBrearty for editing and Micha! Shapiro for proof reading and helpful suggestions. My students who, through their questions helped me to see their needs and try to addresst hem as best I can. 4 - -~ ; ~ ; ; ; ~ ~ ; About the Author ; . ~ - '"' "!"I ~ Bruce Amold is from Sioux . . .".'. Falls, South Dakota. HlS educatlonal ~ background started with 3 years of . music study at the University of South ~ Dakota; he then attended the Berklee ~ College of Music where he received a ; Bachelor of Music degree in composi- ~. tion. During that time he also studied privately with Jerry Bergonzi and ... Charlie Banacos. - ~ Mr. Amold bas taught at some of ~ the most prestigious music schools in ~ America, including the New England . Conservatoryo f Music, Dartmouth ... College, Berklee College of Music, ~ Princeton University and New York ~ University. He is a performer, composer, jazz clinician and bas an extensive private ~ instruction practice. Currently Mr. Amold is performing with bis own "The Bruce Amold Trio," ... and "Eye Contact" with Harvie Swartz,a s weIl as with two experimentalb ands, ~ ... ~ "Release the Hounds" a free improv group, and "Spooky Actions" which re-interprets ; the work of 2OthC enturyc lassicalm asters. ~ His debutC D "Blue Eleven" (MMC 2036J)r eceivedg reat critical acclaim, ; and bis most recentC D "A Few Dozen" was releasedin January2 000. The Los AngelesT imes said of this release" Mr. Amold des ervesc redit for bis effort to ex- - ; pandt hej azz palette." - For more information aboutM r. Amold check bis websitea t - http://www.amoldjazz.comT his websitec ontainsa udio exampleso f Mr. Amold's ; compositionsa nd a workshops ectionw ith free downloadablem usic exercises. ; ~ ~ ~ , , , , ! ! 5 ! , "\ Foreword The ability to read,p lay and make a convincing,c onsistentg roove in a six- teenthn ote rhythm is one of the more formidable challengesf acing a contemporary rhythm sectionp layer. This hook attemptst o addresst hat challengeb y supplying chord progressionsw ith different syncopatedr hythmic pattems. Practiceo f these exercisesw ililead to an understandingo f the style, and ability to executet he rhythms commont o funk. The students hould strive to maintain rhythmic precisiont hroughout eache xercise,a nd aft er gaining control shouldc omposet heir own comping pattems. The examplesc ontainedi n this hook use mostly a one measuref unk pattem but in the "real world" it is more commont o find 2 or 4 measurep attems. In a attemptt o keep this hook simpier I have useds horterb ut lessc ommonp attemsw hich can be found in funk music. Muse Eek Publishingb as createda websitew ith a FA Q forum foT all my hooks. If you have any questionsa bouta nythingc ontainedi n this hook feel free to contactm e at [email protected] nd I will happy to post an answert o your ques- tion. My goal is to educatea nd help you reacha higher degreeo f musical ability. Bruce Amold New York, New York 6 ~ ~ ~ ~ ~ C-7 C-7 ~ I ~ Gtr. , t , . ,J Bass t J J A~7(#ll) G7(~13) t , , Gtr. t t ~ . ~ Bass I ~ I C -7 G7(#9) I I 11 I Gtr. ~ : I I Bass I f , I 9 , I F Minor Blues S~aighteightfeel ~=100 F - 9 B~- 9 Ouitar Bass (~9) F- 9 B 7(13) Otr. Bass B~- 9 E~9 5 Otr. Bass Ouitar: 1. Use Pick on bagsn otes. 2nd, 3rd and4 th fingers0 0 chord. Pick cao alsob e usedf oTl argerc hords 2. Mute the bagsn otesw ith the palm of your right hand. Bass: Play part with fiogers or slap with thumb. 10 - . F-9 F-9 Gtr. Bass Dbg C7(~9) Gtr. . Bass F- 9 Gbg Gtr. Bass I I I , , I , I t I t ~ ~ 11 , , - ~,,--- Straighte ight feel ~ B Minor Blues ;=100 B~-~ E~-ll Ouitar Bass B~-~ B~-~ Otr. . Bass E~-9 A~13 Otr. Bass Ouitar: 1. Use Pick on bagsn otes. 2nd, 3rd and4 th fingerso n chord. Pick can also be usedf oTl argerc hords 2. Mute the bagsn otesw ith the palm of your right hand. Bass: Play part with fingerso r slapw ith thumb. 12