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College Music Symposium 2006: Vol 46 Index & Table of Contents PDF

2006·0.26 MB·English
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Preview College Music Symposium 2006: Vol 46 Index & Table of Contents

Contents Notice to Contributors Style Guide for Authors Editor’s Message A Tribute to Robby Gunstream Douglass Seaton Pedagogy Expanding Frames of Reference: Teaching the History of Electro-Acoustic Music Mark Ballora Analysis for Performance: Teaching a Method for Practical Application Gretchen C. Foley Appreciation Without Apologies Phil Ford Defending Music Theory in a Multicultural Curriculum You Young Kang Design for Change: Creating Significant Learning Experiences in the Music Classroom Bruce C. Kelley Analysis Shostakovich’s Preludes and Fugues: Fashioning Identities, Representing Relationships Mark Mazullo with Chloe Kiritz and Adam Nelson Contour and Melodic Structure in Two Homophonic Instrumental Works by Anton Webern Steven A. Harper The CMS Robert M. Trotter Lecture 2005 The Shock of the Familiar: Hearing Ourselves in Others’ Voices Christopher Waterman Review-Essays Prescriptions for Choral Excellence: Tone, Text, Dynamic Leadership by Shirlee Emmons and Constance Chase. Hearing Bach’s Passions by Daniel R. Melamed. Bach: The Mass in B Minor by George B. Stauffer. Benjamin Britten: The Spiritual Dimension by Graham Elliott. The Choral Music of Twentieth-Century Women Composers: Elisabeth Lutyens, Elizabeth Maconchy, and Thea Musgrave by Catherine Roma. Hogey’s Journey: A Memoir by Eph Ehly by Eph Ehly. Matthew C. Harden Ferruccio Busoni: “A Musical Ishmael” by Della Couling. Moriz Rosenthal in Word and Music: A Legacy of the Nineteenth Century, edited and with an introduction by Mark Mitchell and Allan Evans. Enrique Granados: Poet of the Piano by Walter Aaron Clark. Alexandra Mascolo-David Contributors

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