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Children’s Book of Music PDF

145 Pages·2010·43.06 MB·English
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m iC BOOK OF US An introduction to the world’s most amaz- ing music and its creators (cid:81) (cid:77)(cid:39) (cid:38)(cid:51)(cid:51)(cid:47)(cid:3)(cid:51)(cid:42) (cid:57)(cid:55) DK PUBLISHING How to use this book In this book, find out about different Look for this sign, musical styles, the works and lives of LONDON, NEW YORK, which gives a track MELBOURNE, MUNICH, and DELHI famous composers and performers, how to number for the CD. play instruments, and the amazing range Senior editor Deborah Lock Listen to and experience of music around the world. 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Picture researchers Myriam Mégharbi, LEodnudcoant iPonh iMlahRnuaSdsirac imCcrha oaohcnrmo diHc nmM osOuupanrlplctileatehyrtnet sPttsrr ao ,d UucKer, iTImmavssmimTdHCIIftc(Tiaienhsnmrnnpeirnsirhrh ni nAeIoampseaauaseevsaddaeNepetddml gtlaeiggRnivsr diili osrrdionsc esaaicDantueeoti uyNstIadisacoreerioflah entnni)sl,o mapaoUatm yf1l dirpot nvtn Aaeplvoiouda tnorrta ls l5 lm assaS ealhelTeac ienainsmsbpirtyriyyss)nn nr iriaThmunarn awyeItupt nas snccia(f irCso iAgte ttttisateogoaaraslls fotbaeewg unsrl,ure aiosrev a ortrN a nlmmeattueInnMtda.icugus etmeiaerrtli. ormsNcduoaetsrI Tnessm,,,rUiun ca n s nuncsdMhyooutwrpsS ors,hSoesti ate teewf re.smUihn yhnc Ta I l oinalf.tgaSiCrl elco oohtnaSeedtpynhiVR oa s ar r,vms.erI das uyiluo d la tCteaiktmUtT t oht nhrcycoht h gcmhvig,hhtnv ealneyrpoec Meehoaemaaest i ol dr oegwshAet ann , smruauonm m mfr.oEeiis (uangod vebprnoa siuetu cu pTcpsIppltnsiN a,ial,ulim.o inass htgiau oeaarrhs sIs.ochlones sTinrnioiiatdiTd smniuiosrd uce nnceghn sw )diyttrn iic t t aucch ueisie t e1oihPhs nilsiee an rd si nn8o. sany iR t a asnatcgghab nhe sn. eOry e d F ILEtSaIt“iRgAshaaAdmfimhrlnntoacniaaIe aulntadkahtmcunvnsdgdmeehestsvo h tit,inoe c i oeanhwferoptmiaa r bnhflbhu udg autloetSniesoaeucplu g trlmhi- rtrihsy f dlo ah r ohiawc ataf ks nIaecan ae hbnrbl n otedlsenluaitn nhato a ehhdiaeuc tr ss tl,ekdooknteir rt rssnads weum spua ,t.micb,go e c kthraart, eyt uaahh—eniipn ncslae aeehiw e Icmryprcp xtnt aeiosa vmisata ud.erani hmaottcrrissshaianeepti:ee acvs nltsl fn e hei bros h tkbhb sehr osaieyfe aufistmrtt xra aTtimTodttwphlacsehhabeogrihu rm aferahl cedefeoagcardah t ea reorhpe ue .e,rrldipr lnwegtgno eneerlTaafenhth udora u r ho rtohthso mtt cp st—,ypdhmaifsoutpeeodihoaa ntnn eea e ae Geymusa oaetcs g raahncs ac n3bfaidmnoolmedeynt te,slo,f cisdd e d0ll tapn a.lfoeeart ea0mi an.doTnrrtesd nd”elh0di,o hct rf em ario eff e tcs at ei uny.lahm o bdawarot admeedenvaede b d enbuenapacdlarret telayalr sea ofs faliprnsf dtltrooipnrpe .la h, toc oiomldfwlr seanaen tfaa m ys y,ibee wdt neslham ,r d i ody tusa ghoa m koendea s. :t ZpATs(oscHtIrwetataahhsnarlailgttkaliaeAtbtrnsdibsinhhahgfieanror igtieldeepg iaio raleaarha nnaRl,1blac seae in tr)fetn H sap0sA utny,ofaxk1 Tct tevsseco8n lcgracka ee untf9raripou(oe d)rl netbhnios6hysaoedson ii smmlipfnobr.tbo te6asts tare asiaoteSitasgnyret.ha epocti prw ttphsifwnoehesac,aeinSc l n iedn.ueejanrtnslawtshaAat ahhi e re xOm ,ttrdalfnanwm ahnupnh ea) nlrsa nmerntk ,e nomgneho roosaBk ea elad touileur h ie atbe in asperDeanwsosnslir oa d eis rrlea’ fhacrspgea ty n tGg stelhph styktv eo ee fliwchtoie es.losaosiusaapn ameoe ,of Ron rty d,dvu is(s umh rarvaf gesfiiaeeoaaloonngt edea-rvrnreransntunsrdddreeeeyhyrrit a..,re . tel hc sskortReeretaithendv eoig s rsfSst trh srnipaintinrnrngiogknesav g irison sdup,rse l ptag1srypiu 3vitlnm hii“genese sgyt nhm maett h eprwsehliaot iaytstdrhhti hytie an mttrh i1 ciri9c”te6s e 0 sakdtTnnrroiotoonhft nwhghemEse ena mu errt p.lhas yoTaiTOisrnbhdavs a cnmderu lehtearot htts tseeourara,enhla ot p,lsdsaenknnr srodei iduoee-ci eo paerw nf—sam trrm ytnr nuipo cotIuses.sSms n r eeoln e euciraTupptd tnueo laa)phsichbeoiurtrt lnesak a,oscegiec rmphsddnt teag,tdiatu i havr .d nnbiaiphou otdseselTo ncaef ca rnsoorr fladh, sde oet ouinnwt a hacae nhsusdneltab yeriymmheedre tne. y ha e( r pdltaa pfataoa i thllsl milgellanses eryaebogc .u te strh ae AssisAtannnt MPraorfeiess oSrta onfl eMyusic 32Tpadlhnraoidysn eapedTi L aetbacRnIybeSd Altoa Twtf.Ch oEILen Ki sNstdiatt eia9 laTnarns O(f, o rmahr uyttahtshiemcm bi)su. ra, 33 Education, Eastman School of Music, INSTRUMENT PROFILE: Take a close-up look at the parts of an instrument. Find out how it’s University of Rochester, New York played, its history, and the top players. First published in the United States in 2010 by 375 Hudson StrDeeKt, NPuebwli Yshoirnkg, New York 10014 AMUTradmSenenhecIcsoiaCiisgenn nnaisSn ntt rogTtGuf i chqYcrateaui LeorleymknE rsl eoy o ainrfwne yo.ad ins se Re vao eu mrsyea ndnsy sbm. yTb htohelei tc , wowfraroaAllnrmslliitfc,tnho uiddoesorate tnurlehssutgnie gm tahtrienn m emsvrsdontee a outsrsisy,nnro. c h mMlcpeiiutisseoutat,ln toesltsti er u,ccwi sra cbeywnrhu,li si taetata senkbacs ndnl irsmp oaomtapwht fuiioeon os arrdtitnb cairio snsneec.ultgxio tgnsi vsit ooethostruen yofs r m tnooolmufmy s ibc Ththee mR fiLoarafmktfmsrthoiotiin narlambi gn tnfrwa e astbrashos yntrdsPeir ovi udeu miniacnnpvs zlofieam essolaesrt.lt lu n orr naorah ur sc(enptuhiaplie omcsalted dtoayhe.nrrh( r ye eTgrndptti e nhehnntiA,G hp r ex)eltt ereyyh s e) r( ,ea,weep nuc)taeh,eiln rao eaes n stn pk ut (iaidspdtdcuh eoithaghesuo)dhreb.oa tll e Twcwmocoorhoia uunsdernpdhl edbt le rei.bea ni eIpgyosts t pf wrhs auirkepcaemirrseendo ed psswfn mosrptoa r ties pbhpt nlhaeaea bel suysa.Boal eso ybnrnaidi naccggafi ipiiggie nerinp n psanaa ettot tn set pgiddm oui enaalsa t. r mhoysedaarnicTaAianrchA olluhy hte seot lRhEeyoixesso ord a ta—amgwfi ornr apsaarlansnd yonnseau .r taw tlim ia okseb uefrioi nensylaai dbvcr2r edo—g4bn,ae6 ytAa re pBidwndrCi pc aiEpbnite.ere ysseBnr t s Cfyrtasr u tuonwepmrmdsroeie b eraswalinisdu riaw.t ns sm gwi ons ufaead ss n i ct Copy1r0ig 1h1t ©12 2 101317 015 49D 3 o71r—0li n90g 78 /K 71i 0n6d 5er 4sl e3y 2L i1mited Thsetrb tiaonbrryg t stoth wihaseeotl- dwsbh uauelslpll shbluyoyrpr epanaA on hs trc.taoa(itenpdebnlod c et.wt c 2 fiir6tnoy0 m 0Ior f aB tUhTqCeEr) heBocWtom(w h.fau fs 2eQuen llhU6tr -su eh04eiierolce0 ,,aeea0 d –nrhw rd20il esPyae40rycdxu0r -io wpt0c-yl tayv saeeBbrrb eCveainiatE rraifef n er-nr(itoornoddgigemmln .c d cbos gitU unyhin ctrnsess,it ttr egseyuorim a.fcf ot v.i)e.ro mn ) BTcw“m(osrrakreesaio1occnfnhopnyca0r .cm omtg4iez1drtio trhwde5i7oae imnu ws 6tt blsfBnosmgs, 6 e Cp )ooit lf– tEc lhaaraothf rgo,o se nu depal dm iy s avhMomfnair eo ukeenlitue ynermht ctnrs r heeiymmeaitn e ,c,snM G g e..uwbg”s ,aur s.eihe IanfsicTntceneeisanh knds mg e e AsmcaihcainnclolnoMaln esr ndlasuthncilrss bopsuiottiiieiowhctdcmol unlaueeeo nxlre tgrt wsp vee nmo6 HeedsIt ru0e nui,i inw 0mrtnndstdh shieadiiBcstetnae,rhuC, tnu (safiE Vm mt .rwessaetdtorr niago ntsafsg, ) mstabaHtP4 ohtbn9eyroi e5io ttsenw hon tuxmBgaoocetpCeg tacreltEdaohtiahnha)v rioe inneueunnr m ss rdsoshse et sc(tairl(edcsaaauta is. ytl c mtei ahs5 oii .ian7e ennn 0nosg –thrl)ye i p - mtTahauahlssarhse ikrotneoehsm dgy rtfeTaa sy owto habn,erhu eieml nctde psonhDtyi eyr ordeseen fisihflsa nz opteosansetohyntwa immi ntwnatscG im bt o gw haavonoru yoylle—emm sfsTtAr r lihdethocisstnaouensh.iekif csg pu e“saiwanrG c lblofis a arala ficgrin tfdseniuomi nepoetrrnagfue o leot Psd,hn maafiNe c ecro imuA,tnhs yussae,” us tiv tnym crsoermed ihilncdaie, ue .enoc fls ..oT wf kir6chdio4nn emy5g,y B CE AAmlle rriigcahnts Creosepryvreidg hutn Cdeorn vInentetrionnast.i oNnoa l paanrdt oPfa tnh-is 14TpGatiwahsihsn Triee pniedSc slO1edeae kaisiL yskot i T e mnIlifacydl SsoeanRru tnsTeorn s A.ountiScuEcrom iC iarenkNgynennigK nntcB o ftai Cwrse1lE on n.m t I t thTstswepfThr ttaNorrohaeiiammonEsne Wbigt hb gg ilbtyna aehahopesllgenrft,lotd p cw t.rii neunOsnm tttthrhp ueEremorgt u ieyangnpnshtttds ri,t ua hasnm euts yec epdnhneet dsav oseil nifltk ohcflepleuu e atdlde uer tedteehc a oatarhtlnr yed d e r. mhsEwbaCC(5tnaeoharau5irdlrnisvl1smns l fei–ypp,ecuo 4 ostlfcCnaau7oetiysuyt9n rhe p.e se itrpBd,nhhfy Ceu aeie lwEoflln os )speus is,yta tol thcomemneph n scbbsho.uei hroees soonsleri n lcut oa z lbfde s , TfiHnoyhsumtenrnu d otc olit dniNoe iknUskstga alok, rnntiht oe,t whMSeyno Sapro tailnnwuaard yn,agr ioslinhievndtgaaadtg rtsteeinh ,son ewistn ,hf v gocmeet,. erh gi1nduose4 adsos 0. dlfi0atycee nsr,nBs eCd os.Eh f othwen a rts WctsHmsoauaiuteluvcyethbes h noeirod ctefanef.a w sd aAlNt s tihcriHh nncaseeseoema t Abvnrrs duerhgsoeimhs onrway, fge anart n nhdrimta,tote senuwu lltisssoihhni evcpcei edcitae ahs hBp’v nse oita wsibuhfrr l riwaoetwoehsr,edu noetmr sh .ret shae hed i ep , 15 publication may be reproduced, stored in a retrieval MUSICAL STYLES: Find out about the different system, or transmitted in any form or by any means, styles of music and the timeline of changing electronic, mechanical, photocopying, recording, or styles through music history. otherwise, without the prior written permission PERTFORhMANCiEngs with strings Early music—Things with strings of the copyright owner. Published in Great Britain by Skinnocwe na nacsi ecnhto trimdeosp, hstorinneges,d h ianvsetr udmeveenlotsp ed in The five basic types AD coartlainlogg K reincdoerdrs lfeoyr Lthimis ibteodo.k asbolelu spnhldaasyp eebdsy o hwavcsvrnoth imiirbstdbleohltrao rrtra sacukdwaithtczii oenn bekesppggdso haw . a w tsroalThtito,ctrn h ehnoirpenmeo gflshgs us tessawhsac. mor keiaieTnute mh ihrsndnm teeedr tshwua srt srsdemomtui.rt e nhmsoieN nt aunrreegfeipttiannssn o mr gtgomlm rysteuf—h, aar sasasykitl,tctr le h ia nel.g s of choLonZobHwLoMaorvvfeenyuiirea uteetctr at hwrhaskerrdes p ii ebt,senscaob rs—ro—eaeao ra—sra wnstlre—ic TT nbpfiTs hatnhrhtoswoThbeaoi eenhwdmdgehoo ates u evs hsesfttrot e i—orrtere.atsroi iar nst into nrmrnrThogaigsetgnehn ns hsseaso g ea odera nasn teanr rosr d.aesreaaetre orl rts ovier oesn.nsian nt roaglri,sgadse tlstioon e rt nac edrrts .eh t .cdeh de d usiinnh so StrwZluonmvi ethenhneiartsee, Apcralu,an sy5t edIrhtirdhaae v, i lIcenHae r nuuCndippnhts og uiTtnpahorharuy yi 4 ls o,aCB5 hvsra eC mesnlfaEttrodr,ia cilr2 lCnk sl,p m go5hpis0uniuo, 0ntsas rh t9atinryceau tde.brThmn alhh er ecseGa ne h saeEn tag erurtimovnpuroo. ar ilIpnysvt e, ye aia.sd n pf rzloaitymhee dr ,Esluyistxr ehe-Kds,i to wrtipronhi agaiacec rhAdc, o, w dcmbea.o psc2w oao0nlrf-0aytste0h ens adoB p nCeEgd,s . Ciso laovra rielapIbSrolBed NufPrcor 9timni7ot 8nitn-h 0gbe- y L7L M5tidb6.er6,a d-Uri6yaK7 3oD 4fe -Cv4eolonpgmreessn.t 24 cvitRpTueunoae.sehe rer 1nrmeblyidyM3ayoe e i p5 d1ssdhhio8ss0einaeae 0p–vc(anv0dus1eerasce dl 4.leiatre h 0a reE da erp0uauenv a, rclr dogyciaEn p eoBubgl em3are to8raeplhon)npuae.qd ne u t y ceLeion u n,gte t issno uwneegdrs e , RBuas ascthihlasdsdaras theruiTrazlea illhnceYca positigsewsmeti asr dorki R ein afntsuyro rgtab iaes osgchasn ., r islitgia qTagtrg1rnqilhhuiaa8i nie nincfntpkaorkg helaiil lut,sk ywca cv l hta1rieaifhner.tr8rn he os y btat tmihrCbuotnu a dhrglmcPemyyi eenaf, e rbnrsaeonstonst imtueasod ih r xv(baym es,e r oaCsitdhoeernirsn n.o a-f d TtahhyTtmeCCnee hrrI ohh rheihTtytasriilaue nna onhRtm p dr)ee(ua.eapssmAyL cmTzeeed eci pIhnCuizmmrSolteemtaiima KtuoTdiyh-ntn speoe Eigda5arnc N ln aiao ucClinnos)e The ddnstsiOhc gn bhaae eyat losfi eret .vph e.e Bfim,nroras amtrBrtzui iaAmlel fBearrinracitstasm e ,f modthr ubo eBsn iarbc as.euztrriiil,mn’s g 1bce6aadutp h oiin secs itetrhranue tm umeranyi,tn s d10 tHh cuemnirenhtctdsuahwhtnrretayehuyd nds,em- ittg Ecrgupeeiaunrnisluntrg tcvae oshmrird.po ed Soael wimpkfn y Aehrt,ae hs,ae ltt sllehh geia sst weilrt eto1ss owls padt eol0eourmosoa A iortup tlnC sh-hioepldoinsksssgnhud aetri odesccnrsi acirnn.i i theethngnsakrb ev anu eod gny spaonms.tef eolvl ultga da arswee e vraym rnrE ygfiinse ot.,aedd larloC id lnsa rhhl estoi h,un re a , 25 Printed and bound by Leo, China PERFORMANCE: Marvel at these international collections of instruments and musical Discover more at performances throughout music history. www.dk.com Contents 10 Early music (50,000 –1600 ) BCE CE 12 From the first hum 14 Ancient world music 16 Didgeridoo 18 World of wind 20 Sounds of Africa 22 Plucky pipa 24 Things with strings 26 Ziryab (Blackbird) 28 The gamelan 30 Rituals and religious music 32 Sitar, tabla, and tambura 34 Yatsuhashi Kengyo 36 Classical music (1600–1900) 38 Baroque (1600–1750) 64 Dazzling dances 40 Johann Sebastian Bach 66 Pyotr Ilyich Tchaikovsky 42 Grand oratorios 68 National music 44 Vivacious violin 70 The Mighty Handful 46 Classical (1750–1820) 72 Antonín Dvo˘rák 48 Wolfgang Amadeus Mozart 74 Great conductors 50 Ludwig van Beethoven 76 Triumphant trumpet 52 Map of the orchestra 78 Brassed off 54 Romantic (1815–1910) 80 Claude Debussy 56 Hector Berlioz 82 Heitor Villa-Lobos 58 Outstanding operas 84 Hilarious operettas 60 Richard Wagner 62 Grand piano 86 Modern music (1900–) 88 Arnold Schoenberg 116 Popular music 90 Fun with drums 118 Adventurous Afropop 92 The blues 120 Hip-hop 94 Duke Ellington 122 Television and film music 96 Sassy saxophone 124 A. R. Rahman 98 Joaquín Rodrigo 126 Classical (1970s–) 100 Recorded sound 128 Live music 102 Frank Sinatra 130 Peter Sculthorpe 104 Memorable musicals 132 Today’s new sounds 106 Elvis Presley 134 Music festivals 108 The Beatles 110 Reggae music 136 Experience the real thing! 112 Electric guitar 138 Glossary 114 Led Zeppelin 140 Index of musicians 142 Acknowledgments What is Everyone reacts to music in music? a different way because it can be so many things: It’s not just It’s not just a a tune T A Y E T S E D B A up-beat … but can also be , story … but can also be a , jazzy hard rock , , and dance drama a , a , hip-hop . nation’s PRIDE a . It’s not just It’s not just a one sound composition … but can also be a duet, … but there’s music all around a symphony orchestra, a you in the birds singing, the chOrus, in fact, there are patter of feet, the clapping so many insTRum(cid:72)nts of hands, and water voices and to listen flowing. to and blend together. 8

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Music has always been an amazing way for people to connect with each other and to express their ideas and emotions. In this clear and lively introduction to music history, readers take a chronological journey around the world, exploring the sounds and rhythms of different cultures, the development o
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