The Project Gutenberg eBook, Betty at Fort Blizzard, by Molly Elliot Seawell, Illustrated by Edmund Frederick This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org Title: Betty at Fort Blizzard Author: Molly Elliot Seawell Release Date: March 20, 2006 [eBook #18022] Language: English Character set encoding: ISO-8859-1 ***START OF THE PROJECT GUTENBERG EBOOK BETTY AT FORT BLIZZARD*** E-text prepared by Al Haines [Frontispiece: Anita walked down the stairs and came face to face with Broussard and Mrs. Lawrence. (missing from book)] BETTY AT FORT BLIZZARD By MOLLY ELLIOT SEAWELL AUTHOR OF "BETTY'S VIRGINIA CHRISTMAS," "PAPA BOUCHARD," "THE JUGGLERS," "LITTLE JARVIS," ETC. WITH ILLUSTRATIONS IN COLOR AND FROM PEN DRAWINGS BY EDMUND FREDERICK PHILADELPHIA & LONDON J. B. LIPPINCOTT COMPANY 1916 COPYRIGHT, 1916, BY JOHN WANAMAKER BOOK NEWS MONTHLY Under title "Colonel Fortescue's Betty" COPYRIGHT, 1916, BY J. B. LIPPINCOTT COMPANY PUBLISHED SEPTEMBER, 1916 REPRINTED OCTOBER 20, 1916 TO ELEANOR T. WOOD THE GENTLE LADY WHOSE PATH THROUGH LIFE IS RADIANT WITH GOOD DEEDS THIS BOOK IS INSCRIBED BY THE AUTHOR CONTENTS CHAPTER I. "MISS BETTY" IN A NEW RÔLE II. A PRETTY MAID AND A GAMECHICK III. THE HEART OF A MAID IV. "GOOD-BYE, SWEETHEART, GOOD-BYE" V. UNFORGETTING VI. SOME LETTERS AND KETTLE'S ENLISTMENT VII. THE PLEADING EYES OF WOMEN VIII. LOVE, THE CONQUEROR IX. THE REVEILLE ILLUSTRATIONS IN COLOR Anita Walked Down the Stairs and Came Face to Face with Broussard and Mrs. Lawrence . . . . . . Frontispiece Broussard Lifted Gamechick by the Bridle and the Next Moment Cleared Both Mare and Girl The Last Glimpse Broussard Had of Anita Was, As She Stood, Her Arm About Gamechick's Neck "This Was Enclosed in a Letter to Me From Mr. Broussard," said the Colonel FROM PEN DRAWINGS The Black Mare Suddenly Threw Her Head Down and Her Heels Up "Miss Anita is in there with Mr. Broussard, an' He got on His Courtin' Breeches, an' They's Just as Quiet as a Couple of Sleepin' Babies" "Never Mind, Dear, Darling Daddy, I Love You Just the Same" Mrs. McGillicuddy Sat Majestically Upright in the Buggy, While the Sergeant Bestrode the Peaceful and Amiable Dot "Neither You nor Your Child Shall Suffer for the Present" Kettle Dropped the Reins, and Grasping Corporal Around the Neck Hung on Desperately "Don't Call Your Father 'the Poor old Chap,'" Said Mrs. Fortescue Positively BETTY AT FORT BLIZZARD CHAPTER I "MISS BETTY" IN A NEW RÔLE Colonel John Hope Fortescue, commanding the fine new cavalry post of Fort Blizzard, in the far Northwest, sat in his comfortable office and gazed through the big window at the plaza with its tall flagstaff, from which the splendid regimental flag floated in the crystal cold air of December. Afar off was a broad plateau for drills, an aviation field, and beyond all, a still, snow-bound world, walled in by jagged peaks of ice. It seemed to Colonel Fortescue, who was an idealist and at the same time a crack cavalry officer, that the great flag on the giant flagstaff dominated the frozen world around it, and its stars were a part of the firmament. When the sun rose and the flag was run up, then indeed it was sunrise. And when the sun descended in majesty, so the flag descended in glory. As the last pale gleam of splendor touched the flag, the sunset gun cracked out suddenly. Colonel Fortescue and his right-hand man for twenty years, Sergeant Patrick McGillicuddy, rose to their feet and stood at "attention," as the flag fell slowly. Then it was reverently furled, and the color sergeant, with the guard, started toward the Colonel's quarters, all whom they passed making way for them and saluting the furled colors. Colonel Fortescue continued to look out of the window, while Sergeant McGillicuddy, getting some belated mail together, passed out of the office entrance of the fine new commandant's quarters. Two horsewomen—Mrs. Fortescue, she who had been Betty Beverley, and her seventeen-year-old Anita—followed by a trooper as escort, were coming through the main entrance. Colonel Fortescue's eyes softened as he watched his wife and daughter, Mrs. Fortescue as slim as when she was Betty Beverley of old in Virginia, and riding as lightly and gracefully as a bird on the wing. There were two other watchers besides the Colonel. These two stood at the drawing-room window. One was tall and black and kind-eyed, with the unquenchable kindness of the colored race. His official name was Solomon Ezekiel Pickup, but ever since Mrs. Fortescue, as Betty Beverley, had taken him, a little waif, forlorn and homeless and friendless, he had been simply Kettle, being as black as a kettle. He had watched and adored the baby days of "Marse Beverley," the straight young stripling now training to be a soldier at West Point, and Anita, the violet-eyed daughter, the adored of her father's heart, but Kettle had not come into his own until the two-year-old baby, John Hope Fortescue II, had arrived in a world which did not expect him, but welcomed him the more rapturously on that account. The new baby had taken everybody by surprise, and immediately acquired the name of the After-Clap. He coolly approved of his father and mother, and thought Anita an entertaining person when she got down on the floor to play with him. Naturally he was indifferent to his twenty-year-old brother, whom he had never seen, but Kettle—his own Kettle—was the beloved of the After-Clap's heart. Next to Kettle in his affections was Mrs. McGillicuddy, the six- foot-two wife of Sergeant McGillicuddy, who had eight children, of assorted sizes, and still found time to do a great deal for the After-Clap. Mrs. Fortescue, riding briskly across the plaza, and seeing Kettle, so black, holding in his arms the laughing baby, so white, smiled and waved her hand at them. Then, catching sight of the Commanding Officer, standing at the window of his office, she smiled at him. But Colonel Fortescue was not smiling; on the contrary, he was frowning as his eyes fell upon Mrs. Fortescue's mount, Birdseye, a light built black mare, with a shifty eye and a propensity to make free with her hind feet. More than once Colonel Fortescue had reminded Mrs. Fortescue that it was somewhat beneath the dignity of a Commanding Officer's wife to ride a kicking horse. But Mrs. Fortescue had a sneaking affection for Birdseye and much preferred her to Pretty Maid, the brown mare Anita rode, and who was considered as demure as Anita, and Anita was very demure, and very, very pretty. At least, so thought Lieutenant Victor Broussard, watching her out of the tail of his eye, as he passed some distance away. It was not so far away, however, that Anita could not see the handsome turn of his close-cropped black head, and his eyes full of laughter and courage and impudence. As some things go by contraries, the glimpse of Broussard made Anita dismount quickly from Pretty Maid and flit within doors to avoid the sight of him. Once indoors, Anita ran where she could catch a last look of Broussard's young figure, his cavalry cape thrown back, before he turned the corner and was gone. Colonel Fortescue, at the office window, returned a salute, without a smile, to Mrs. Fortescue's greeting from afar. His teeth came together with a snap. "It's the last time," he said aloud—meaning that Mrs. Fortescue would have to submit to his judgment in horses and let Birdseye alone. What happened next turned the Colonel's resolution to adamant. A trooper was leading Pretty Maid away and another trooper was about to do the same for Birdseye when the black mare suddenly threw her head down and her heels up. Mrs. Fortescue kept her seat, while the mare, backing, and kicking as she backed, knocked over a couple of the passing color guard, and only by adroitness the color sergeant saved the flag from being dropped to the ground. Meanwhile, the two troopers, falling backward, collided with the chaplain, a small, meek man, as brave as a lion, who stopped to look and was ignominiously bowled over. Sergeant McGillicuddy, just coming out of the office entrance, made a dash forward and grabbed Birdseye by the bridle. The mare, still unable to unseat Mrs. Fortescue or to break away from the wiry little Sergeant, yet managed to scatter all the official mail in the Sergeant's hand on the snow. Kettle, who could not have remained away from "Miss Betty" under such circumstances to save his life, dropped the baby on the drawing-room floor and rushed out. This the After-Clap resented, shrieking wildly. [Illustration: The black mare suddenly threw her head down and her heels up.] The combination of the kicking mare, the fallen troopers, the prostrate chaplain, and the screaming baby at once determined Colonel Fortescue to remain in his office; what he had to say to Mrs. Fortescue would not sound well in public. Unlike Kettle, Colonel Fortescue had no fear whatever for Mrs. Fortescue, and watched calmly from the window as Sergeant McGillicuddy brought Birdseye to her four feet. Mrs. Fortescue sprang to the ground and apologized gracefully to the chaplain, assuring him that Birdseye was the best disposed horse in the world, except when she was in a temper and her temper was merely bashfulness and stage fright. "Whatever it is," answered Chaplain Brown, smiling while he rubbed a bruised shin, "it hurts. It hurts pretty badly, too." Next, Mrs. Fortescue apologized profusely to the troopers who had been knocked down by the bashful Birdseye. After their kind, they preferred a kicker to a non-kicker, and accepted, with delighted grins, Mrs. Fortescue's sweet words. But it was another thing when Mrs. Fortescue had to face a frowning husband. Mrs. Fortescue tripped into the Colonel's office, and going up to Colonel Fortescue gave him two soft kisses and a lovely smile, and this is what she got in return, in the Colonel's parade-ground voice: "I supposed I had made myself perfectly clear, Elizabeth, in regard to your riding that kicking mare." "But, darling," replied Mrs. Fortescue, "I thought you wouldn't mind. And please don't call me Elizabeth. It breaks my heart." "I must ask—in fact, insist—that you shall not ride that mare again," answered the Colonel sternly, without taking any notice of Mrs. Fortescue's breaking heart. "And her name is Birdseye," plaintively responded Mrs. Fortescue. "Don't you remember, the first horse you ever put me on was your first Birdseye." Mrs. Fortescue accompanied this information with a little pinch of the Colonel's ear. The Colonel remained coldly unresponsive; he had steeled his heart; the kisses and the pinch were hard to resist, but hardest of all the look of wide- eyed innocence in the dark eyes uplifted to his. Mrs. Fortescue would never see forty again, and her rich hair had a wide streak of silver running from her right temple; but she was the same Betty Beverley of twenty years before. The Betty Beverleys of this world are dowered with immortal youth and change but little, even under strange stars. Mrs. Fortescue had never in her life been at the end of her resources for placating men. She withdrew her arms from about her husband's neck, and running lightly into the drawing-room took the After-Clap from Kettle's arms, and, throwing him pick-a-back on her shoulders, tripped with her beautiful man-child into the Colonel's office. Mrs. Fortescue and the baby were the only persons who ever took liberties with Colonel Fortescue. The baby, charmed with his father's uniform, seized a shoulder strap with one hand and grabbed the Colonel's carefully trimmed mustache with the other, and lifted a pair of laughing eyes, wonderfully like his mother's, into his father's face. Mrs. Fortescue, at first as demure as any C. O.'s wife in the world, suddenly smiled the radiant smile that began with her eyes and ended with her lips. The woman's cunning was too much for the man's strength. Colonel Fortescue put his arm around his wife, as she laid the baby's rose-leaf face against his father's bronzed cheek. Husband and wife looked into each other's eyes and smiled. With this baby their lost youth was restored to them. Once more the Colonel was a slim young lieutenant, and Mrs. Fortescue was holding in her arms another dark-eyed, rose-leafed baby, now a young soldier in the gray uniform of a military cadet. They, themselves, could scarcely realize the flitting of the years. This new baby was a glorious surprise in their later married life. The baby's little hand had led them backward to the splendid sunrise of their married happiness. "It is because I love you so that I can't—I won't let you ride that black devil, Betty dear," said the Colonel. "How ridiculous!" replied Mrs. Fortescue. "You know I can ride as well as you can—can't I, After-Clap?" "Goo-goo-goo-goo!" replied the baby, positively. "And I never could understand why you should take the trouble to get angry with me," Mrs. Fortescue kept on, "when you can't stay angry with me to save your life." Colonel Fortescue made a last stand. "But if I didn't get angry with you sometimes, Betty——" "'Betty' sounds cheerful," interrupted Mrs. Fortescue, and then there was peace between them. Mrs. Fortescue and the Colonel went up-stairs to dress for dinner, and Kettle, on watch in the hall, took charge of the After-Clap, who commanded to be taken back into the office. Kettle, as always, promptly obeyed, and putting the baby on Sergeant McGillicuddy's desk, allowed the After-Clap to wreck everything in sight. It had not been originally designed that Kettle should be the After-Clap's nurse. The colored mammy who had nursed Beverley and Anita with tender devotions having gone to her well-earned rest, Mrs. Fortescue had determined to be very modern with the After-Clap. A smart young trained nurse, in a ravishing cap, was his first nurse. But the baby showed such marked preference for Kettle, and Kettle dogging the baby by day and night and thrusting superfluous services and advice upon the nurse, she decided she would not stand being "bossed by a nigger," and took a train for the East. Then, Mrs. Fortescue determined to return to first principles and imported from Virginia, at great cost and trouble, a colored mammy, most capable and experienced. But the complications with Kettle grew more acute, and the mammy, in a blaze of indignation, took even stronger ground than the trained nurse, and declared she "warn't goin' to be bossed by no black nigger." When she had shaken the snow of Fort Blizzard from her feet, there was nothing left but to hand the baby over to Kettle and Mrs. McGillicuddy, as coadjutor. After tending her own brood and keeping a sharp eye on Anna Maria McGillicuddy, her eldest daughter, who had reached the stage of beaux, and cooking the best meals for the Sergeant that any sergeant could ask, Mrs. McGillicuddy still had time to lend a helping hand with the After-Clap. Kettle and Mrs. McGillicuddy had been good friends ever since the time, nineteen years before, when she had become the little Sergeant's two-hundred-pound bride. But in the twenty years, during which Kettle had never left "Miss Betty" and Sergeant McGillicuddy had been Colonel Fortescue's factotum, there had been a continual guerilla warfare between Kettle and the Sergeant. The Sergeant alluded scornfully to Kettle as "the naygur," while with Kettle the Sergeant was always "ole McGillicuddy." Mrs. McGillicuddy was invariably on Kettle's side, and one blast upon her bugle horn was worth ten thousand men in what Kettle called his "collusions," with the Sergeant. Sergeant McGillicuddy had performed prodigies of valor in fights with Indians; he had been mentioned in general order, along with Colonel Fortescue, and was commonly reputed to fear neither the devil nor the doctor. But he was under iron discipline with Mrs. McGillicuddy, and Kettle, like everybody else, knew it. While the After-Clap was disporting himself with the articles on the Sergeant's desk, under the full glare of the electric light, a shadow passed the window. The next minute Sergeant McGillicuddy entered, the lion in him aroused by the sight of the liberties taken with his desk. "I say, you naygur," snorted the Sergeant wrathfully, "you take that baby off my desk and out of this office. The C. O's office ain't no day nursery." "You go to grass," replied Kettle boldly. The reason for Kettle's boldness was in sight. Mrs. McGillicuddy's majestic figure was seen approaching from the region back of the dining-room, and she had heard the Sergeant's remark about the C. O.'s office being a day nursery. "And it's you, Patrick McGillicuddy," cried Mrs. McGillicuddy, sailing into the office, "the father of eight children, complaining of this sweet blessed lamb." "D' ye mean the naygur?" asked McGillicuddy. Mrs. McGillicuddy, scorning to reply, seized the baby, and with Kettle following marched out. It was not really judicious for the After-Clap to be taken into the C. O.'s office. The Sergeant began meekly to straighten up his desk, and Colonel Fortescue, coming in later to glance over the evening newspaper, found McGillicuddy gazing meditatively at the Articles of War, lying in a volume on the table. The Sergeant was not the modern educated non-com, with an eye to a commission, but an old-timer, unlearned in books, but an expert in handling men and horses. "What is it, Sergeant?" asked the C. O. "Just this, sir," replied the Sergeant respectfully, "I was thinkin' a man ought to be mighty keerful when he picks out a wife." "Certainly," replied the Colonel, gravely, who had exercised no forethought at all, after once falling under the spell of Betty Beverley's laughing eyes. "When I got married I didn't act rash at all, sir, because I'm by nature a timid man," continued the Sergeant, who was a valiant man, and free. "I went to a palmist and paid him a dollar for my horrorscope. I told him I wanted a little woman, about my size, who would follow me around like a poodle dog. The palmist, he said, sir, he seen a little woman in my hand as would follow me around like a poodle dog. Then I went to a reg'lar fortune teller, and she told me the same thing, for a dollar. And I went to a mind reader, the seventh daughter of a seventh daughter, and she promised me the little woman, too. I bought a dream book and there was the same little woman again, sir. Within a fortnight after all this I met Araminta Morrarity, as is now Missis Patrick McGillicuddy, and she is six-foot-two-and-three-quarters inches in height, and tipped the scale then at a hundred and ninety-six pounds—and I'm the lightest man in the regiment. Missis McGillicuddy has been a good wife, sir—I ain't sayin' a word about that, sir." "I should think not," replied Colonel Fortescue, to whom the Sergeant's married life was known intimately for nineteen years, "Mrs. McGillicuddy keeps all the soldiers' wives satisfied and is a boon to the regiment." "That's so, sir," the Sergeant agreed, "and the chaplain, he compliments her on the way she marches them eight children and me to the chapel every Sunday, rain or shine, me havin' the right of the line, Missis McGillicuddy herself bein' the rear guard, the line properly dressed, no stragglers, everything done soldier-like. But Missis McGillicuddy don't follow me around like a poodle dog, as the palmist, and the mind reader, and the dream book said she would. She's hell-bent—excuse me sir—on havin' her own way all the time." Just then a vision flitted past the door. It was Anita, dressed for dinner, in a filmy gown of pale blue and white, the colors of the Blessed Damozel. A light came into Colonel Fortescue's eyes as they rested on this darling of his heart. The Sergeant had a pretty daughter, Anna Maria by name, who was just Anita's age and of whom the Sergeant was extravagantly fond. The two fathers, the Colonel and the Sergeant, exchanged intelligent glances. Often, in their twenty years of daily association, they talked together about things of which they never spoke to any other man. "Anna Maria is a fine girl," said the Colonel. "Yes, sir," answered the Sergeant, "if she'd just get over the fancy she has for Briggs, the artillery corporal. That man is bound to be killed by a wheel runnin' over him. You know, sir, if there is anything on earth that skeers me stiff it is a horse hitched to any kind of a vehicle. I don't mind ridin' 'em because then the horse's heels is behind me. But in a vehicle the horse's heels is in front of me, and it makes me nervous. I have told Anna Mariar that she shan't so much as look at Briggs unless he exchanges into the cavalry, so the horse's heels will be behind him, and not in front of him." The entrance bell rang, and Kettle went to the front door. Colonel Fortescue could neither hear nor see the visitor, but the step and the sound of a military cloak thrown on a chair indicated the arrival of a junior lieutenant. Colonel Fortescue looked annoyed. The junior officer running after Anita bothered him even more than Briggs, the artillery corporal, bothered Sergeant McGillicuddy. Anita was but a child—only seventeen; the Colonel had proclaimed this when he brought Anita to the post. Colonel Fortescue did all that a father and a Colonel could do to keep the junior lieutenants away from Anita, but no method has yet been found to keep junior officers away from pretty girls. There were still twenty minutes before dinner, and the scoundrel, as Colonel Fortescue classified all the juniors who, like himself, adored Anita, seemed determined to stay until the musical gong sounded, and later, if he were asked. This particular scoundrel, Broussard, was the one to whom the Colonel most objected of all the slim, good-looking scoundrels who wore shoulder straps, for Broussard had too much money to spend, and spent it wildly, so the Colonel thought; he, himself, had something handsome besides his pay, but he had also a sensible father who held him down. Broussard had too many motors, too many horses, too many dogs, too many clothes, too many fighting chickens, and, above all, was too intimate with a certain soldier, a gentleman-ranker who was disapproved, both of officer and man. A gentleman-ranker is a man serving in the rank who might be an officer. This one, Lawrence by name, was a bad lot altogether. The Colonel could add quite a respectable number of demerits to Broussard's credit. And to make matters worse, Broussard was a dashing fellow, the best rider in his troop, and had a way with him that made Anita's eyes soften and her tea-rose cheeks brighten when he came within her presence. Meanwhile, Broussard was walking up the long and handsome drawing-room toward the little glass room at the end, which had been fitted up for Anita's birds, her doves and her canaries. Anita, leaning backward in the cushioned window seat, held to her breast a fluttering white dove. She did not see Broussard until he was quite in the little room, and had closed the glass door after him. As Anita gave Broussard her hand, a great wave of delicate color flooded her face. This quickened the beating of Broussard's heart—Anita did not blush like that for everybody. She had a gentle aloofness generally toward men which was a baffling mystery to her mother. Broussard, being frankly in love with Anita, lost all his importance and presumption in her sweet presence, and was as gentle and modest as the white dove that Anita still held to her breast. As he longed to sit near her and ask her poignant questions, Broussard sat a long way off and talked common-places, chiefly about birds, of which he showed a surprising knowledge, gleaned that afternoon from the encyclopaedia, in anticipation of his visit. Also, Broussard had, very artfully, secured a traitor in the enemy's camp because it was well understood at Fort Blizzard that Colonel Fortescue was the enemy of every subaltern at the post who dared to raise his sacrilegious eyes to the Colonel's daughter. This traitor was Kettle, into whose hand Broussard never failed to place a quarter whenever they met, and at the same time to wink gravely. Kettle knew the meaning both of the quarter and the wink. Across the hall Kettle was arranging the dinner table, it being Mrs. McGillicuddy's duty to put the After-Clap to bed. The dining-room door was ajar, and Kettle kept an eye open to Broussard's advantage. Presently, Mrs. Fortescue came down-stairs, dressed for dinner in a gown of a jocund yellow, which Colonel Fortescue liked. As she passed the open door of the handsome dining-room, Kettle beckoned to her mysteriously. Mrs. Fortescue walked into the room and Kettle closed the door after her. "Miss Betty," whispered Kettle earnestly, "doan' you go into that there apiary," by which Kettle meant the aviary. "Miss Anita is in there with Mr. Broussard, an' he got on his courtin' breeches, an' they's jest as quiet as a couple of sleepin' babies." [Illustration: "Miss Anita is in there with Mr. Broussard, an' he got on his courtin' breeches, an' they's jest as quiet as a couple of sleepin' babies."] A look of annoyance came to Mrs. Fortescue's expressive eyes. The Colonel had imbued her with disapproval of the man of too many motors and horses and dogs and clothes and fighting chickens. Mrs. Fortescue waved Kettle away and marched into the hall, where she met Colonel Fortescue coming out of his office. "It's Broussard," she whispered to the Colonel. Together they entered the long drawing-room. Broussard and Anita were leaning forward; Anita's face was still deeply flushed. Her beloved white dove fluttered, unnoticed, about her white-shod feet. When the glass door opened and Colonel and Mrs. Fortescue entered the little glass room, both Anita and Broussard started violently—a sign of captive love. Mrs. Fortescue was gracious, merely because she could not help it, and the Colonel treated Broussard with the elaborate courtesy which a Colonel shows to a subaltern and which makes the subaltern look and feel the size of the head of a pin. Naturally, Broussard hastened his leave-taking and received no invitation to remain, except from Anita's eyes, shy and long-lashed. When the Colonel and Mrs. Fortescue and Anita were sitting at the softly-shaded round table in the dining-room, Anita's chair was close to her father's—the two were never far apart when they could be close together. Mrs. Fortescue wore around her white throat a locket with a miniature in it of her boy soldier. He was to her what Anita was to the Colonel, but being a stout-hearted woman she had sent her son away to be a soldier and had worn a smile at parting. There was a strain of the Spartan mother in this smiling daughter, wife, and mother of soldiers. "Did you have a pleasant visit from Mr. Broussard?" asked Colonel Fortescue. "Very pleasant, daddy dear. He knows so much about birds." "I think," replied the Colonel, darkly, "Mr. Broussard's knowledge comes chiefly from the study of fighting chickens." "I hear he has cockfights on Sunday, in the cellar of his quarters," said Mrs. Fortescue, willing to give Broussard a slashing cut under the fifth rib. "Cocking mains, my dear," corrected the Colonel, and then kept on, earnestly, to Anita. "Yon can scarcely imagine the horrors of a cockpit. The poor gamecocks, with cruel spurs upon their feet, tearing each other to pieces, and blood and feathers all over the place." "You seem wonderfully familiar with cockpits," remarked Mrs. Fortescue. "It seems to me, when we went to our first post after we were married, that you were sometimes missing on Sunday morning, and used to tell me afterward about the grand time you had, and the superior fighting qualities of the Savoys over the Bantams." The Colonel scowled. "I don't recall the circumstances, Elizabeth," he said. "But I do, John," tartly responded Mrs. Fortescue. Anita knew that when it was Jack and Betty the skies were serene, and when it became John and Elizabeth there were clouds upon the horizon. At this point Kettle, who was serving dinner, felt that his duty as Broussard's ally was to speak. "Miss Betty," said he with solemn emphasis, "Mr. Broussard doan' keep them chickens in his cellar fur to fight; he keeps 'em to lay aigs fur his breakfus'." "That's queer," said the Colonel, "all of Mr. Broussard's chickens are cock chickens." This would have abashed a less ardent partisan, but it only stimulated Kettle. "Come to think of it, Miss Betty," Kettle continued stoutly, "them chickens is cock chickens, but Mr. Broussard, he keep 'em for fryin' chickens and bri'lers; he eats a cock chicken ev'ry mornin' fur his breakfus', day in and day out." "Oh, Kettle!" said Anita, in a tone of soft reproach. She disliked the notion of a cockpit, but she was a lover of abstract truth, which Kettle was not. "Well, Miss Anita," Kettle began argumentatively, "the truth is, Mr. Broussard, he jes' keep them chickens to' 'commodate the chaplain. The chaplain, he's a gre't cockfighter, an' he say, 'Mr. Broussard, the Kun'l is mighty strict, an' kinder queer in his head, an' he ain't no dead game sport like me an' you, so if you will oblige me, Mr. Broussard, jes' keep my fightin' chickens in your cellar, an' if the Kun'l say anything to you, tell him them chickens is yourn. You wouldn't mind a little thing like that, would you, Mr. Broussard?' That's what I hee'rd the chaplain say." "Kettle!" shouted the Colonel, and Mrs. Fortescue remarked candidly: "You are a big story-teller, Kettle, there isn't a word of truth in all you have been telling." "That's so, Miss Betty," announced Kettle, brazenly. "Truth is, Mr. Broussard ain't got no chickens at all in his cellar, he keeps ducks, Miss Betty, 'cause the water rises in the cellar all the time." Kettle's active help did not end with wholesale lying as a means of helping Broussard. Within a week every time the After-Clap caught sight of Broussard he would shout for "Bruvver." This, Kettle carefully explained, was the baby's way of saying Broussard, but it brought a good many quarters from Broussard's pocket into Kettle's palm. CHAPTER II A PRETTY MAID AND A GAMECHICK The December days sped on, and Christmas was nearing. As the great, splendid fort was a shut-in place, the people in it made great preparations for Christmas, if only to forget that they were shut in. The Christmas Eve exhibition drill and music ride was to be the principal event of the season, and, wonder of wonders, Anita was to ride with Broussard at the music ride. This was not accomplished without pleadings and even tears from Anita. Mrs. Fortescue took no part in this affair between the Colonel and the adored of his heart; Anita and the Colonel had always settled their problems between themselves solely. Sergeant McGillicuddy had something to do with wringing from the Colonel his consent that Anita should ride with Broussard. "Accordin' to my way of thinkin', Mr. Broussard is the best rider of all the young orficers, sir," said McGillicuddy to the Colonel, in the seclusion of the office. "Miss Anita, she'd look mighty pretty ridin' with him, and Pretty Maid is as quiet as a lamb, sir, under the saddle. I wouldn't answer for her in shafts, sir. Lord! There's nothin' too devilish for a horse to do in shafts, or hitched to a pole. Missis McGillicuddy can't see it in this light, judgin' from the Christmas gift she's preparin' to give me." "What is it, McGillicuddy?" asked the Colonel. "It's a buggy, sir," answered the Sergeant despondently. "When I wanted to enlist in the aviation corps that woman, sir, forbid it; she said to me, 'Patrick McGillicuddy, I never did believe one word about your bein' afraid av horses in wheeled vehicles.' An' ivery time I go up in a flyin' machine, just for the fun av it, Missis McGillicuddy, she says to me 'Patrick, if they was to lop off the f from that flyin' machine, it would fit you to a t, bedad!' And that's the way she talks to me when I spent seven dollars and fifty cents in gettin' prognostications that I was goin' to marry a woman as would follow me around like a poodle dog!" "Women have a good many burrs in their convolutions," said the Colonel, lighting a cigar and handing a handful to the Sergeant. "They has, sir," replied McGillicuddy, accepting the cigars with doleful gratitude, "and Missis McGillicuddy threatens to take me out in that buggy on Christmas day. Well, sir, I've made my will and settled up my account at the post trader's, and the aviation orficer has promised to tak' me on a fly Christmas Eve morning. It may be the last fly I'll take until I get wings, for I hardly expects, sir, to escape the dangers of that buggy." In talking with Mrs. Fortescue about the music ride Colonel Fortescue dwelt upon the superiority of a quiet horse like Pretty Maid over a constitutional kicker like Birdseye. "It's the quiet ones, horses and women, that need watching," replied Mrs. Fortescue, who had never been accused of being a quiet one. For two weeks before Christmas the exhibition drill and music ride was the great subject of attention at Fort Blizzard. The most interesting part of the show was the music ride, in which the girls of the post were to ride, each girl having her attendant cavalier. When it was known that Anita was to ride with Broussard all the other sublieutenants who had hoped to sit in Broussard's saddle promptly provided themselves with other charming young ladies of the post. Next to Anita, the best rider was Sally Harlow, the daughter of her who had been Sally Carteret. Mrs. Harlow followed the example of Mrs. Fortescue, whose bridesmaid she had been, and had married within a year the dashing young officer with whom she "stood up" at Mrs. Fortescue's wedding. Mrs. Harlow, like Mrs. Fortescue, showed a marked inability to grow old and was as gay and drank the wine of life as joyously as did her daughter, Sally the Second. For a fortnight before Christmas the practice rides took place every afternoon in the great riding hall, in which four troops of cavalry could manoeuvre. As the daughter of the C. O., Anita, with Broussard, was to lead the girl riders and their cavaliers. Broussard called punctually at the Colonel's quarters for Anita, on the red December afternoons, when the air was like champagne and Broussard felt as if his veins ran wine instead of blood. The After-Clap, under Kettle's secret instructions, became valuable ally of Broussard's. Kettle managed that the baby's afternoon ride in his wicker carriage should coincide with Broussard's arrival. The dark-eyed baby, in his little white fur coat and cap and white fur blanket, looked like a snowdrop by the side of Kettle, who, except his shiny teeth, was so black it seemed as if he had been coated with shoe polish. The After-Clap always hailed Broussard with a vigorous shout of "Bruvver! Bruvver!" and Kettle invariably explained: "He's a-tryin' to say 'Mr. Boosard.'" At this Broussard would laugh and agree with Kettle that the After-Clap was the knowingest baby in the world, and Anita would blush beautifully. Colonel Fortescue's heart sank when he saw Broussard and Anita walking off together; Broussard so trim and soldierly in his riding uniform and Anita so amazingly pretty in her blue habit and cap, cunningly imitating the cavalry uniform, a fetching dress adopted by all the young ladies who were to take part in the music ride. The drill and ride were to begin at eight o'clock on Christmas Eve, and afterward there was to be a big ball, for at Fort Blizzard the young girls and young officers ended everything with a ball, where they could "chase the glowing hours with flying feet." A great silver moon and a mighty host of palpitating stars put the electric lights to shame on Christmas Eve. When Broussard called for Anita, a little before eight, she was waiting, already dressed in the pretty imitation of an officer's uniform—a costume that would make even a plain girl enchanting, and how much more so the violet-eyed Anita? Mrs. Fortescue, in a beautiful ball gown, looked quite as handsome as her daughter. The regimental tailor had been busy all day letting out Colonel Fortescue's full dress uniform and the Colonel fondly hoped that a couple of inches he had gained in girth were concealed by the tailor's art. But Mrs. Fortescue's quick eye discerned it. "I declare, Jack," she cried, showing off her own figure, as slim as a girl's, "I shall have to put you on a diet of lemon juice and slate pencils if you keep on getting stout!" At which the Colonel glowered darkly and Anita, putting her arms about his neck, whispered: "Never mind, dear, darling daddy, I love you just the same." "Never mind, dear, darling daddy, I love you just the same." [Illustration: "Never mind, dear, darling daddy, I love you just the same."] Mrs. Fortescue, who would have been affable to the Evil One himself, smiled at Broussard. The Colonel was polite but not effusive, having developed a rooted dislike to junior unmarried officers as soon as he found out that Anita had to grow up, like other human beings. Broussard felt himself in Paradise when he was walking with Anita along the moonlit plaza toward the riding hall. Outside, troopers were leading the restless horses up and down. Pretty Maid did not belie her name, and was the best behaved, as she was the handsomest, of all the mounts of the young ladies. Broussard's Gamechick, a perfectly trained cavalry charger, with an eye and ear of beautiful intelligence, had not his superior among the horses. Sergeant McGillicuddy, who was the best man with horses at Fort Blizzard, was sauntering about, looking at the horses approvingly and saying to all who cared to hear: "As good a lot of nags as ever I see, and every blarsted one of 'em has got four legs. It's mighty seldom nowadays, you see a four-legged horse; most of 'em has only three legs and some of 'em ain't got as much as two and a half." The riders, all wearing the same uniform as Broussard and Anita, appeared by twos and fours; bright-eyed young officers and merry girls. Their part was not to come for an hour, but they declared the night was too lovely to go into the waiting-room, and they strolled about and talked horses and dancing and balls and all the happy things that fall out "when youth and pleasure meet." In the midst of the chatter of the riders and stamping and champing of the blanketed horses, as they were led up and down, Kettle suddenly appeared carrying in his arms a white bundle, which turned out to be the After-Clap. He should have been asleep in his crib for hours, but instead he was wide awake, laughing and crowing and evidently meant, with Kettle's assistance, to make a night of it. "What do you mean, Kettle, by bringing the baby out this time of night?" asked the surprised Anita. "I got him all wropped up warm," answered Kettle, apologetically, pointing to the After-Clap's white fur coat and cap. "But that chile knowed there wuz a hoss show on—it's mighty little he doan' know, and after the Kun'l and Miss Betty lef', he begin' to cry for 'Horsey! Horsey!' an I jes' had to take him up an' dress him an' bring him here. An' that's Gord's truth, Miss Anita," a phrase Kettle habitually used when making doubtful statements. The baby was so obviously happy in this breach of all nursery discipline that Anita had not the heart to send him home. Anita was a soft-hearted creature. Sergeant McGillicuddy, however, explained disgustedly to the waiting troopers and horses how the After-Clap was permitted to begin his career of dissipation. "I'll bet you a million of monkeys," the Sergeant proclaimed, "as Missis McGillicuddy wasn't on hand when that there baby begun to yell 'Horsey! Horsey!' if he ever did it at all. With eight children av her own and Anna Mariar's beau, Missis McGillicuddy must sometimes stop at home. Lord help the naygur if Missis McGillicuddy should favor this evint with her prisince!" The sympathies of the soldiers were entirely with the After-Clap, who loved soldiers, knowing them to be his true friends, and was never happier than with his big, kind, blue-coated playmates, the troopers, with their rattling sabres and clanking spurs. Sergeant McGillicuddy, being himself under Mrs. McGillicuddy's iron rule, did not approve of Kettle's breach of discipline and hatched a scheme to catch him. With a countenance as inscrutable as the Sphinx, he stepped to the telephone booth, shut the door carefully, and held a short conversation over the wire with Mrs. McGillicuddy. When the Sergeant came out of the telephone booth his face was not inscrutable but expressed pure human joy and triumph. "It's Missis McGillicuddy as 'll do for ye," said the Sergeant with a grin, going up to Kettle, holding the delighted After-Clap in his arms. "Go 'long, man," answered Kettle, "Mrs. McGillicuddy ain't my boss. She's yourn." This language, uttered toward a man with chevrons and three stripes on his sleeve, naturally incensed the Sergeant. He had learned, however, in twenty years of warfare with Kettle, that it was very hard to get him punished. "The naygur never has found out that orders is orders," remarked the Sergeant to the lookers on. "But Missis McGillicuddy can wallop him with one hand tied behind her back, and she'll do it, too, when she finds out about the kiddie bein' out this time of night." This was no idle threat. Fifteen minutes later, when Kettle and the After-Clap were at the height of their enjoyment, Mrs. McGillicuddy, with only a shawl over her head, in the keen December night, was seen stalking across the plaza and toward the group of men and horses outside the drill ball; the riders had trooped into the waiting-room for coffee and sandwiches before the ride began. The troopers, who knew and admired Mrs. McGillicuddy, made way for her respectfully as she swooped down on Kettle, to his complete surprise. "Solomon!" shouted Mrs. McGillicuddy. Whenever Mrs. McGillicuddy used Kettle's baptismal name it meant the same thing as when Colonel Fortescue called Mrs. Fortescue "Elizabeth,"—there was trouble brewing. "And it's you," continued Mrs. McGillicuddy, in a voice like a bassoon in a rage, "as the Colonel and Mrs. Fortescue trusted their innocent lamb, and when they are peacefully watchin' the show you take this pore baby out of his warm bed and brings him out here to catch his death of cold, and Patrick McGillicuddy, you'll laugh on the wrong side of your face when I get you home, and the Colonel shall know this, if my name is Araminta McGillicuddy." With that Mrs. McGillicuddy tore the After-Clap from Kettle's arms. Like Kettle and McGillicuddy and the admiring crowd of troopers, the baby knew enough to maintain silence when Mrs. McGillicuddy had the floor. "Right 'bout face and march," screamed Mrs. McGillicuddy to Kettle, who meekly obeyed her, "and McGillicuddy 'll hear from me when he comes home to-night!" Mrs. McGillicuddy then, with Kettle walking in advance, his head hanging down, followed with the After-Clap and took the way to the C. O.'s quarters, where the baby, much to his disappointment, was again laid in his crib and Kettle was promised terrors to come like those of the Day of Judgment. McGillicuddy, standing in the moonlight among the riderless horses and grinning troopers, forestalled criticism by handing out a card on which a legend was inscribed in large letters. "Boys," said the Sergeant, solemnly, "there's my rule for all married men in the service and out av it. It's the Golden Rule of married life, boys, and it ought to be added to the Articles of War and the Regulations. Here it is, boys, 'Doant munkey with the buzz saw.'" Meanwhile, within the vast riding hall the splendid pageant was taking place. The lofty roof was hung with flags of all nations entwined with ropes and wreaths of Christmas greens and crimson and gold electric lights. In the middle of the roof, dark and high, hung a great silken flag of the United States, with the electric lights so arranged as to throw a halo of glory upon it. The galleries were full of officers and ladies in brilliant ball costumes for the ball that was to follow. Under the galleries the soldiers and their families were massed. Over the wide entrance door was the musicians' gallery, where the regimental band, and Neroda, their leader, a handsome Italian, with their gleaming instruments, made a great splash of vivid color against the sombre wall. Opposite the entrance was the Commanding Officer's box, beautifully draped with flags and wreaths of holly. In the box sat the Colonel and Mrs. Fortescue, both looking wonderfully young and handsome. The Colonel caught sight of the chaplain peering in at a window below; the chaplain knew a horse from an automobile, and loved horses too much for the good of his soul, so he thought. In a moment a messenger came with the Colonel's compliments and the request for the chaplain's company, and the chaplain obeyed with alacrity and a joy almost unholy. Above the murmur of conversation and laughter the band dominated, playing soft Italian music. Suddenly and silently, as if in a dream, the great entrance doors drew apart, the band changed into a great military fanfare, and a splendid troop of cavalry charged in, the lithe young troopers and the sleek horses with muscles of steel under their satin skins, horse and man moving as one. After a dash around the hall, they proceeded to show what troopers and horses could do. The soldiers rode bareback and upside down, got on and off the horses in ways incredible, made pyramids of troopers, the horses galloping at full speed, stopped like machines, dismounted, the horses lay down and the troopers, at full length, pounded out deadly imaginary volleys into unseen enemies. When this was over and the troopers had trotted out amid thunders of applause, the great doors again slid open as if by magic and a battery of light artillery rushed in, the band thundering out "For He Is a Son of a Gun." The drivers, with four horses to each gun, sat like statues, as did the three artillerymen, erect, with folded arms, as straight and still as men of steel, and their backs to the horses, as the guns sped around the hall and turned and twisted marvellously, never a wheel touching, but always within three inches of disaster. Loud applause greeted the wonderful spectacle of gunners, horses and gun carriages inspired by an almost superhuman intelligence. When the battery had passed out and the doors were closed there was a short pause. The next and last event was the music ride by the officers and girls, the prettiest sight in the world. Middle-aged matrons and gray-mustached officers smiled in anticipation of seeing their rosebud daughters, on beautiful horses, admired and applauded of all. In the C. O.'s box, Mrs. Fortescue, opening her fan, leaned over and smiled into the Colonel's face. "She'll do it," whispered the Colonel confidently, meaning that Anita would do her act more gracefully and brilliantly than any girl who ever rode a horse. The band once more struck up, the great doors drew wide apart, this time with a clang, and the procession of youth and beauty and valor dashed upon the tanbark. The officers were resplendent, while the girls, in their daring imitation of the uniform and with cavalry caps upon their pretty heads, looked like young Amazons riding to war. Broussard and Anita, who led the cavalcade, were the best riders where all were good. Pretty Maid and Gamechick seemed on the best of terms and their stride fitted perfectly. The procession circled around the hall at a canter, and as Anita and Broussard, leading the procession, reached a point in front of the C. O.'s box, they both saluted, Anita raising her little gauntleted hand to her cavalry cap. Colonel Fortescue stood up and returned the salute as the riders passed, two by two. Next began the scene of beautiful horsemanship, pure and simple, winding up with the Virginia reel, done by the riders on horseback, as the band played the old reel, "Billy in the Low Grounds." Then came the last feature of all; the ride formed again, and, suddenly quickening their pace to a full gallop, started upon the circuit of the hall. They swept around the circle at a sharp gallop, the clanking spurs and rattling sabres keeping time to the roar of the music. Anita was riding like a bird on the wing and Pretty Maid, who had behaved with her usual grace and decorum, opening and shutting her stride like a machine. Just as she got in front of the C. O.'s box the mare suddenly lost her head. She hesitated, bringing her four feet together in a way that would have thrown over her head a rider less expert than Anita. Behind her the line of riders was thrown into slight confusion with the unexpected halt. The movements of animals are so much quicker than those of men that the eye can scarcely follow them. One instant Anita was in her saddle; the next Pretty Maid stopped, crouched, gave a wild spring, fell prone on her knees, and rolled over, struggling violently. Anita, half thrown and half slipped from her saddle, was on the tanbark, directly in front of Gamechick. She straightened out her slim figure full length, and closed her eyes. Broussard's horse was then not six feet away from her and coming on as if the trumpeters were sounding the charge. A great groan rose from the floor and the galleries; the band played on wildly, losing its perfect tempo and each musician playing for himself, but still...