7 1 0 2 G U A / L U J / N U J BERKELEY ART MUSEUM·PACIFIC FILM ARCHIVE UNIVERSITY OF CALIFORNIA PROGRAM GUIDE CHARLES HOWARD UGO RONDINONE 500 YEARS OF INDIAN PAINTING JEAN-PIERRE MELVILLE TOSHIRO MIFUNE PEDRO ALMODÓVAR TERENCE DAVIES SOPHIE CALLE ERNIE GEHR FILM AND LITERATURE WOMEN CRIME WRITERS SUMMER REPERTORY R A D N E L 1 / 2 / 3 / 4 / 5 / 6 A C MAY 4/SUN 11/SUN 22/THR 11–7 Drop-in Art Making ART LAB 11–7 Drop-in Art Making ART LAB 4–7 Drop-in Art Making ART LAB 31/WED 3:00 Intruder in the Dust 5:00 Kedi LIMITED ENGAGEMENT P. 30 7:00 An Evening with Sophie Calle 7:00 Invasion of the Body Snatchers Claude Jarman, Jr. in person  7:00 The Silence of the Sea  Sophie Calle and Lawrence AUTEUR, AUTHOR P. 15 Rinder in conversation  Philip Kaufman and David MELVILLE 100 P. 27 Thomson in conversation  5:45 California Typewriter Erica Deeman: Silhouettes and The 47th SPECIAL SCREENING P. 13 AUTEUR, AUTHOR P. 14 Doug Nichol, Steve Wasserman, UC Berkeley MFA Graduate Exhibition Jeremy Mayer, Herbert Permillion 23/FRI close P. 11 III, and Ken Alexander in person  4–9 Drop-in Art Making ART LAB JUN AUTEUR, AUTHOR P. 15 14/WED 6:00 Black Life: D. Mark Wilson  8:30 Memories of Underdevelopment Introduction by Joshua Jelly- 7:00 Meek’s Cutoff  PERFORMANCE P. 6 1/THR Schapiro AUTEUR, AUTHOR P. 15 SUMMER REPERTORY P. 20 7:00 Seven Samurai  12:15 Guided Tour  TOSHIRO MIFUNE P. 17 EXHIBITION HIGHLIGHTS P. 7 7/WED 15/THR 4–7 Drop-in Art Making ART LAB 7:00 Kedi LIMITED ENGAGEMENT P. 30 4–7 Drop-in Art Making ART LAB 24/SAT 4–7 Five Tables of Elevated Emotional 7:00 Rashomon TOSHIRO MIFUNE P. 16 11–9 Drop-in Art Making ART LAB States ART VIEWING P. 7 8/THR 6:30 Bob le flambeur MELVILLE 100 P. 28 7:00 Stalker 4–7 Drop-in Art Making ART LAB 16/FRI 8:30 Notes on Blindness  AInUtTroEUdRu,c AtUioTnH ObRy  GP. e14off Dyer  7:00 Le Samouraï MELVILLE 100 P. 27 4–9 Drop-in Art Making ART LAB LIMITED ENGAGEMENT P. 30 Free First Thursday: 6:30 Los Olvidados  25/SUN Galleries Free All Day 9/FRI SUMMER REPERTORY P. 20 4–9 Drop-in Art Making ART LAB 8:30 Le Samouraï MELVILLE 100 P. 27 11–7 Drop-in Art Making ART LAB 2/FRI 6:30 Kedi LIMITED ENGAGEMENT P. 30 17/SAT 2:00 GDiaQlluerinyz Tioa lkC:H AApRsLaESra H OWARD P. 7 47:–090 1JD0ur0aon pY -Ceinaa rrAslo rwst iMRthua Jlkfuiona ginn  RpAuRelTrfs oLoA nB  78::0150 LSFUouMsll :MO SEluvRni Rd EaPPdEEoRRFsT OO RRMYA PN. C2E0 P. 6 161:–390 DNrooteps- ionn A Brtli nMdankeinsgs   ART LAB 57::0000 RAarmshyo omf oSnh aTdOoSwHIsR O MIFUNE P. 17 AUTEUR, AUTHOR P. 14 LIMITED ENGAGEMENT P. 30 MELVILLE 100 P. 28 10/SAT 8:30 Drunken Angel  3/SAT TOSHIRO MIFUNE P. 16 28/WED 11:30, 1:00 Vajra: Thunderbolt- 11–9 Drop-in Art Making ART LAB Diamond Kid Power 6:00 Artist’s Talk: Ugo Rondinone  1–5 Rainbow Afternoon: Drawing Object! FAMILY FARE P. 5 18/SUN THE WORLD JUST MAKES ME LAUGH P. 7 Workshops for Kids FAMILIES P. 5 1:30 Carol Christ and David Neidorf in 11–7 Drop-in Art Making ART LAB 7:00 Léon Morin, Priest  MELVILLE 100 P. 28 3:00 The Secret Garden Conversation P. 7 4:00 The Hidden Fortress  Introduction by Caroline Paul  2:30–9 Drop-in Art Making ART LAB TOSHIRO MIFUNE P. 16 Umgeo l aRuognhd ainnodn Dei:v tihnee wVoisrilodn jsu,s Et amrtahkleys AUTEUR, AUTHOR P. 14 3:00 Turtle in Paradise  7:00 Les enfants terribles Pleasures: Five Hundred Years of Indian 5:30 Obscene: A Portrait of Barney ROUNDTABLE READING P. 5 Melville 100 P. 28 Painting open PP. 9, 10 Rosset and Grove Press AInUtTroEUdRu,c AtUioTnH ObRy  RP. o15bert Scheer  6:00 MAErmLVyIL oLEf S10h0a dP.o 2w7s  21/WED 29/THR 8:30 Mishima: A Life in Four Chapters 8:45 Meek’s Cutoff  7:00 Stray Dog TOSHIRO MIFUNE P. 16 4–7 Drop-in Art Making ART LAB Introduction by Rachel Kushner  SUMMER REPERTORY P. 20 Charles Howard: A Margin of Chaos 7:00 The Reckless Moment  AUTEUR, AUTHOR P. 15 opens P. 8 WOMEN CRIME WRITERS P. 24 30/FRI 4–9 Drop-in Art Making ART LAB 7:00 The Hidden Fortress  TOSHIRO MIFUNE P. 17 2  JUNE / JULY / AUGUST 2017 JUL 2:30–9 Drop-in Art Making ART LAB 16/SUN 27/THR 3:00 Performance by Gautam Tejas 11–7 Drop-in Art Making ART LAB 4–7 Drop-in Art Making ART LAB 1/SAT Ganeshan DIVINE VISIONS P. 6 5:00 The First Teacher  7:00 Women on the Verge of a 3:00 Sisters ROUNDTABLE READING P. 5 SUMMER REPERTORY P. 20 Nervous Breakdown  11–9 Drop-in Art Making ART LAB 6:30 Revolution: New Art for a New 7:00 Léon Morin, Priest  PEDRO ALMODÓVAR P. 22 5:30 Strangers on a Train  World LIMITED ENGAGEMENT P. 31 MELVILLE 100 P. 28 WOMEN CRIME WRITERS P. 24 28/FRI 8:30 I Live in Fear TOSHIRO MIFUNE P. 17 8:15 Purple Noon  19/WED 4–9 Drop-in Art Making ART LAB WOMEN CRIME WRITERS P. 24 9/SUN 7:00 An Evening with Ernie Gehr 7:00 Don’t Bother to Knock  Ernie Gehr in person  WOMEN CRIME WRITERS P. 25 2/SUN 11–7 Drop-in Art Making ART LAB SPECIAL SCREENING P. 13 8:45 Sanjuro TOSHIRO MIFUNE P. 18 11–7 Drop-in Art Making ART LAB 5:00 Revolution: New Art for a New 4:30 Panique LIMITED ENGAGEMENT P. 30 World LIMITED ENGAGEMENT P. 31 20/THR 29/SAT 6:30 Seven Samurai  6:45 WDaOiMsyE NK CeRnIyMoEn W  RITERS P. 25 4–7 Drop-in Art Making ART LAB 11–9 Drop-in Art Making ART LAB TOSHIRO MIFUNE P. 17 7:00 Full: Tones PERFORMANCE P. 6 7:00 The Bad Sleep Well  6:00 The First Teacher  TOSHIRO MIFUNE P. 17 SUMMER REPERTORY P. 21 5/WED 7:00 The Blue Gardenia  12/WED 21/FRI 8:00 Panique LIMITED ENGAGEMENT P. 30 WOMEN CRIME WRITERS P. 24 7:00 Throne of Blood  11:30, 3:00 Brave New Voices 30/SUN TOSHIRO MIFUNE P. 17 International Poetry Slam 6/THR Festival PERFORMANCE P. 6 11–7 Drop-in Art Making ART LAB 13/THR 12:15 Guided Tour EXHIBITION 4–9 Drop-in Art Making ART LAB 5:00 The Mill and the Cross  HIGHLIGHTS P. 7 4–7 Drop-in Art Making ART LAB 6:30 Bedelia  SUMMER REPERTORY P. 21 4–7 Drop-in Art Making ART LAB 7:00 Night Nurse  WOMEN CRIME WRITERS P. 25 7:00 Two Men in Manhattan  WOMEN CRIME WRITERS P. 25 MELVILLE 100 P. 28 4–7 Five Tables of Protest  8:30 Laura WOMEN CRIME WRITERS P. 25 ART VIEWING P. 7 14/FRI 7:00 Mifune: The Last Samurai 22/SAT Steven Okazaki in person  4–9 Drop-in Art Making ART LAB 11–9 Drop-in Art Making ART LAB TOSHIRO MIFUNE P. 17 6:00 Black Life: Jari Bradley, 6:00 The End of the Ottoman Empire  Free First Thursday: Terry Taplin, and Neil Wade  ABOVE SUMMER REPERTORY P. 20 Galleries Free All Day PERFORMANCE P. 6 1 Kedi, 6.7.17, 6.9.17, 6.11.17 8:15 Yojimbo 6:30 Panique LIMITED ENGAGEMENT P. 30 Introduction by Steven Okazaki  2 Army of Shadows, 6.10.17, 6.25.17 7/FRI 8:30 Quand tu liras cette lettre  TOSHIRO MIFUNE P. 18 3 Gajendramoksha, Vishnu Saves the 4–9 Drop-in Art Making ART LAB MELVILLE 100 P. 28 Elephant King, Central India, Malwa, c. 7:00 Le deuxième souffle  23/SUN 1640–50; ink and gouache on paper. MELVILLE 100 P. 28 15/SAT 11–7 Drop-in Art Making ART LAB DIVINE VISIONS 11–9 Drop-in Art Making ART LAB 4 Meek’s Cutoff, 6.10.17, 6.14.17 4:30 The End of the Ottoman Empire  8/SAT 6:30 Revolution: New Art for a New SUMMER REPERTORY P. 21 5 Charles Howard: The Cage, 1938; 11:30, 1:00 Enter the Otherworldly  World LIMITED ENGAGEMENT P. 31 7:00 The Fool Killer  t×e 2m9p 5/8e rian .a; nthde w Saotleormcoolno rR o. nG puagpgeern; h2e1 i5/8m FAMILY FARE P. 5 8:15 Panique LIMITED ENGAGEMENT P. 30 WOMEN CRIME WRITERS P. 25 Museum, New York. CHARLES HOWARD 1:30 Lecture by Robert Del Bontà: Picturing Music: Ragamala 26/WED 6 Sanjuro, 7.28.17 Painting DIVINE VISIONS P. 7 7:00 High and Low  TOSHIRO MIFUNE P. 18 GALLERIES ALWAYS FREE FOR BAM/PFA MEMBERS BAMPFA  3 R A D N E L 1 / 2 / 3 A C AUG 10/THR 19/SAT 27/SUN 4–7 Drop-in Art Making ART LAB 11–9 Drop-in Art Making ART LAB 11–7 Drop-in Art Making ART LAB 2/WED 7:00 The New Babylon  6:00 A Quiet Passion  5:00 Antonio Gaudí  SUMMER REPERTORY P. 21 TERENCE DAVIES P. 19 SUMMER REPERTORY P. 21 7:00 Yojimbo TOSHIRO MIFUNE P. 18 8:30 All About My Mother  7:00 A Quiet Passion  3/THR 11/FRI PEDRO ALMODÓVAR P. 23 TERENCE DAVIES P. 19 4–9 Drop-in Art Making ART LAB Ugo Rondinone: the world just makes 12:15 HGIuGiHdLeIGdH TToSu Pr.  7EXHIBITION 6:30 In a Lonely Place  20/SUN me laugh, Irwin Kremen / MATRIX 265, WOMEN CRIME WRITERS P. 26 11–7 Drop-in Art Making ART LAB and Sam Contis / MATRIX 266 close  4–7 Drop-in Art Making ART LAB PP. 9, 12 8:30 Obit. LIMITED ENGAGEMENT P. 31 5:00 Distant Voices, Still Lives  4–7 Five Tables of Journeys and TERENCE DAVIES P. 19 Destinations ART VIEWING P. 7 30/WED 12/SAT 7:00 Obit. LIMITED ENGAGEMENT P. 31 7:00 Le doulos MELVILLE 100 P. 29 12:15 Gallery Talk: Apsara 11–9 Drop-in Art Making ART LAB DiQuinzio CHARLES HOWARD P. 7 Free First Thursday: 23/WED Galleries Free All Day 6:30 Un flic MELVILLE 100 P. 29 7:00 Samurai Rebellion  8:30 Pepi, Luci, Bom, and Other 7:00 A Quiet Passion  TOSHIRO MIFUNE P. 18 4/FRI Girls Like Mom  TERENCE DAVIES P. 19 PEDRO ALMODÓVAR P. 22 31/THR 4–9 Drop-in Art Making ART LAB 24/THR 4–7 Drop-in Art Making ART LAB 6:30 Ride the Pink Horse  13/SUN 4–7 Drop-in Art Making ART LAB WOMEN CRIME WRITERS P. 26 7:00 Volver PEDRO ALMODÓVAR P. 23 11–7 Drop-in Art Making ART LAB 7:00 High and Low  8:40 WThOeM HENa nCgReIMdE M WaRnIT E RS P. 26 5:00 Obit. LIMITED ENGAGEMENT P. 31 TOSHIRO MIFUNE P. 18 7:00 The Breach  25/FRI 5/SAT WOMEN CRIME WRITERS P. 26 4–9 Drop-in Art Making ART LAB 11–9 Drop-in Art Making ART LAB 16/WED 7:00 Of Time and the City  6:00 Le doulos MELVILLE 100 P. 29 7:00 What Have I Done to Deserve TERENCE DAVIES P. 19 8:15 Julieta PEDRO ALMODÓVAR P. 22 This?  PEDRO ALMODÓVAR P. 22 8:40 Talk to Her  PEDRO ALMODÓVAR P. 23 6/SUN 17/THR 11–7 Drop-in Art Making ART LAB 4–7 Drop-in Art Making ART LAB 26/SAT 5:00 The New Babylon  7:00 Band of Outsiders  11–9 Drop-in Art Making ART LAB SUMMER REPERTORY P. 21 WOMEN CRIME WRITERS P. 26 6:30 The Long Day Closes  7:00 Le cercle rouge MELVILLE 100 P. 29 TERENCE DAVIES P. 19 18/FRI 8:30 Bad Education  7/MON 4–9 Drop-in Art Making ART LAB PEDRO ALMODÓVAR P. 23 7:00 Full: Spaces PERFORMANCE P. 6 6:00 Black Life: Karen Seneferu  PERFORMANCE P. 6 9/WED 6:30 Antonio Gaudí  7:00 Shadows of Our Forgotten SUMMER REPERTORY P. 21 ABOVE Ancestors  8:15 Samurai Rebellion  1 A Very British Pornographer: SUMMER REPERTORY P. 21 The Jack Kahane Story, 6.3.17 TOSHIRO MIFUNE P. 18 2 What Have I Done to Deserve This? 8.16.17 3 Ride the Pink Horse, 8.4.17 4 / 5 4 Samurai Rebellion, 8.18.17, 8.30.17 5 Stalker, 6.1.17 4  JUNE / JULY / AUGUST 2017 FA M I L I E S Rainbow Afternoon: FAMILY FARE ROUNDTABLE READING Drawing Workshops for Kids Ages 6 to 12 with accompanying adult(s) Recommended for ages 8 and up SATURDAY / 6.3.17 / 1:00–5:00 Free for kids plus one adult (younger kids welcome as listeners) Ages 4 to 10 with accompanying adult(s) Each Family Fare workshop integrates a gallery Free for kids plus one adult Free for kids plus one adult visit and discussion with a related hands-on Young readers are invited to read aloud the Create colorful drawings of rainbows in these project. Workshops last about an hour and a opening chapter(s) of a good book in BAMPFA’s artist-led workshops, with ambient projections half. Sign up onsite beginning fifteen minutes convivial Reading Room and are given a copy to of rainbows and prisms by artist Keith Evans to before the session you wish to attend. Space is continue reading at home. No advance sign-up help inspire your work. Come back after June 28 limited to twelve kids per session; please arrive needed; just drop in! and see many of the day’s drawings on show in promptly to sign up. SATURDAY / 6.10.17 / 3:00 Ugo Rondinone: the world just makes me laugh SATURDAY / 6.10.17 / 11:30 & 1:00 Turtle in Paradise by Jennifer L. Holm (p. 9). Materials will be provided. No advance Vajra: Thunderbolt-Diamond Reading led by Mardawn Wendt, librarian at Berkeley sign-up necessary. Kid Power Object! Arts Magnet Elementary School Family Matinee: The Secret Garden The vajra is a ritual power object symbolizing the When eleven-year-old Turtle’s mom gets a job SATURDAY / 6.3.17 / 3:00 properties of a diamond (indestructability) and working for someone who doesn’t like kids, Turtle moves to Key West, Florida, to live with relatives a thunderbolt (irresistible force). After viewing Recommended for ages 8 and up she’s never met. There, where it’s hot and strange an eleventh-century vajra and other objects Barbro Osher Theater admission prices apply and unfamiliar, her world opens up into unexpected of power in the exhibition Buddhist Realms, In conjunction with the Bay Area Book Festival, adventures of all kinds! explore the vajra form with artist Kim Bennett author Caroline Paul introduces this lovely adaptation by customizing cut-paper models to suit your SATURDAY / 7.8.17 / 3:00 of Frances Hodgson Burnett’s beloved story about individual powers. an enterprising girl discovering hidden wonders Sisters by Raina Telgemeier SATURDAY / 7.8.17 / 11:30 & 1:00 Reading led by Jennifer Gordon, librarian at Malcolm X on her uncle’s estate. See p. 14. Elementary School, Berkeley Enter the Otherworldly Temperatures and tempers rise as Raina and her Inspired by paintings in Charles Howard: A sister Amara argue about everything under the ABOVE Margin of Chaos (p. 8), which feature dreamlike sun on a weeklong road trip through the American Ugo Rondinone: your age and my age and the age of the images composed of shapes both recognizable West. Join us to read the first graphic novel in the rainbow, 2014–ongoing; plywood and rainbow drawings and unrecognizable, use gouache and other Roundtable Reading series and see what the sisters made by children from Shanghai, Rotterdam, and Rome; materials to make your own surreal mixed-media learn about themselves and each other. dimensions variable; courtesy the artist. compositions with artist Beth Krebs. The Secret Garden, 6.3.17 Beth Krebs, 7.8.17 Family Fare and Roundtable Reading will be taking a break in August. See you again in September! GALLERIES ALWAYS FREE FOR BAM/PFA MEMBERS BAMPFA  5 SS TT NN EE VV EE 1 / 2 / 3 / 4 / 5 / 6 / 7 / 8 / 9 / 10 / 11 / 12 / 13 / 14 / 15 PERFORMANCES Black Life: D. Mark Wilson Brave New Voices International FRIDAY / 6.23.17 / 6:00 Youth Poetry Slam Festival Full FRIDAY / 7.21.17 / 11:30 & 3:00 Programmed by Chika Okoye and David Brazil Explore the galleries and discover exciting performances in our Free Admission dramatic space on the night of each full moon. We welcome back UC Berkeley Gospel Choir director D. Mark Wilson Land and Sea, the small independent press and studio founded offers a presentation on the freedom songs of the The twentieth annual Brave New Voices International by Maria Otero and Chris Duncan, to program our summer series. black civil rights struggle of the 1960s. Drawing Youth Poetry Slam Festival convenes young poets Please note: Seating is limited. from his background as musical director of several from around the world for several days of work- churches, including, most recently, St. Columba’s shops, showcases, and other events across the Full: Sun in north Oakland, he will illustrate the roots of Bay Area. We are pleased to host two quarterfinal FRIDAY / 6.9.17 / 7:00 these protest songs in the musical traditions of poetry slam competitions at BAMPFA. See the Programmed by Land and Sea the black church. full schedule of events at bravenewvoices.org. Join us for an evening of auditory astronomy. Chris Chafe and Gautam Tejas Ganeshan Black Life: Karen Seneferu Greg Niemeyer present their music and video work A Day in the SATURDAY / 7.8.17 / 3:00 FRIDAY / 8.18.17 / 6:00 Sun, based on the rotation of the sun on its axis. And a dozen Programmed by Chika Okoye and David Brazil Following Robert Del Bontà’s lecture on ragamalas percussionists perform Chris Duncan’s 12 Symbols, an immersive in Divine Visions, Earthly Pleasures (p. 10), enjoy Karen Seneferu is one of the organizers of The sound experience of celestial patterns. a performance by Gautam Tejas Ganeshan, a Black Woman Is God, a movement-building platform Full: Tones passionate singer who applies his knowledge of activated by live performance and community SUNDAY / 7.9.17 / 7:00 Indian carnatic music to the creation of new music. cypher that celebrates the black female presence Programmed by Land and Sea Although his performances reflect a traditional as the highest spiritual form. Seneferu presents a aesthetic, they express immediacy more than performance piece highlighting the themes that Two solo performers bring their sonic experiments to BAMPFA. nostalgia. For this special performance, Ganeshan drive her curational work. Robert Aiki Aubrey Lowe, who often performs under the moniker is joined by a small ensemble. Lichens, combines modular synthesis with his own tonal vocaliza- 16 tions. Gabie Strong explores spatial constructions of drone and Black Life: Jari Bradley, Terry Taplin, decay, using ritual incantation. and Neil Wade FRIDAY / 7.14.17 / 6:00 Full: Spaces MONDAY / 8.7.17 / 7:00 Programmed by Chika Okoye and David Brazil Programmed by Land and Sea Join young poets Jari Bradley, Terry Taplin, and Neil Wade as they lay out a constellation of pos- Three performances push the boundaries of sound, film, and move- sibilities for linguistic art. These dynamic artists ment. Julius Smack queers the concert form with a vogue-inspired explore multiple modes of poetic performance, performance. Ashley Bellouin and Ben Bracken create washes of from translation to song to spoken word. sound with both traditional and handmade instruments. Experimental filmmaker Paul Clipson collaborates with electroacoustic musicians Amma Ateria and Kevin Corcoran. Unless otherwise noted, all events are included with admission. 6  JUNE / JULY / AUGUST 2017 1 Brave New Voices International 11 Neil Wade, 7.14.17 Poetry Slam Festival, 7.21.17 12 Jari Bradley, 7.14.17 2 Full: Sun, 6.9.17 13 Ugo Rondinone, 6.28.17 3 Robert Aiki Aubrey Lowe, 7.9.17 Photo: Christian Grund 4 Gabie Strong, 7.9.17 14 Robert Del Bontà, 7.8.17 5 Paul Clipson, 8.7.17 15 David Neidorf, 6.10.17 6 Julius Smack, 8.7.17 16 Karen Seneferu, 8.18.17 7 Kevin Corcoran, 8.7.17 17 Sister Corita Kent: With Love to the Everyday Miracle, 1967; serigraph; 8 Carol Christ, 6.10.17 23 × 35 in.; BAMPFA, museum pur- 9 D. Mark Wilson, 6.23.17 chase: gift of Phoebe Apperson Hearst, by exchange. 10 Terry Taplin, 7.14.17 GALLERY TALKS, LECTURES & DISCUSSIONS Carol Christ and David Neidorf in Conversation SATURDAY / 6.10.17 / 1:30 Join UC Berkeley’s new Chancellor Carol Christ and David Neidorf, president of Deep Springs College, for a discussion of timely topics in undergraduate education. From the differing perspectives of a major public university and a tiny, private single-sex college, they will talk about approaches to a range of issues, including undergraduate identity and character formation. Occasioned by the MATRIX exhibition of Sam Contis’s photographs from Deep Springs, the conversation is moderated by Nathan Sayre, chair of UC Berkeley’s Department of Geography and a Deep Springs alumnus. 17 Gallery Talk: Apsara DiQuinzio on Charles Howard SUNDAY / 6.25.17 / 2:00 WEDNESDAY / 8.30.17 / 12:15 FREE FIRST THURSDAYS Explore the enigmatic work of Charles Howard (p. 8) with Apsara Guided Tours DiQuinzio, BAMPFA’s curator of modern and contemporary art and THURSDAYS, JUNE 1, JULY 6, AUGUST 3 Phyllis C. Wattis MATRIX Curator. DiQuinzio presents an overview of 12:15 the painter’s life and art, focusing on his working through and between BAMPFA education staff share highlights of our current exhibitions. Surrealism and abstraction. Artist’s Talk: Ugo Rondinone Five Tables WEDNESDAY / 6.28.17 / 6:00 Drop by our art study centers on Free . . . of Elevated Emotional States First Thursdays and get an up-close THURSDAY / 6.1.17 / 4:00–7:00 Rondinone offers an illustrated overview of his work (p. 9), describ- view of some of the treasures of the ing his process and touching on themes of wonder, sadness, and the . . . of Protest BAMPFA collections, laid out on the sublime in his art. THURSDAY / 7.6.17 / 4:00–7:00 five tables in the seminar area. Space Lecture by Robert Del Bontà: Picturing Music: is limited, so there could be a short . . . of Journeys and Destinations Ragamala Painting wait. Find out about the works on THURSDAY / 8.3.17 / 4:00–7:00 SATURDAY / 7.8.17 / 1:30 view at bampfa.org. Many of the paintings in Divine Visions, Earthly Pleasures (p. 10) illustrate poetry associated with an important genre of classical music of North India known as ragas, which relate to particular moods, seasons, and times of day. In his illustrated talk, guest exhibition curator Robert Del Bontà explores the fascinating subject of ragamala painting, which flourished at the Hindu and Muslim courts as early as the fifteenth century. BAMPFA  7 CHARLES HOWARD A MARGIN OF CHAOS S N O TI I B I H X E JUNE 21–OCTOBER 1 Often intimate in scale, the enigmatic, meticulous paintings of banners balancing in space. In his later, more abstract pictures, he Charles Houghton Howard (1899–1978) bridge figurative, surrealist, maintains an emphasis on the depiction of a state of metamorphosis. and abstract currents in early to mid-twentieth-century art. Active Howard said that all of his pictures “are closely related. . . . They in New York, London, and the San Francisco Bay Area, Howard are in fact all portraits of the same general subject, of the same developed an arresting style that is characterized by fluid lines, idea, carried as far as I am able at the time.” What this subject is, suspended forms, an exquisite sense of balance and proportion, however, Howard leaves open to his viewers to interpret. and controlled brushwork. Hailing from a Berkeley-based family of The BAMPFA exhibition surveys Howard’s artistic trajectory with key artists and architects, and son of John Galen Howard—the supervising examples from each decade of his career. Through approximately architect of UC Berkeley—Howard had an active and distinguished seventy-five drawings and paintings, Charles Howard: A Margin of career in both the United States and England. Chaos demonstrates the exceptional nature of this underrecognized A self-taught artist, Howard worked rigorously and painstakingly to artist’s work. develop his paintings and works on paper, often laboring slowly over extended periods. He began as a satirist and muralist in the 1920s, Charles Howard: A Margin of Chaos is organized by Apsara DiQuinzio, curator of modern and contemporary art and Phyllis C. Wattis MATRIX Curator, with Valerie working in the Manhattan studios of Louis Bouché and Rudoph Moon, curatorial assistant. The exhibition is made possible through major support Guertler; his first solo exhibition took place at the Whitney Studio from the Terra Foundation for American Art. Additional support is provided by Michael Rosenfeld Gallery, Galen Howard Hilgard, Bonhams, and Claire and Dan Carlevaro. Club in 1926. He moved to London in 1933, and his works from the 1930s show his movement back and forth between Surrealism and abstraction. These early works portray the land undergoing Charles Howard: Prescience, 1942; oil on canvas; 281/4 × 401/2 in.; The an architectural transformation, typically marked with flags and Metropolitan Museum of Art, New York, Arthur Hoppock Hearn Fund, 1942. 8  JUNE / JULY / AUGUST 2017 UGO RONDINONE the world just makes me laugh S N O TI I B I H X E JUNE 28–AUGUST 27 Ugo Rondinone: the world just makes me laugh incorporates imagery and themes from popular culture as well as drawing inspiration from historical art movements such as Romanticism and Surrealism. Seemingly lighthearted motifs including clowns and rainbows take on a melancholy tone in this riveting and psychologically intense installation. Rondinone’s nuanced use of space, scale, color, and pose contribute to a brooding sense of the sublime. Forty-five life-size, highly realistic clown sculptures, from Rondinone’s installation vocabulary of solitude, form the exhibition’s centerpiece. Festively attired, with closed eyes and expressionless faces, these figures suggest at once a sense of euphoria and a state of melancholy. For Rondinone, the clowns collectively “represent one person in solitary activity within an enclosed space.” He writes: each single clown is named in the present tense after one solitary activity: be.breathe.sleep.dream.wake.rise.sit.hear.look.think.stand. walk.pee.shower.dress.drink.fart.shit.read.laugh.cook.smell.taste. eat.clean.write.daydream.remember.cry.nap.wank.feel.moan.enjoy. float.love.hope.wish.sing.dance.fall.curse.yawn.undress.lie. The BAMPFA exhibition also features several related works, including Rondinone’s sixty-drawing series 1998 diary; four pairs of clown shoes; eight large-scale paintings from the artist’s sun series; an oversized lightbulb sculpted from wax; and thousands of drawings of rainbows made by children from all over the world, including Berkeley. Born in Brunnen, Switzerland, in 1964, Rondinone lives and works in New York City. Ugo Rondinone: the world just makes me laugh is his first solo museum exhibition in the Bay Area. Ugo Rondinone: the world just makes me laugh is organized by BAMPFA Director and Chief Curator Lawrence Rinder. The exhibition is made possible with support from the Swiss Arts Council Pro Helvetia; Gladstone Gallery, New York and Brussels; Galerie Eva Presenhuber, Zürich/New York; Sadie Coles HQ, London; and the Consulate General of Switzerland in San Francisco. Ugo Rondinone: still, 2006; artificially aged clown shoes of leather, wooden nail, and paint; 39 3/8 × 23 5/8 × 9 7/8 in.; Collection Pictet. Photo: Stefan Altenburger. GALLERIES ALWAYS FREE FOR BAMPFA MEMBERS BAMPFA  9 DIVINE VISIONS, EARTHLY PLEASURES FIVE HUNDRED YEARS OF INDIAN PAINTING S N O TI I B I H X E JUNE 28–SEPTEMBER 10 From the very earliest times, a range of stylistic possibilities was open to Indian painters. Divine Visions, Earthly Pleasures: Five Hundred Years of Indian Painting highlights many appealing styles and trends found in this rich tradition. The exhibition showcases more than sixty works, most of them drawn from a group of more than three hundred paintings and drawings given by Jean and Francis Marshall to BAMPFA in 1998, forming the core of the museum’s Indian collection. Thematic groupings highlight religious painting, portraiture, expressions of romantic love, and paintings associated with music. Indian artists constantly play with various, sometimes conflict- ing approaches—such as realism and abstraction—often within a single work. This layering of artistic conventions can be subtle and sophisticated. From the earliest paintings on paper executed in the fifteenth century up to modern times, line is consistently strong and expressive. The artists use multiple conventions to create space, often including a number of different points of view in a single work. The architecture can recede into depth in parts of a painting and appear two-dimensional in others. Although the conventions of Indian portraiture are not always fully realistic, the painters often manage to convey a sense of their sitters, and Surajamala-ji, Son of Rao Nirandasa is a good example. The stylized figure of Surajamala convinces as a portrait of an actual person. In this painting, the artist has managed to instill the back- ground with great animation while suggesting both a recession into space and a basic flatness. The handling of the rising sun topped by cloud forms is a tour de force. At first glance the play of color may suggest an abstract treatment, but on closer examination it reveals itself as fully representational. Divine Visions, Earthly Pleasures: Five Hundred Years of Indian Painting is orga- nized by guest curator Robert J. Del Bontà, with funding provided by the Asian Art Endowment Fund. Surajamala-ji, Son of Rao Nirandasa, India, Rajasthan, Devgarh, c. 1820; ink, gouache, and gold on paper; 21 1/4 × 8 5/16 in.; BAMPFA, gift of Jean and Francis Marshall. 10  JUNE / JULY / AUGUST 2017