r r ^ i-r -iir ir-r-, JACQUES RANCieRE T AFTER JhnslaKd by UNIVOCAL Erik Beranek BelTaa nI;et epmsd 'pares © Capri2c0c1i1, Transtleafdr oFmr ehnb cyE riBkre aenk asB elTaa nTh;e TimeA fter Fitr Esdition Minneapliso© 2013, UnivocaPulb lishing Published by Univocal 123N orh3 trSdrt ee#t2,0 2 MinneapMoNl 5i5s41,0 wwwu.nivlopcbualhiisgnc.om Nop artt hoibfso omka ybe reprcoedodur transmitted inan y form orb yan y means, eleocntcior rm echaniinccluadilng, p hotopcyiong, recording oran y ohter informasttioornoa rrg eet risyestevma, l without pripoerrm ission inw riting form th peublisher. Thanks toJo e HughesC,o rSytr and, Andrew Ryder, anAdn thony PauSlm ti h Desig&:n Perdin ted by Jason Wagne r Distributhte Uendiv erbsityy of Minneost Paress ISBN 9781937151654 LibroafCro yng ressCo ntrNoulmb er 2013944623 � BELA TARR, THE JACQUES RANCIERE TIME AFTER Translbayt ed UNIVOCAL EriBke ranek I.T HET IMEA FTER Ane venwiintgth h fea miOlny.t elevais spieoank,e r recapittuhloeaf tfiecvsie arls oifot nh hei stoorfy l humanTihtey.hr aebs e epnr imimtainvf,ee udalism, ancda pitaTlomiosrmr.to hwe wriebl elc ommunism. Fotrh tei mbee insgo,c iailspi asvmit nhgwe a yf oirt andm usfitg hhta radg aiintsrsti vcaalp,i tatloi sm, dos o. Sucihst h oef fictiiamilenH ungaartty h een dof th1e9 70asl :i nteiamrwe i twhe ll-dsetfianagenedds tasTksh.ef athoeftr h fea miolfThy e P rfeaPbe loep transtlhalete esss foonhr i sso nH.e d oenso ts ay whahte t hinokfis tB .u otn et hiinscg e rtfaoitrnh e spectnaetiotrth:hef era thceorn'dsun cottr,h aotft he narrattaikvteehs,ti esm pomroadlea lsi tsst andard. Indeweidt,ht ihfiner msitn uotfte hsfie l wme s ahwi m leahviews i faen d chidledsrpteihntfe,eo rmteerasr s, anwdi throeustp ontdohi enqrgu estcioonncse rning thsee nosfhe i dse parAtpupraer.e hneht alasyl ready returonren do,yt e lte fAtn.dt huen folodfih nigs actiiofsna sr refmroovtmeh odef ficoiradloe ftr i mes andt askIsnt. h per ecedsienqgu ehneca en,dh is coworkcehrasr,wg ietdoh v erseape oiwnegsr t ation, improvais soecdcm eart cohnr olloifnfigcc hea irs. Int hfeo llowweiw nigsl,el he i md umph iwsi faen d 1 Iitis m oprtatnonto t e that the French word" histcoaibnre ter a"ns latede tiher as"h istoroy,ra"s " sorty," depnedinogn conBteecxatut.hs teee nsbietowne en "situaiotns" and "storiisone es o"ft hterh eatdhast r uns frothme beginning to the endof this work",s tohraybs"e e n chosine anlm ost every casIest.h ould not be overlooked,ho wever, that inm any instancebso tmhea nings ough tto be heard equatlhel syto:r tyol d inan "officila history" isa s tryo noenthel[TeNsJ.s 1 childartte hnee n tratnoac s ew immipnogos li,t uated int hseh adoofwa f actcohriym ,nt eogy ot alwki th afr ienwdh ot hinikitsst imteol eawvhee onn cea n nol ongdeirs tintghuceil sohui dnts h sek fryo mt he smokoeft hfea ctories. "Ourt imeh asp ass"e hdi,sw ifneo tes melanch,oe lviockailtnlhgyeh ourosfb oisterous dancteh amta rketdh eh appdya yosf h ery outh frobme neatthdheo moef t hhea irdrheososdeerd' s haidrr yeTrh.ef ollowing sequtehniicsne illustrates thdea nce-wchaefrheee hru sbalneda vheesar l one withhe grl aisnsv,i atniontgwh oemra tno d ancoer repeantoisntga rlegfircwa iitnahsc horoufms a les: witheRroesdoe fPs e nteocrao usttu lmena cvaersr ied awabyy t hwei ndA.f twehri cthh,fie l mw iltla ke usb acbke foirtoesw nb eginnainnngo,u ntchien g husbadnedp'asr atnudhr iers e asfoonlrse avtihneg : possiboifml aiktiybn igmg o nebyy g oitnogw ork abroWaidt.h aiy ne aorfw hicthob uayc ar, perhaps; withtiwnoy eaarh so,u sIenv. a itnh,we i foep poses hicso nsumderreiaswmtis t thh hea ppionfeb sesi ng togethheew ri:ll le avasew ,e k no,ws inwceeh ave alresaedeyhn i ml eaIvnev .a ionn,o upra rwto,u ld web elitehvseee paraitriroenv oAc calbolsee.o- fu p thtee aorfts h aeb andowniefidess u cceeded, without transbiyta il oonns,gh ootfa s towrhee rtehc eo uple, togetahgearai cnq,u aiw raes himnagc hienqeu ipped witehi ghtpereong rAanmdst .hfi en aslh owti slhlo w thesml umpoentd h pel atfoofart mr ubceks itdhei s firssty mbooftl h enierwp rosperity. 2 Releaisne1 d91 8,T hPeer faPb eloeips B ela Tartrh'isfir ldm p,r oduacneddd i recitnse odc ialist HungaTry.h eu nfoldoiftn hgen arraatlirveea dy pointtost heg readti stabnectew eoeffnci ial plann-ionfpg or ductainodonf c ondu-catnsd the realoiflt iyv teidm teh,ee x pectaatsipoinrsa,t ions, andd isenchanotftm hemene tnas n dw omeonft he youngge neraTtheit oenn.s bieotnw etehne tsweo temporadloientsooi tne lsiy n ditchabetr ee [alk 'ecart]2 with otfhfiecv iiaslio oftn h per esaenndtt h feu ture thatthy eo unBge lTaa rwro uladl lhoiwm sIetall fs.o allofwoasrr ethinokfti hntege mpodreavle lopment oft hfiel mmakweorr'kIssit .sc ommotnod ivitdhei s ouevrien ttow om ajopre riotdhsea:rr ee fitlhmoesf thaen gyroyu,n figl mma,kg errappwliitnthgh s eo cial probloefms so ciaHluinsgt,aw rayntitnosg h ake­ upt hbeu reaucrroauttiiacnn edt, oc alble haviors issuferdo tmh pea sitn tqou estcioonns:e rvatism, egoimsaml,de o minatthireoe nj,e cotfti hoonws heo ardei ffeArnednt th.ea rree fitlhmeos f m atu,r ity accompatnhyceio nlgl oafpt shSeeo viseyts taenmd itdsi senchcaanptiitncagol nissetq uwehnectneh se, censoufrt ehm ea rkheatts a koevne frot rh aotft he Stadtaer:k aenrdd arkfielrm isn,w hicpho liitsi cs reducteomd a nipultahtseio ocni,pa rlo mitsoae swindalnetd,h c eo lletcott hibevr eu htoarld Fer.o m onep eritootd h oet hefrr,oo mn eu nivetrots hee 2 The French wor"dce art" -which s ios central in Rancierwer'ist ionn figlsm , andwh ich punucatteshi s discusfs itophnre o ogreosfs iToaoneur vrre s- has been translated as "gap" ina lmoevserty instance. CfR.a nciLeers eeca'rtss d u cinemPaar.is: L a Fabiqrue, 2011 [TN]. 3 othetrhs,et yolfte h mei esnes cneese emtsoc hange enti,ar sew leylTlh.ea ngoefrt hyeo unfigl mmaker wast ranslianttteohd eb rusqmuoev emeonfta s hand-hcealmde rwah,i clhe afprto omn eb odtyo anotihnea rt ightsepnaeacdne d d reaws c loasse possitbofl aec ienso rdteors cruttihneieizvree ry expresTshiepo ens.s imoifts hmme a tufirlem maker ise xpreisnsl eodns ge quesnhcoett hsad te livnet o thee mptdye ptohffi elsdu rrounidnidnigv iduals encloisnte hdes iorl itude. Andy eBte,l Taa rtre lulsts i maen adg atihne:ir se noti,nh iose uavp reer,ioo fsd o cfiilamlas n adp eriod ofm etaphyasnidfc oarlm awloirskItsit .sa lwatyhse samfiel mt hahtem aketsh,se a mree aloifwt hyi ch hesp eakhses; i mpdleyl vale ist dteleepi enrti eota ch timFer.o tmh fier sfitl mt ot hlea sitti,s a lwatyhse stroyo fab roken porfaov moiysaetg,he ar te tutron s itpso ionfdt e parFtuarmeNi.el ssyht o wusst he young coupLlaec,ai n dI n�n, bveasiineltgyhi heno gu sing serviinch eo peosfo btaitnhiean pga rtmtehnatt wouladl ltohwe tmoe scatphese t iflaitnmgo sphere oft hpea terhnoamleT .h Teur iHno rssheo wusst he fatahneddra ughptaecrk tihnegmi era gbeerl ongings onem ornitnolg e aavnei nfelratniBdlu.eit it so ver thsea mheo rizonb-elhiiwnnhedi, c whe stahwe m disapptehaatrth, ee yn tienrt voi eawg aiwna,l king int heo pposdiitree catnidor ne turntiotn hge housteou nlotahdte h inpgasc ktehda mto rning. Thed iffebreetnwceete hnte w oi sp recitsheanltoy explaniastw ioornta hn ythainnygm otrhee:ir se nol ongaenryo btubsuer eau,ca rnaytc yyrannical 4