The Project Gutenberg eBook, A Safety Match, by Ian Hay This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org Title: A Safety Match Author: Ian Hay Release Date: March 17, 2012 [eBook #39172] Language: English Character set encoding: ISO-8859-1 ***START OF THE PROJECT GUTENBERG EBOOK A SAFETY MATCH*** E-text prepared by Quentin Johnson, Suzanne Shell, and the Online Distributed Proofreading Team (http://www.pgdp.net) from page images generously made available by Internet Archive/Canadian Libraries (http://www.archive.org/details/toronto) Note: Images of the original pages are available through Internet Archive/Canadian Libraries. See http://www.archive.org/details/safetymatch00hayiuoft A Safety Match BY THE SAME AUTHOR. Crown 8vo, 6s. A MAN'S MAN. Fourth Impression. Crown 8vo, 6s. THE RIGHT STUFF. Fifth Impression. Popular Edition, Cloth, 1s. net. Crown 8vo, 6s. PIP. Fourth Impression. Popular Edition, Cloth, 1s. net. WILLIAM BLACKWOOD & SONS. Edinburgh and London. A Safety Match IAN HAY AUTHOR OF 'THE RIGHT STUFF,' 'A MAN'S MAN,' 'PIP,' ETC. THIRD IMPRESSION William Blackwood and Sons Edinburgh and London 1911 ALL RIGHTS RESERVED TO H. M. S. CONTENTS. BOOK ONE. THE STRIKING OF THE MATCH. CHAP. PAGE I. HAPPY FAMILIES 3 II. WANTED, A MAN 23 III. THE WHEELS OF JUGGERNAUT 36 IV. THE DEVIL A MONK WOULD BE 55 V. A SABBATH DAY'S JOURNEY 76 VI. DAPHNE AS MATCHMAKER 94 VII. THE MATCH IS STRUCK 105 VIII. MORITURA TE SALUTAT 115 BOOK TWO. FLICKERINGS. IX. A HORSE TO THE WATER 129 X. A DAY IN THE LIFE OF A SOCIAL SUCCESS 145 XI. DIES IRAE 165 XII. CILLY; OR THE WORLD WELL LOST 184 XIII. THE COUNTERSTROKES 197 XIV. INTERVENTION 219 XV. JIM CARTHEW 232 BOOK THREE. THE LIGHTING OF THE CANDLE. XVI. SOME ONE TO CONFIDE IN 243 XVII. THE CANDLE LIT 250 XVIII. ATHANASIUS CONTRA MUNDUM 263 XIX. LABORARE EST ORARE 276 XX. BLACK SUNDAY 284 XXI. VEILLESSE SAIT 289 XXII. HOLD THE FORT! 296 XXIII. THE LAST TO LEAVE 308 XXIV. ANOTHER ALIAS 317 BOOK ONE. THE STRIKING OF THE MATCH. CHAPTER ONE. HAPPY FAMILIES. "Nicky, please, have you got Mr Pots the Painter?" "No, Stiffy, but I'll trouble you for Mrs Bones the Butcher's Wife. Thank you. And Daph, have you got Master Bones the Butcher's Son? Thank you. Family! One to me!" And Nicky, triumphantly plucking from her hand four pink-backed cards, slaps them down upon the table face upwards. They are apparently family portraits. The first—that of Bones père—depicts a smug gentleman, with appropriate mutton-chop whiskers, mutilating a fearsome joint upon a block; the second, Mrs Bones, an ample matron in apple-green, proffering to an unseen customer a haunch of what looks like anæmic cab-horse; the third, Miss Bones, engaged in extracting nourishment from a colossal bone shaped like a dumb-bell; the fourth, Master Bones (bearing a strong family likeness to his papa), creeping unwillingly upon an errand, clad in canary trousers and a blue jacket, with a sirloin of beef nestling against his right ear. It was Saturday night at the Rectory, and the Vereker family—"those absurdly handsome Rectory children," as old Lady Curlew, of Hainings, invariably called them—sat round the dining-room table playing "Happy Families." The rules which govern this absorbing pastime are simple. The families are indeed happy. They contain no widows and no orphans, and each pair of parents possesses one son and one daughter—perhaps the perfect number, for the sides of the house are equally balanced both for purposes of companionship and in the event of sex-warfare. As for procedure, cards are dealt round, and each player endeavours, by requests based upon observation and deduction, to reunite within his own hand the members of an entire family,—an enterprise which, while it fosters in those who undertake it a reverence for the unities of home life, offers a more material and immediate reward in the shape of one point for each family collected. We will look over the shoulders of the players as they sit, and a brief consideration of each hand and of the tactics of its owner will possibly give us the key to the respective dispositions of the Vereker family, as well as a useful lesson in the art of acquiring that priceless possession, a Happy Family. Before starting on our tour of the table we may note that one member of the company is otherwise engaged. This is Master Anthony Cuthbert Vereker, aged ten years—usually known as Tony. He is the youngest member of the family, and is one of those fortunate people who are never bored, and who rarely require either company or assistance in their amusements. He lives in a world of his own, peopled by folk of his own creation; and with the help of this unseen host, which he can multiply to an indefinite extent and transform into anything he pleases, he organises and carries out schemes of recreation beside which all the Happy Families in the world become humdrum and suburban in tone. He has just taken his seat upon a chair opposite to another chair, across the arms of which he has laid the lid of his big box of bricks, and is feeling in his pocket for an imaginary key, for he is about to give an organ recital in the Albert Hall (which he has never seen) in a style modelled upon that of the village organist, whom he studies through a chink in a curtain every Sunday. Presently the lid is turned back, and the keyboard—a three-manual affair, ingeniously composed of tiers of wooden bricks—is exposed to view. The organist arranges unseen music and pulls out invisible stops. Then, having risen to set up on the mantelpiece hard by a square of cardboard bearing the figure 1, he resumes his seat, and embarks upon a rendering of Handel's "Largo in G," which its composer, to be just, would have experienced no difficulty in recognising, though he might have expressed some surprise that so large an instrument as the Albert Hall organ should produce so small a volume of sound. But then Handel never played his own Largo in a room full of elder brothers and sisters, immersed in the acquisition of Happy Families and impatient of distracting noises. The Largo completed, its executant rises to his feet and bows again and again in the direction of the sideboard; and then (the applause apparently having subsided) solemnly turns round the cardboard square on the mantelpiece so as to display the figure 2, and sets to work upon "The Lost Chord." Meanwhile the Happy Families are being rapidly united. The houses of Pots the Painter, Bun the Baker, and Dose the Doctor lie neatly piled at Nicky's right hand; and that Machiavellian damosel is now engaged in a businesslike quest for the only outstanding member of the family of Grits the Grocer. Nicky—or Veronica Elizabeth Vereker—was in many respects the most remarkable of the Rectory children. She was thirteen years old, was the only dark-haired member of the family, and (as she was fond of explaining) was possessed of a devil. This remarkable attribute was sometimes adduced as a distinction and sometimes as an excuse, —the former when impressionable and nervous children came to tea, the latter when all other palliatives of crime had failed. Certainly she could lay claim to the brooding spirit, the entire absence of fear, the unlimited low cunning, and the love of sin for its own sake which go to make the master-criminal. At present she was enjoying herself in characteristic fashion. Her brother Stephen—known as "Stiffy"—Nicky's senior by one year, a transparently honest but somewhat limited youth, had for the greater part of the game been applying a slow-moving intellect to the acquisition of one complete Family. Higher he did not look. Nicky's habit was to allow Stiffy, with infinite labour, to collect the majority of the members of a Family in which she herself was interested, and then, at the eleventh hour, to swoop down and strip her unconscious collaborator of his hardly-earned collection. Stiffy, sighing patiently, had just surrendered Mr, Mrs, and Miss Block (Hairdressers and Dealers in Toilet Requisites) to the depredatory hands of Nicky, and was debating in his mind whether he should endeavour when his next chance came to complete the genealogical tree of Mr Soot the Sweep or corner the clan of Bung the Brewer. Possessing two Bungs to one Soot, he decided on the latter alternative. Presently he was asked by his elder sister, Cilly (Monica Cecilia), for a card which he did not possess, and this gave him the desired opening. "I say, Nicky," he began deferentially, "have you got Master Bung?" Nicky surveyed her hand for a moment, and then raised a pair of liquid-blue eyes and smiled seraphically. "No, Stiffy, dear," she replied; "but I'll have Mr Bung and Mrs Bung." Stiffy, resigned as ever, handed over the cards. Suddenly Sebastian Aloysius Vereker, the eldest son of the family (usually addressed as "Ally"), put down his cards and remarked, slowly and without heat— "Cheating again! My word, Nicky, you are the absolute edge!" "Who is cheating?" inquired Veronica in a shocked voice. "You. Either you must have Master Bung, or else you are asking for Stiffy's cards without having any Bungs at all; because I've got Miss myself." He laid the corybantic young lady in question upon the table to substantiate his statement. Nicky remained entirely unruffled. "Oh—Bung!" she exclaimed. "Sorry! I thought you said 'Bun,' Stiffy. You should spit out your G's a bit more, my lad. Bung-gah—like that! I really must speak to dad about your articulation." In polite card-playing circles a lady's word is usually accepted as sufficient; but the ordinary courtesies of everyday life do not prevail in a family of six. "Rot!" said Ally. "Cheat!" said Cilly. "Never mind!" said loyal and peaceable Stiffy. "I don't care, really. Let's go on." "It's not fair," cried Cilly. "Poor Stiffy hasn't got a single Family yet. Give it to him, Nicky, you little beast! Daph, make her!" Daphne was the eldest of the flock, and for want of a mother dispensed justice and equity to the rest of the family from the heights of nineteen. For the moment she was assisting the organist, who had inadvertently capsized a portion of his keyboard. Now she returned to the table. "What is it, rabble?" she inquired maternally. A full-throated chorus informed her, and the arbitress detached the threads of the dispute with effortless dexterity. "You said you thought he was asking for Miss Bun and not Bung?" she remarked to the accused. "Yes—that was all," began Nicky. "You see," she continued pathetically, "they're all so beastly unjust to me, and—" Daphne picked up her small sister's pile of completed Families and turned them over. "You couldn't have thought Stiffy wanted Buns," she said in measured tones, "because they're here. You collected them yourself. You've cheated again. Upstairs, and no jam till Wednesday!" It is a tribute to Miss Vereker's disciplinary methods that the turbulent Nicky rose at once to her feet and, with a half- tearful, half-defiant reference to her Satanic inhabitant, left the room and departed upstairs, there to meditate on a Bun-strewn past and a jamless future. Daphne Vereker was perhaps the most beautiful of an extraordinarily attractive family. Her full name was Daphne Margaret. Her parents, whether from inherent piety or on the lucus a non lucendo principle, had endowed their offspring with the names of early saints and martyrs. The pagan derivative Daphne was an exception. It had been the name of Brian Vereker's young bride, and had been bestowed, uncanonically linked with that of a saint of blameless antecedents, upon the first baby which had arrived at the Rectory. Mrs Vereker had died eleven years later, two hours after the birth of that fertile genius Anthony Cuthbert, and Brian Vereker, left to wrestle with the upbringing of six children on an insufficient stipend in a remote country parish, had come to lean more and more, in the instinctive but exacting fashion of lonely man, upon the slim shoulders of his eldest daughter. There are certain attributes of woman before which the male sex, whose sole knowledge of the ways of life is derived from that stern instructor Experience, can only stand and gape in reverent awe. When her mother died Daphne Vereker was a tow-headed, long-legged, irresponsible marauder of eleven. In six months she looked like a rather prim little nursery-governess: in two years she could have taken the chair at a Mother's meeting. Circumstance is a great forcing-house, especially where women are concerned. Her dreamy, unpractical, affectionate father, oblivious of the expectant presence in the offing of numerous female relatives-in-law, had remarked in sober earnest to his little daughter, walking erect by his side in her short black frock on the way home from the funeral:—"You and I will have to bring up the children between us now, Daphne;" and the child, with an odd thrill of pride at being thus promoted to woman's highest office at the age of eleven, had responded with the utmost gravity— "You had better stick to the parish, dad, and I'll manage the kids." And she had done it. As she presides at the table this Saturday evening, with her round chin resting on her hands, surveying the picturesque crew of ragamuffins before her, we cannot but congratulate her on the success of her methods, whatever those may be. On her right lolls the apple of her eye, the eldest son, Ally. He is a handsome boy, with a ready smile and a rather weak mouth. He is being educated—God knows by what anxious economies in other directions—at a great public school. When he leaves, which will be shortly, the money will go to educate Stiffy, who is rising fourteen. Next to Ally sprawls Cilly, an amorphous schoolgirl with long rippling hair and great grey eyes that are alternately full of shy inquiry and hoydenish exuberance. Then comes the chair recently vacated by the Madonna-like Nicky; then the ruddy countenance and cheerful presence of the sunny-tempered Stiffy, completing the circle. In the corner Master Anthony Cuthbert, cherubic and rapturous, is engaged, with every finger and toe in action, upon the final frenzy of the "Hallelujah Chorus." The number 6 stands upon the mantelpiece, for the recital is drawing to a close. To describe Daphne herself is not easy. One fact is obvious, and that is that she possesses an instinct for dress not as yet acquired by any of her brothers and sisters. Her hair is of a peculiarly radiant gold, reflecting high lights at every turn of her head. Her eyes are brown, of the hue of a Highland burn on a sunny afternoon, and her eyebrows are very level and serene. Her colouring is perfect, and when she smiles we understand why it is that her unregenerate brothers and sisters occasionally address her as "Odol." When her face is in repose—which, to be frank, is not often—there is a pathetic droop at the corners of her mouth, which is perhaps accounted for by the cares of premature responsibility. She is dressed in brown velvet, with a lace collar—evening dress does not prevail in a household which affects high tea, but Daphne always puts on her Sunday frock on Saturday evenings—and, having discovered that certain colours suit her better than others, she has threaded a pale blue ribbon through her hair. Altogether she is a rather astonishing young person to find sitting contentedly resting her elbows upon a dingy tablecloth in an untidy dining-room which smells of American leather and fried eggs. It is as if one had discovered the Venus de Milo presiding at a Dorcas Society or Helen of Troy serving crumpets in an A.B.C. shop. The "Hallelujah Chorus" has just stopped dead at that paralysing hiatus of two bars which immediately precedes the final crash, when the door opens and the Reverend Brian Vereker appears. A glance at his clear-cut aristocratic features goes a long way towards deciding the question of the origin of the good looks of "those Rectory children." He is a tall man—six feet two,—and although he is barely fifty his hair is specklessly white. He looks more like a great prelate or statesman than a country parson. Perhaps he might have been one or the other, had he been born the eldest son of the eldest son of a peer, instead of the youngest son of the youngest. And again, perhaps not. The lines of his face indicate brain rather than character, and after all it is character that brings us out top in this world. There are furrows about his forehead that tell of much study; but about the corners of his mouth, where promptitude and decision usually set their seal, there is nothing—nothing but a smile of rare sweetness. His gentle blue eyes have the dreamy gaze that marks the saints and poets of this world: the steely glitter of the man of action is lacking. Altogether you would say that Brian Vereker would make a noble figurehead to any high enterprise; but you would add that if that enterprise was to succeed, the figurehead would require a good deal of imported driving-power behind it. And you would be right. The Rector paused in the doorway and surveyed the lamp-lit room. ..."Halle-lu-u-ja-ah!" vociferated the Albert Hall organ with an air of triumphant finality. Brian Vereker turned to his youngest son with the ready sympathy of one child for another child's games. "That's right, Tony! That's the stuff! Good old George Frederick! He knew the meaning of the word music—eh?" "Yes—George Fwederick!" echoed the organist. "And Arthur Seymour, daddy! You've just missed 'The Lost Chord.'" "Ah," said the Rector in a tone of genuine regret, "that's a pity. But we had the Seventy-Eighth Psalm to-night, and I'm later than usual." "Quadruple chant?" inquired Tony professionally. "Rather! But is your recital quite over, boyo?" "Yes—bedtime!" replied the organist, with a reproachful glance in the direction of his eldest sister. "Run along, dear!" was all the comfort he received from that inflexible despot. "All right! I must lock up, though." Master Tony removed the last number from the mantelpiece, disintegrated his keyboard and packed it up with the other bricks, and drawing aside the window-curtain remarked solemnly into the dark recess behind it— "That will be all to-night, organ-blower. You can go home now." To which a husky and ventriloquial voice replied— "Thank you kindly, Mr Handel, sir. Good-night." "Now," concluded Mr Handel, turning to his elders with the air of a martyr addressing a group of arena lions, "I'm ready!" "Take him up, Cilly dear," said Daphne. "I must look after dad's supper." "Come on, Tony," said Cilly, uncoiling her long legs from under her and rising from the hearthrug. "Righto!" said Tony. "You be a cart-horse and I'll be a broken-down motor." Monica Cecilia Vereker meekly complied, and departed upstairs, towing the inanimate mechanism of the inventive Anthony behind her bump by bump, utilising her sash, which she had removed for the purpose, as a tow-rope. "Ally and Stiffy," commanded Daphne, turning to the two remaining members of the family, "you'd better go and pump the cistern full. Saturday night, you know, and the kids' baths have just been filled; so look sharp before the boiler bursts." Stiffy, obliging as ever, rose at once; Ally, cumbered by that majesty which doth hedge a sixth-form boy and a member of the school Fifteen (especially when ordered about by a female), was more deliberate in his acquiescence. However, presently both the boys were gone, and five minutes later Daphne, with the assistance of the one little maid whom the establishment supported, had laid the Rector's supper. She installed her father in his seat on one side of the table, and took her own on the other, assisting the progress of the meal from time to time, but for the most part sitting with her chin resting upon her two fists, and contemplating the tired man before her with serious brown eyes. Twice she had to leave her seat, once to remove the butter from the vicinity of her parent's elbow, and once to frustrate an attempt on the part of that excellent but absent-minded man to sprinkle sugar over a lettuce. "Well, my daughter," remarked the Rector presently, "what of the weekly report?" Saturday night at the Rectory was reserved for a sort of domestic budget. "Here are the books," said Daphne. "They're much as usual, except that I had to pay two bob on Wednesday for a bottle of embrocation for Ally. He is in training for the mile in the sports at the beginning of next term, and it does his muscles so much good." "When I won the mile at Fenner's, Daphne," began the Reverend Brian, with a sudden glow of reminiscence in his dreamy eyes, "I did it without embrocation, or any other new-fashioned—" "Yes, dear, but they have to run so much faster now than they did," explained Daphne soothingly. "Then, about the kitchen chimney—" "But I only took four minutes, twenty-eight—" "Yes, old man, and I'm proud of you!" said Daphne swiftly. "Well, the sweep is coming in on Wednesday, when you'll be away at Wilford, so that's all right." She was anxious to get away from the question of the embrocation. It had been a rank extravagance, and she knew it; but Ally was ever her weak spot. "Then, I've got three-and-nine in hand out of current expenses just now, and if I take two half-crowns out of the emergency bag and we go without a second joint this week, I can get Nicky a new pair of boots, if you don't mind. (Don't cut the cheese with a spoon, dear; take this knife.) Of course, we ought not to have to go to the emergency bag for boots at all. It's rather upsetting. To-day I find that a perfectly ducky pair of Sunday shoes, which I outgrew just before I stopped growing, and was keeping specially for that child, are too small for her by yards. (I had tried them on Cilly a year ago, but she simply couldn't get her toe in.) And now they'll be wasted, because there are no more of us girls. My feet are most exasperating." "Your mother had tiny feet," said the Rector, half to himself. He pushed away his plate, and gazed absently before him into that land where his son Tony still spent so much of his time, and whither Tony's young and pretty mother had been borne away eleven years before. Daphne permitted him a reverie of five minutes, while she puckered her brow over the account-books. Then she rose and took down a pipe from a rack on the mantelpiece. This she filled from a cracked jar thirty years old, adorned with the coat-of-arms of one of the three royal colleges of Cambridge, and laid it by her father's left hand. "Then there's another thing," she continued, lighting a spill at the fire. "Isn't it time to enter Stiffy for school? Mr Allnutt asked us to say definitely by April whether he was coming to fill Ally's place after summer or not, otherwise he would be obliged to give the vacancy to some one else. It's the end of March now." The Rector lit his pipe—his one luxury—in a meditative fashion, and then leaned back to contemplate his daughter, with her glinting hair and troubled little frown. "Mr Allnutt? To be sure! Of course! A ripe scholar, Daphne, and a long-standing personal friend of my own. He took the Porson and Craven in successive years. His Iambics——" All this was highly irrelevant, and exceedingly characteristic. Daphne waited patiently through a résumé of Mr Allnutt's achievements as a scholar and a divine, and continued:— "Will you enter Stiffy at once, then? It would be a pity not to get him into Ally's old house." Brian Vereker, suddenly recalled to business, laid down his pipe and sighed. "Boys are terribly expensive things, little daughter," he said. "And we are so very very poor. I wonder if they are worth it." "Of course they are, the dears!" said Daphne, up in arms at once. "Of course, of course," agreed the Rector apologetically. "You are right, child; you are always right. It is ungrateful and un-Christian of me to give expression to such thoughts when God has granted me three good sons. Still, I admit it was a disappointment to me when Ally failed to gain a scholarship at Cambridge. He may have been right in his assertion that there were an exceptionally strong set of candidates up on that occasion, but it was unfortunate that he should have overslept himself on the morning of the Greek Prose Paper, even though, as he pointed out, Greek Prose is his weak subject. What a pity! Strange lodgings, probably! Still, his disappointment must be far greater than ours, so it would be ungenerous to dwell further on the matter. But I fail to see at present how he can be started in life now. If only one had a little money to spare! I have never felt the need of such a thing before." "Yes, we could do with a touch of it," assented Miss Vereker elegantly. She began to tick off the family requirements on her fingers. "There's Ally to be started in life; and Cilly ought to be sent somewhere and finished—she's tragically gawky, and she'd be perfectly lovely if she was given half a chance; and Stiffy has to be sent to school; and the two kiddies are growing up, and this house is simply tumbling down for want of repairs; and it's really time you had a curate for long-distance visiting." "Never!" said Brian Vereker firmly. "All right. Never, if you like, but he'll have to come some day," said Daphne serenely. (The question of the curate cropped up almost as regularly as that of the second joint on Wednesdays.) "And all we've got to run the whole show on," she concluded, with a pathetic little frown which many a man would gladly have given his whole estate to smooth away, "is—two pounds seventeen and ninepence in the emergency bag! It's a bit thick, isn't it?" Brian Vereker surveyed his daughter's troubled countenance with characteristic placidity. Simple faith—some called it unpractical optimism—was the main article of his creed. "The Lord will provide, my daughter," he said. At this moment the door opened with a flourish, and, the crimson and enraged countenance of Master Anthony Cuthbert Vereker having been thrust into the room, its owner inquired, in a voice rendered husky by indignation, how any one could be expected to impersonate a Dreadnought going into action in the bath, when the said bath was encumbered with the flotsam and jetsam of a previous occupant. In other words, was he to be bathed in the same water as Nicky? It was an old grievance, arising from the insufficient nature of the Rectory water-supply (which had to be pumped up by hand from the garden) and the smallness of the kitchen boiler; and Daphne had perforce to go upstairs to adjust it. Consequently the sitting of the Committee of Ways and Means, with all its immediate necessities and problems for the future, was incontinently suspended. CHAPTER TWO. WANTED, A MAN. Five gentlemen sat side by side along a baize-covered table in a dingy room in a dingier building not far from the principal pit-head of Mirkley Colliery. They were the representatives of the local Colliery Owners' Association, and they were assembled and met together for the purpose of receiving a deputation representing the united interests and collective wisdom of their employés. It should be noted that although there were five gentlemen present, six chairs were set along the table. Now a deputation may be defined as an instrument designed to extract from you something which you have not the slightest desire to give up. Consequently the reception of such, whether you be a damsel listening for the rat-a-tat of an undesired suitor who has written asking for an interview, or a dethroned Royal Family sitting in its deserted abode awaiting the irruption of a Committee of Public Safety composed of the greater part of its late loyal subjects armed with billhooks and asking for blood, is always an uncomfortable business at the best. Our five gentlemen do not appear to be enjoying their present position any more than the two examples cited above. In fact, they look so exceedingly averse to interviews or arguments of any description, that we will leave them for a moment and divert our attention to the deputation itself, which is delicately skirting puddles of coal-black water and heaps of pit refuse on its way from the boiler-house, where its members have assembled, to the office-buildings of the colliery. They are six in number, and we will describe them seriatim. Mr Tom Winch is a professional agitator, though he calls himself something else. He is loud-voiced, and ceaseless in argument of a sort. His notion of a typical member of the upper classes is a debilitated imbecile suffering from chronic alcoholism and various maladies incident on over-indulgence, who divides his time between gloating over money-bags and grinding the faces of the poor. He privately regards Trades Unions as an antiquated drag upon the wheels of that chariot at the tail of which he hopes one day to see Capital led captive, gentlemen like Mr Tom Winch handling the reins and plying the whip. Mr Amos Entwistle is a working collier, and is rightly regarded by both parties as a safe man. He is habitually sober, scrupulously honest, and has worked at Belton Pit for nearly forty years. He looks upon Trades Unions as his father and mother. Mr Jacob Entwistle is the Nestor of the party. (Amos is his son.) He is a patriarchal old gentleman, with a long white beard, the manner of an ambassador, the deafness of an adder, and the obstinacy of a mule. Altogether he is just the sort of man to prove a valuable asset to any properly constituted deputation. He is the senior member of the local branch of the Employés' Association. He regards himself as the father and mother of Trades Unions. Mr Albert Brash is an expert in the art of what may be called Righteous Indignation. Never was there such an exploiter of grievances. Is short time declared? Mr Brash calls for an Act of Parliament. Is there an explosion of fire- damp? Mr Brash mutters darkly that one of these days a director must swing. Does a careless worker remove a pit- prop and bring down an avalanche of coal on himself? Mr Brash raises clenched hands to heaven and clamours for a revolution. So persistently and so methodically does Mr Brash lay upon the shoulders of Capital the responsibility for all the ills to which flesh is liable, from a hard winter to triplets, that he has ultimately (as is the way in this short- sighted world of ours) achieved the position of Sir Oracle. His deportment is that of a stage conspirator, and he rarely speaks above a hoarse and arresting whisper. He calls himself an Anarchist, but he quails at the passing of the most benevolent policeman. He regards Trades Unions as well-meaning institutions, with but little discrimination as to their choice of leaders. Mr James Killick is a thoroughly honest, thoroughly muddle-headed Socialist of a rather common type. Like many a wiser and more observant man before him, he has realised something of the grinding misery and suffering of this world, and a great and vague desire to better things is surging inarticulately within him. He has come to the conclusion, as most half-educated philosophers usually do, that the simplest remedy would be to take from those who have and give the proceeds to those who have not. The fact that the world is divided into men to whose hands money sticks like glue and men through whose fingers it slips like water, and that consequently a Utopian re-distribution of property would have to be repeated at inconveniently frequent intervals in order to preserve the social balance, has not yet been borne in on him. He regards Trades Unionism as a broken reed. Mr Adam Wilkie is a Scot of the dourest and most sepulchral appearance. Native reticence and an extremely cautious manner of expressing himself have invested him with that halo of business acumen which appears to be inevitable to the Scot as viewed by the Sassenach, and his very silence is regarded with respectful admiration by his more verbose colleagues. In reality, he is an intensely stupid, entirely placid individual. Still, he has kept himself by native thrift in tolerable comfort all his life without extraneous assistance, and he consequently regards Trades Unionism as an institution specially and mercifully introduced by Providence for the purpose of keeping the weak- kneed English out of the poorhouse. "Who's to be there?" inquired Mr Brash of Mr Entwistle senior. That patriarch, who was negotiating a mountainous waste-heap, made no reply. "Who are we going to meet?" repeated Mr Brash in a louder tone. "Eh?" inquires Mr Entwistle, giving his invariable answer to any sudden question. "Who are we going to meet?" bawled Mr Winch. Mr Entwistle, who was never at a loss a second time, smiled benignantly and replied— "Ay, that's so. But maybe we can manage to dry 'em at the fire in the office." "I expect there will be five of them, Mr Winch," interpolated Amos, coming to the rescue. "Kirkley, Thompson, Crisp, Aymer, Montague——" There was a grunt of disapproval from Mr Wilkie as the last name was mentioned. "Yon felly!" he observed darkly. "Aha! Mphm!" Then he relapsed into silence. It was upon such safe utterances as these that Mr Wilkie's reputation for profound wisdom was based. "Is that all?" said Winch. "Because if it is, I'll undertake to learn that lot right enough! Kirkley, of course, is just an empty-headed aristocrat: he don't count. Then that Crisp—he's too cautious to do anything. We can talk Thompson round all right: done it half a dozen times meself. Aymer never knows his own mind two minutes together, and Moses is a coward. But is that all? Ain't the big man going to be there? He's the lad that counts in that crowd." "He was away in London yesterday," said Entwistle junior. "But you never know——" "Wallowing in the vice and luxury of the metropolis!" chanted Mr Brash suddenly, as if from some internal missal. "The master absent, squandering his tainted millions, while we stay here and starve! If I was a Member o' Parliament ——" "Talk sense," said Amos Entwistle curtly. "He may be back for all we know. Anyway, they're certain to bring him up if they can, because they know they can't do without him. Mind that tank-engine, father." He impelled his aged parent, who, oblivious to delirious whistling, was resolutely obstructing the progress of a diminutive locomotive hauling a string of trucks, on to safer ground. "Well, we'll hope for the best," said Mr Winch piously. "It would be something if he was to come late, even. Give me twenty minutes with the rest before he can get his oar in, and I'll undertake to make them outvote him." By this time the deputation had arrived at the managerial offices, and five minutes later they were admitted to the presence of the Board. They did not know that they had been immediately preceded by an orange-coloured envelope, which was eagerly torn open by Lord Kirkley, the deputy-chairman. "Good egg!" observed his lordship, with a sigh of heartfelt relief. "Juggernaut's coming." A gentle murmur of satisfaction was audible. Evidently the Board felt the need of a little stiffening. We may as well describe them. The Marquis of Kirkley was more accustomed to exercising a kindly despotism over rustics who lived contentedly on fourteen shillings a-week than to splitting hairs with unbending mechanics earning four pounds, whose views on the relations between master and man were dictated by a cast-iron bureaucracy, and who regarded not the elastic laws of Give and Take. He was a handsome, breezy, kind-hearted patrician of thirty-four, and considered Trades Unions a damned interfering nuisance. James Crisp was a solicitor, and represented the Dean and Chapter of Kilchester, beneath the very foundation of whose mighty cathedral ran a very profitable little seam of coal, which was chiefly responsible for making the bishopric of the diocese one of the richest ecclesiastical plums in England. He was a shrewd man of business, probably the best qualified of those present to take the lead in the present instance. Consequently he remained studiously in the background. He regarded Trades Unions as inevitable, but by no means invulnerable. Sir Nigel Thompson had inherited great possessions, including a colliery, from his father. There was no vice in him, but he loved coal about as much as a schoolboy loves irregular verbs, and his only passions in life were old furniture and chemical research. He attended under compulsion, having torn himself from his comfortable house in London at the bidding of his manager, in whose hands he was reported (not altogether unjustly) to be as wax. He was full of theoretical enthusiasm for Trades Unions, which he identified in some mysterious way with the liberty of the individual; but wished mildly that people could contrive to settle their affairs without dragging him north. Altogether a pleasant but entirely useless member of the Board. Mr Alfred Aymer was the owner of Cherry Hill Colliery. He was middle-aged, timorous, and precipitate. Left to himself, he would probably have been a kind and fair-dealing employer. But it was his misfortune to be so constituted that his opinions on any subject were invariably those of the last man with whom he had discussed it. Consequently his line of action in the affairs of life was something in the nature of an alternating electric current. After an interview with his manager he would issue a decree of unparalleled ferocity: after five minutes with a deputation of employés he would rescind all previous resolutions and promise a perfectly fabulous bonus next pay-day. In his present company he was an adamantine Capitalist, and regarded Trades Unions as the most pernicious of institutions. Last of all came Mr Montague, whose surname at an earlier and less distinguished period in his history had probably rhymed with "noses." He came from London, where he earned a livelihood by acquiring the controlling interest in various commercial ventures, and making these pay cent per cent. He had recently become proprietor of Marbledown Colliery, and it was said that he was making a better thing out of it than his employés. He regarded Trade Unions as an impertinent infringement of the right of the upper classes to keep the lower classes in their proper place. From which the intelligent reader will have no difficulty in deciding to which class Mr Montague considered that he himself belonged. The deputation was introduced with the usual formalities. Its object was to effect the reinstatement of two employés at Marbledown Colliery, an engineman and a hewer, who had been summarily dismissed from their positions for endeavouring, in a society whose relations had never been of the most cordial, to heighten dissension between master and man. Mr Tom Winch's version of the case, delivered with great wealth of detail and a good deal of unnecessary shouting, was different. The men, it appeared, were models of what enginemen and hewers should be. Their sole offence consisted in having incurred the dislike of the mine-manager, Mr Dodd—whether through their own sturdy independence as true-born Englishmen (applause from Mr Brash), or the natural jealousy of an incompetent official towards two able and increasingly prominent subordinates, it was not for Mr Winch to say. Proceeding, the orator warmed to his work, and mentioned that one man was as good as another. Indeed, but for the merest accident of fortune, Lord Kirkley himself might be delving for coal in the bowels of the earth, what time Messrs Conlin and Murton, the dismissed employés, sate in the House of Lords smoking cigars and drinking champagne. After this singularly convincing peroration Mr Winch fell back into line with his companions, amid the sotto voce commendations of Messrs Brash and Killick. Mr Aymer, who had been taking notes on a sheet of paper, tore it up with a resigned air of finality. The case was clear: these poor fellows must be reinstated. The chairman conferred briefly with Mr Crisp. "Would any other of you gentlemen like to say anything?" he inquired. The question was communicated to Mr Entwistle senior, who stepped forward and delivered himself of a courtly but rambling discourse, consisting chiefly of reminiscences of something portentous but unintelligible which had happened forty years ago, and even to the most irrelevant mind presented no sort of bearing upon the case whatsoever. After this Lord Kirkley replied. His remarks were not convincing, for he was hampered in dealing with the question by complete inability to understand where the men's grievance came in, and said so. The owners, he explained, tried to do the fair thing, and most of them did considerably more. Sick funds, pensions, benevolent schemes, and all that sort of thing, didn't they know? He quite admitted that an employer of labour had grave responsibilities and duties laid upon him, and he for one had always tried to live up to them. But hang it! surely an employer had the right to get rid of a couple of fellows who went about preaching anarchy and red revolution in all the public-houses in the district— what? He did not mind ordinary grousing. It did everybody good to blow off steam periodically: he did it himself. But there was grousing and grousing: and when it came to the sort of game that Messrs Conlin and Murton were playing, it was his lordship's opinion that a ne plus ultra of thickness had been attained. The chairman concluded a somewhat colloquial address amid a deathly silence, and the deputation and the board glared uncomfortably at one another. An impasse had been reached, it was clear. "It's all very well, gentlemen," broke in Killick suddenly, "for you aristocrats——" Lord Kirkley, who was not without a certain sense of proportion, glanced involuntarily at Mr Montague and then at Mr Killick. Did this omniscient and self-opinionated son of toil really see no moral difference between a Peer of the realm, with centuries of clean-bred ancestry behind him, and a man who wore diamond rings and elastic-sided boots? Mr Montague looked up, and regarded Mr Killick with something akin to affection. There was a sudden rumble underneath the windows, accompanied by the hoot of a motor-horn. The drama having run itself to a deadlock, the deus had duly arrived—in his machina. CHAPTER THREE. THE WHEELS OF JUGGERNAUT. There was a dead silence, unbroken until Juggernaut entered the room. "Good-morning, gentlemen," he said briskly. "I am glad to see that the deputation has only just arrived." He turned to the clerk who had shown him in. "Andrews," he said, "bring chairs for these gentlemen, and then we can get to business." Chairs were brought, and the deputation, which had been balancing itself on alternate legs for nearly half an hour, sat down with an enhanced sense of comfort and importance to what they realised at once was to be the interview proper. Juggernaut took the seat at the middle of the table vacated by Lord Kirkley, and inquired— "Has any one spoken yet?" Progress was reported by Mr Crisp. "I wonder if I might trouble the deputation again," said the chairman. "Not you, Mr Winch, thank you!" as that Demosthenes cleared his throat in a threatening manner. "In the first place, you don't represent the men in any sense. In fact, considering that you are engaged in no employment in this district, I think it would have been much wiser on the part of those responsible for this deputation to have left you out altogether. You are not even a properly accredited Trades Union official." "Gentlemen of the Board," began Mr Winch portentously, "I appeal——" "Don't trouble, really, Mr Winch," broke in Juggernaut with inflexible cheerfulness. "You see, I know exactly what you are going to say. I have heard it so often in other places where you have been kind enough to come forward and champion the cause—of—of—the oppressed millions of this country. That's right, isn't it?" A muffled sound proceeded from the interior of Mr Wilkie—his first contribution to the debate—and the chairman proceeded. "I wonder if Mr Entwistle junior would kindly give us the facts." Amos Entwistle, rising from his seat, re-stated the case of the two men. They were competent and industrious workmen, he maintained, and so long as they gave satisfaction in their situations their private lives and leisure occupations were entirely their own concern. Possibly their views on the relations of Labour and Capital were extreme, but the speaker begged respectfully to point out that there were extremists on both sides; and since many employers might and did regard the men they paid as dirt beneath their feet, it seemed only natural that a section of the men should regard their employers as bullies and tyrants. Mr Entwistle followed up this undoubted home-thrust with a request for a categorical list of the offences alleged against the two men, and solemnly but respectfully warned the Board against risking a serious upheaval by endeavouring to stifle legitimate criticism of its actions. With apologies for plain-speaking he resumed his seat, and Mr Aymer tore up a sheet of paper upon which he had commenced operations on the arrival of the chairman. "Would any other gentleman like to say anything?" inquired Juggernaut. "Mr Brash? Mr Wilkie?" No, the gentlemen addressed had nothing to say. Their forte was plainly that of chorus. "Very well," said Juggernaut. "In the first place, I am going to accede to Mr Entwistle's perfectly just request that a definite reason should be given for the dismissal of these men. I agree with him that it is a foolish thing to stifle legitimate criticism. Unfortunately, I don't agree with him that the criticisms of Messrs Conlin and Murton are legitimate. I have been making inquiries into the antecedents of these two. Murton is a paid agitator. He is not a local man. He came here less than a year ago, and has been making deliberate mischief ever since. He has money to spend: he backs his arguments with beer. I shouldn't be surprised if he drew his salary from the organisation which retains your services, Mr Winch." Mr Winch's small eyes began to protrude. He did not relish this line of argument. In dealing with Boards and other representatives of bloated Capital he preferred to keep to the high moral and sentimental plane—the sufferings of the downtrodden sons of Labour, the equality of all men in the sight of God, and so on. Mundane personalities, coupled with the suggestion that he, a high priest of altruism, was making a good thing out of his exertions on behalf of his fellow-toilers, took him below the belt, he considered. "Conlin," continued Juggernaut, disregarding the fermenting Mr Winch, "seems to be a comparatively sincere and honest grumbler. He has realised that this is an unjust world, and he wants to put it right by Act of Parliament. Consequently he goes about advocating certain special and particular forms of legislation which, if they came into being, would benefit about one member of the community in a hundred and be grossly unfair to the other ninety-nine. He has not yet discovered for himself that the aim of all legislation must be to benefit the type and not the individual. That is the rock upon which all your friends split, Mr Winch. You are always trying to legislate for special cases, and it can't be done. I quite agree with you that the conditions of labour in parts of this country are deplorable. We all want to put them right. But there are two things we cannot do. We can't cure them in a hurry, and we can't cure them by swallowing quack medicines. What we have to do is to set to work on systematic lines, and go on working, with patience and a sense of proportion, until our whole social fabric develops into a sounder and more healthy condition. That requires time, and time requires patience, and patience requires common-sense, and common-sense is a thing which is lamentably scarce in this world, Mr Winch. We are marching on to a better state of things every year; but every bit of unsound, panic-stricken, vote-catching legislation—Right-to-Work Bills, Unemployment Acts, and so on —throws us back a step, because its tendency is to remove the symptom instead of curing the disease. Now, symptoms are very valuable assets. They give us reliable and necessary information, which is more than can be said of most intelligence departments. If ever you have such a vulgar thing as a pain in your stomach, Mr Winch, that is a kindly hint from Nature that there is something wrong with the works. If you drink two of whisky hot the pain may cease, but it does not follow that the real cause of the trouble has been removed. In effect you have merely put back the danger-signal to safety without removing the danger. That is just what all this despicable, hand-to-mouth, time- serving legislation that you and your friends are trying to force upon a popularity-hunting Government is doing for the country to-day." The speaker paused. The deputation wore a distinctly chastened appearance. Mr Aymer was engaged upon a third sheet of notes. Sir Nigel Thompson was working out a chemical formula on the back of an envelope. "Let us get back to the point, sir," said Amos Entwistle doggedly. "I agree with a great deal of what you say——" "Shame!" interpolated Mr Killick suddenly. "But we came here to ask for the reinstatement of these two men, and not to discuss social problems." "Granted all the time," said Juggernaut cheerfully. "I admit that I have not made Messrs Conlin and Murton my Alpha and Omega in these remarks of mine; but that is because I deliberately went back to first principles instead of cutting into the middle of things. Now for your request! You want an answer? Here it is. The two me...