"It was a man, standing quite motionless and staring down. He wore a broad-brimmed hat and was otherwise wrapped in a flowing cloak that flapped about him in the wind." Making a departure from his bestselling political thrillers, Fredrick Forsyth takes a literary leap in The Phantom of Manahattan, the sequel to Gaston Leroux's The Phantom of the Opera.
Inspired by a meeting with Andrew Lloyd Webber, who longed for a sequel to his world-renowned musical, Forsyth decided after extensively researching the subject to rekindle the legend. The story opens in 1906, 12 years after the Phantom escapes a bloodthirsty mob at L'Opera in Paris and mysteriously vanishes without a trace. On her death bed, the Mistress of the Chorus, Madame Anionette Giry, confesses that she plucked a horrifically deformed boy from a carnival prison and spirited him away to live in recesses of L'Opera: "[His] face was distorted down one side as if struck long ago by monstrous hammer and the flesh of this visage was raw and shapeless like molten candle wax. The eyes were deep-set in sockets puckered and misshapen." Keeping to the shadowy nooks of the opera house, Erik Mulhiem, became known as the Phantom, living a mysterious, solitary existence. However, that abruptly ended when he fell in love with a beautiful diva, Christine Daae. Unable to control his obsession, he flees to America with the help of Madame Giry. There, after years of destitution and misery, he builds a vast empire and devises a plan to ensnare his beloved Christine.