“speaking about dance is like ailing Jello te the wall “ ~ MERCE CUNNINGHAM , 3, apocrypha | = KENOER THE JELL-© A MANIFESTO FOR DANCE CRITICISM , AMONG OTHER THINGS 3s BY KATE PUROUM TO AR FOR THE INTRODUCTION , ED FoR THE COMPANY, AND Ck FOR AVOIDING Mu Pesky LEFT EL Bow. THBbLE * CONTENTS a eS PROLOGUE COLLAGE #4 SECTION A SECTION SECTION TL COWAGE #2. LEARN LEARN Ne LEAENING ON A: CRITIC AS THINKE f ppereiigemere 9TION A CRITIC AS THINKER Mee FIRST? SOME MATH aN Daniel Mendelsohn pasits that: | KNOWLEDGE +-TAST E-< MEANING FUL JUDGMENT Te be @ Critic is to embrace te SM CII OF tinh ng uy ‘ Bp 0 + ¥ L wi, DEAENINGLEAR IIE eaeMNeleneMyy So th) A wove cg. bes); /Umn), eee both what iy contained sy Ong Writing, and whet is absent From tit is an attempt ; , Pr, Palrstaakciy and |ntinexte CFP eug » thrust » into the Public forum) to whder- Stand a work from” one's ows “sonal jens while PYSonal jens w Paying as much aS Possible to Where lens is positiined and how ft bands or retract the essence of a work It ~ being critica ~ need not cortaiin ~ explicit Judgmunt, though we are all always, all-ways, ~ Judging. CAS Menkelsohn himself points “gut , "the word critic comes From the " @reck word for yndge,") But. IS tt pot chough for hs equation fo singly cesalt in MEANING? SECTION 2: cerrr< AS were ad. ee. ALT S|t {pi m{sfa tute y clean yolx[x\7 x Ke ae MP. z[v viztnto OfaT els pete fefatst els N[ofAlniwl opel atstotete CITT IAT GIs Wale Tv [eto [ype Alyic ae EJ? {7 TG SINTS 8 TLL} S] pln KTH xT vie E HOW MUcH OF THE ROLE OF THE CRITIC IS TO | SECTION ID: cRITic as aerit MY HEAD OF ALL THOUGHT MAKE A WORK LEG/GLg? CPASTED TET BY CLAUDIA LA Roce) ( FEEL A BURNING OESIRE To PRODUCE CRITICISM THAT INSTEAD COMMUNI CATES — Bur DOES Not SEEK TO SOLVE - ELUSIVENESS. ee a IN SHORT: writing antesm = sucroder He “TELL-9. You can Never nail rt tothe wal/ in a Way that Will be arowt- ectuvally Sound. Let tt dribble to he ~fldov instead. Moye fun :) “she liked the place empty,” Ns. Didion writes. EMPTY AS 1 WISH MY MIND COULD BE. EMPTY THE WAY A THEATER 5, BEFORE The roar of the crowd: EERIE / cHEeERY (/AM A SUCKER FOR A Good GHoSTLI CHT) AND THANK GoD Foe. JOAN DiDiow, WHO UNDERSTANOS THE PIT) Fue AND PAINFUL WAYS MY HEART IS BEING DRAGGED 7? PIECES BY THE ENDLESS EXPANSE OF CouNlTey THAT SEPARA TES NEW York AND CALIFORNIA AMO THE FEELING THAT THERE WILL NEVER BE SILENCE IN THE SPACE BEHIND + _MY EYES BECAUSE oF a POEM (2): | WRITE To Emery S8ure Buse suz2> imperys ro CATALOGUE AND UARACTERIZE AND (Qvr NTS words THE ABiowUTELY SEASELESS CACOPRONYCEMULATED ON THIS VERY PAGE) WHICH HAS I7s ORIGIN POINT IN MY Nois¥ CROWOED BRAIN. Dio_1_TUst comprare MYSELF Fo YAN Di piow.,.2 People make it impossible for you to like them Bur ART, oN THE OTHER HaNO, MAKES ITSELF AutomaAticauy ENDEARING (To Me, [At LEAST) OW THE VERY BASE THAT IT LS, IN FACT, AT. IN A OIFFERENT TIME, [WHEN | WAS STI CAUGHT UP WITH THE NOTION OF GRITICISM AS BEING AgouT SHOULON'TS AMO SHouLDs » UES AND OSUMES, | THOUGHT OF THB CNAivE?) zoy a AS _A WEAKNESS, BUT THERE ARE No RULES, ANO 1 HAVE COME To FINO | SOLACE IN WEIRD, GREAT, B16, DEEP, SPIRAL- CUT THINEING ABOUT aQz, CTHERE 1s soy yn ittsting it THepe 1S JOY To BE FOUND IN EVERYTHING ; HUNT IT DowN Dowsenr4.) Persowauy, | HAVE NEVER FELT THAT | FEEL SAFE -SWAOLER, EYEN ~ IN SPACES oF ACADEMIC THOMeuT. | Love PeopLe WHO disappear, MYMBLIN 6, The Acadeny Has It In For Me // INTO THEIR UMMTELUI 61@cE, MULTI - eLAUsE SENTENCES BECAUSE WHERE ELSE A 1 SUPPOSED To PUT ALL oF HE SHIT THAT 1S We qheee IN MY BAIN | PLAYING BUMPER CARS?! IT ALL_HAS To _©° SOMEWHERE. If WAS ONLY RELATIVELY REceNTLY THAT, AETEe A UFE TIME of BEING AWRITA, is | _REALIZEO THAT | Was one. What does it mean to say you will become a writer? What does it mean to say you future rushing up to and then passing you WHAT Does IT MEAN TO WRITE Now, Rlont Now, 1M A TIME whe ot ‘There are fires on the horizon INA TIME Wiebe THE OWLY ANSWER | CAN EVEN QEOIN Te P0S'T 15, ANDO 1 Oo Hope pou'ee FORGIVE ME for BoRAowIMG A PHRASE, & There is no real med: icine there is ofly art How about that? A AI, OR AT OK te LEAST 11 toy ee SHOULD BE.