A Project Gutenberg Canada Ebook This ebook is made available at no cost and with very few restrictions. These restrictions apply only if (1) you make a change in the ebook (other than alteration for different display devices), or (2) you are making commercial use of the ebook. If either of these conditions applies, please check gutenberg.ca/links/licence.html before proceeding. This work is in the Canadian public domain, but may be under copyright in some countries. If you live outside Canada, check your country's copyright laws. If the book is under copyright in your country, do not download or redistribute this file. Title: Period Piece. A Cambridge Childhood. Author: Raverat, Gwen [Gwendolen Mary] (1885-1957) Date of first publication: 1952 Edition used as base for this ebook: London: Faber and Faber, December 1953 [seventh impression] Date first posted: 7 March 2011 Date last updated: 7 March 2011 Project Gutenberg Canada ebook #741 This ebook was produced by Marcia Brooks, Ross Cooling, Mark Akrigg & the Online Distributed Proofreading Canada Team at http://www.pgdpcanada.net Period Piece PERIOD PIECE A Cambridge Childhood by GWEN RAVERAT FABER AND FABER LIMITED 24 Russell Square London First published in mcmlii by Faber and Faber Limited 24 Russell Square London W.C.1 Second impression November mcmlii Third impression November mcmlii Fourth impression December mcmlii Fifth impression January mcmliii Sixth impression May mcmliii Seventh impression December mcmliii Printed in Great Britain by Latimer Trend Co Ltd Plymouth All rights reserved To FRANCES Contents page I.PRELUDE 15 II.NEWNHAM GRANGE 31 III.THEORIES 47 IV.EDUCATION 60 V.LADIES 75 VI.PROPRIETY 98 VII.AUNT ETTY 119 VIII.DOWN 139 GHOSTS AND IX.HORRORS 162 X.THE FIVE UNCLES 175 XI.RELIGION 210 XII.SPORT 230 XIII.CLOTHES 253 XIV.SOCIETY 268 Preface This is a circular book. It does not begin at the beginning and go on to the end; it is all going on at the same time, sticking out like the spokes of a wheel from the hub, which is me. So it does not matter which chapter is read first or last. On the next page is a list of the people in the book. CHAPTER I Prelude I n the spring of 1883 my mother, Maud Du Puy, came from America to spend the summer in Cambridge with her aunt, Mrs. Jebb. She was nearly twenty- two, and had never been abroad before; pretty, affectionate, self-willed, and sociable; but not at all a flirt. Indeed her sisters considered her rather stiff with young men. She was very fresh and innocent, something of a Puritan, and with her strong character, was clearly destined for matriarchy. The Jebbs, my great-uncle Dick, and my great-aunt Cara, lived at Springfield, at the southern end of the Backs, and their house looked across Queens' Green to the elms behind Queens' College. Uncle Dick was later to be Sir Richard Jebb, O.M., M.P., Professor of Greek at Cambridge, and all the rest of it; but, at that time, he held the chair of Greek at Glasgow, and so had been obliged to resign his Trinity fellowship and the post of Public Orator at Cambridge. However the Jebbs spent only the winters in Glasgow, and kept on their Cambridge house for the summers, while they waited hopefully for old Dr. Kennedy to retire, so that Uncle Dick might succeed him in the Cambridge Professorship. This was the Dr. Kennedy who wrote the Latin Grammar, which we all knew very well in our youth, and he had not the slightest intention of retiring; neither was it by any means so certain as the Jebbs chose to consider it, that the succession would fall to Uncle Dick. However, after keeping them waiting for thirteen years, Dr. Kennedy died in 1889, and Uncle Dick came into his kingdom at last. The earliest Cambridge that I can remember must have been seen by me in reflection from my mother's mind, for it is the same picture as that which she draws in a series of artless letters, written to her family in Philadelphia in this summer of 1883, two years before I was born. In this, the first Cambridge in the mirror of my mind, the sun is always shining, and there are always ladies and gentlemen sitting in the garden under the trees, very much occupied with each other. It was quite a different Cambridge which I saw later on, when I looked at it with my own eyes. My mother had fallen into a world which was very strange to her. She wrote home: 'I am at last at the Utopia of all my fondest dreams.' It was a Utopia of tea-parties, dinner-parties, boat-races, lawn-tennis, antique shops, picnics, new bonnets, charming young men, delicious food and perfect servants; and it almost seems too good to be true. I suppose there must have been some difficulties, even in those days; and indeed all the right sleeves of my mother's dresses would keep on getting too tight, from the constant tennis; and the helpings of ice-cream were far too small for an American; but, otherwise, you would really think, from the letters, that Unrequited Love—other people's Unrequited Love—was the only serious trouble. And even the broken hearts of which we are told seem to have been very quickly mended. The Du Puys were of a good family of Huguenot descent; but they were not well off. There were many children, and Maud could not possibly have accepted her aunt's invitation, if her fare to England had not been paid by her elder brother. He was now getting on well, and was generous to his sisters. The girls had been sent to fairly good schools; but in the case of my mother at any rate, Education, like an unsuccessful vaccination, had not taken very well. It was not a question of schooling, but of temperament. But my mother arrived in England with a great respect for culture, and eager to learn all she could. We find her struggling to read Browning and Tennyson and Shelley; battering her way with pride and tenacity through La Petite Fadette, and preaching the virtues of learning French to her younger sisters. But with all her respect for education—and no one could respect it more—learning was never her strong point. However, she got on perfectly well without it. My mother was tall and had golden-brown hair and dark blue eyes and such a lovely complexion that people often thought that she was made up; which would of course have been improper. In these early letters my mother told her family everything, higgledy-piggledy, helter-skelter, with the most perfect simplicity. And much of the information must have been quite mysterious to them, as she never explained at all about the unknown people of whom she wrote: neither who they were, nor what they did, nor where they lived. But then, even in later life, my mother assumed that you knew all about the people who came into her letters or conversation. If you didn't, you ought to; and anyhow it didn't matter much. In these first letters, both the spelling and the grammar are rather shaky, but, after a lecture from Aunt Cara, stern endeavour improved them very much. 'Sketching is such a nice occupation for a young lady', as they used to say in those days. In writing to her sisters, Maud was always careful to tell them anything which might be useful to them, if they should come to England in their turn. She sends a list of words not to use: somewheres, anywheres, fix (as fix my dress), take it off of the table; 'Dick [Jebb] says location is not a good word.' She did a good deal of painting in oils, mostly of round ornamental plaques of her own designs of flowers; these are rather smudgy, but have some feeling for pattern and colour. Maud tells her young sister Carrie how she sketched King's Chapel, and suffered very much in the process from cows, little boys and rain. She goes on, in a kind, but patronizing way: 'I was ever so glad to hear about your reading. Aunt Cara said that every one who is not musical ought to be fond of poetry. So you ought to cultivate your taste in that direction. I am reading Browning, but think he is awfully hard to understand.' [Too hard for you is implied.] 'You could not help liking Shelley and Tennyson.' The records of this first summer deal very largely with the fluctuations of two or