With cold detachment, David views a classmate's video blog while she deliberately downs a toxic cocktail. He and his peers seem unfazed having witnessed her online suicide. The adults, shocked out of their reverie, notice that their children are “disassociated” from the real world. David's father, a techno tycoon, teams up with the school counselor to intervene. Enter Rose, an attractive robot girl designed to befriend David. She is beautiful, with silky hair and warm downy skin, and programmed to please. Electronic Rose will teach David how to love and feel again. No joke! Meanwhile, classmate Charlie is the antithesis of David. He and his botanist dad live off the grid on the outskirts of town. Charlie, a disheveled loner, rides a broken-down bike, and the school counselor labels him as depressed. He first suggests drugs and then a Companion, like David's. Rose generates much desire in her boy, but no substance. He remains a selfish, spoiled jerk addicted to surround monitors that flow constant communication among friends, all the while simulating suggestive images. When David discovers that Rose is more Barbie than girl–she is without “girl parts”–he casts her aside and breaks her “heart.” Soon she takes up with Charlie and romance ensues. When the story digresses to Rose experiencing tender feelings and desiring “girl parts,” the narrative stumbles. David remains artificially connected, Rose develops contrived humanistic drama, and Charlie falls for her. What began as a smart and sexy cautionary tale is ultimately disappointing