The Project Gutenberg EBook of A Select Collection of Old English Plays, by Robert Dodsley This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org Title: A Select Collection of Old English Plays Volume 14 of 15 Author: Robert Dodsley Editor: William Carew Hazlitt Release Date: August 10, 2010 [EBook #33398] Language: English Character set encoding: ISO-8859-1 *** START OF THIS PROJECT GUTENBERG EBOOK A SELECT COLLECTION OF OLD *** Produced by Jonathan Ingram, Christine Aldridge and the Online Distributed Proofreading Team at http://www.pgdp.net Accessibility Note Character names, Roman Numerals and other abbreviations have been marked with abbreviation tags. Hover your mouse over the abbreviation to see the expanded name. A SELECT COLLECTION OF OLD ENGLISH PLAYS. ORIGINALLY PUBLISHED BY ROBERT DODSLEY IN THE YEAR 1744. FOURTH EDITION, NOW FIRST CHRONOLOGICALLY ARRANGED, REVISED AND ENLARGED WITH THE NOTES OF ALL THE COMMENTATORS, AND NEW NOTES BY W. CAREW HAZLITT. BENJAMIN BLOM, INC. New York First published 1874-1876 Reissued 1964 by Benjamin Blom, Inc. L.C. Catalog Card No.: 64-14702 Printed in U.S.A. by NOBLE OFFSET PRINTERS, INC. NEW YORK 3, N. Y. CONTENTS Page THE REBELLION 1 ACT I - ACT II - ACT III - ACT IV - ACT V LUST'S DOMINION or THE LASCIVIOUS QUEEN 93 ACT I - ACT II - ACT III - ACT IV - ACT V ANDROMANA or THE MERCHANT'S WIFE 193 ACT I - ACT II - ACT III - ACT IV - ACT V LADY ALIMONY 273 ACT I - ACT II - ACT III - ACT IV - ACT V THE PARSON'S WEDDING 369 ACT I - ACT II - ACT III - ACT IV - ACT V THE REBELLION. E D I T I O N . The Rebellion; a Tragedy: As it was acted nine dayes together, and divers times since, with good applause, by his Majesties Company of Revells. Written by Thomas Rawlins. London: Printed by I. Okes, for Daniell Frere, and are to be sold at the Signe of the Red Bull in Little Brittaine. 1640, 4o.[1] [1] [2] INTRODUCTION. Thomas Rawlins, author of "The Rebellion," was a medallist by profession, and afterwards became an engraver of the Mint, a vocation which, in his preface, he prefers to the threadbare occupation of a poet. [He also employed his talents occasionally in engraving frontispieces and portraits for books, of which several signed specimens are known.[2] It is said that he died in 1670.] It is an argument, as well of his personal respectability, as of his easy circumstances, that no fewer than eleven copies of prefatory verses, by the wits of the time, are prefixed to the old edition. Notwithstanding the popularity of the piece, [which, as it appears from the introductory poems, was composed by Rawlins in early life,] and several passages of real merit, it was [only once] republished, perhaps because rebellion soon assumed the whole kingdom for its stage. [Besides his play, Rawlins published in 1648 an octavo volume of poems, written also in his youth, under the title of "Calanthe."[3]] TO THE WORSHIPFUL, AND HIS HONOURED KINSMAN, ROBERT DUCIE,[4] OF ASTON, IN THE COUNTY OF STAFFORD, ESQUIRE; SON TO SIR R. DUCIE, KNIGHT AND BARONET, DECEASED. Sir,—Not to boast of any perfections, I have never yet been owner of ingratitude, and would be loth envy should tax me now, having at this time opportunity to pay part of that debt I owe your love. This tragedy had at the presentment a general applause; yet I have not that want of modesty as to conclude it wholly worthy your patronage, although I have been bold to fix your name unto it. Yet, however, your charity will be famous in protecting this plant from the breath of Zoilus, and forgiving this my confidence, and your acceptance cherish a study of a more deserving piece, to quit the remainder of the engagement. In Your kinsman, ready to serve you, THOMAS RAWLINS. TO THE READER. Reader, if courteous, I have not so little faith as to fear thy censure, since thou knowest youth hath many faults, whereon I depend, although my ignorance of the stage is also a sufficient excuse. If I have committed any, let thy candour judge mildly of them; and think not those voluntary favours of my friends (by whose compulsive persuasions I have published this) are commendations of my seeking, or through a desire in me to increase the volume, but rather a care that you (since that I have been over-entreated to present it to you) might find therein something worth your time. Take no notice of my name, for a second work of this nature shall hardly bear it. I have no desire to be known by a threadbare cloak, having a calling that will maintain it woolly. Farewell. TO HIS LOVING FRIEND THE AUTHOR, [3] [4] [5] UPON HIS TRAGEDY "THE REBELLION." To praise thee, friend, and show the reason why, Issues from honest love, not flattery. My will is not to flatter, nor for spite To praise or dispraise, but to do thee right Proud daring rebels in their impious way Of Machiavellian darkness this thy play Exactly shows; speaks thee truth's satirist, Rebellion's foe, time's honest artist. Thy continu'd scenes, parts, plots, and language can Distinguish (worthily) the virtuous man From the vicious villain, earth's fatal ill, Intending mischievous traitor Machiavel. Him and his treach'rous 'complices, that strove (Like the gigantic rebels war 'gainst Jove) To disenthrone Spain's king (the Heaven's anointed), By stern death all were justly disappointed. Plots meet with counterplots, revenge and blood: Rebels' ruin makes thy tragedy good. TO HIS WORTHY ESTEEMED MASTER, THOMAS RAWLINS, ON HIS "REBELLION." I may not wonder, for the world does know, What poets can, and ofttimes reach unto. They oft work miracles: no marvel, then, Thou mak'st thy tailor here a nobleman: Would all the trade were honest too; but he Hath learn'd the utmost of the mystery, Filching with cunning industry the heart Of such a beauty, which did prove the smart Of many worthy lovers, and doth gain That prize which others labour'd for in vain. Thou mak'st him valiant too, and such a spirit, As every noble mind approves his merit. But what renown th' hast given his worth, 'tis fit The world should render to thy hopeful wit, And with a welcome plaudit entertain This lovely issue of thy teeming brain. That their kind usage to this birth of thine May win so much upon thee, for each line Thou hast bequeath'd the world, thou'lt give her ten, And raise more high the glory of thy pen. Accomplish these our wishes, and then see How all that love the arts will honour thee. TO MY FRIEND MASTER RAWLINS, UPON THIS PLAY, HIS WORK. Friend, in the fair completeness of your play Y' have courted truth; in these few lines to say Something concerning it, that all may know I pay no more of praise than what I owe. 'Tis good, and merit much more fair appears Appareled in plain praise, than when it wears A complimental gloss. Tailors may boast Th' have gain'd by your young pen what they long lost [6] Nath. Richards. [5] [7] C. G.[6] By the old proverb, which says, Three to a man: But to your vindicating muse, that can Make one a man, and a man noble, they Must wreaths of bays as their due praises pay. TO THE AUTHOR, ON HIS "REBELLION." Thy play I ne'er saw: what shall I say then? I in my vote must do as other men, And praise those things to all, which common fame Does boast of such a hopeful growing flame Which, in despite of flattery, shall shine, Till envy at thy glory do repine: And on Parnassus' cliffy top shall stand, Directing wand'ring wits to wish'd-for land; Like a beacon o' th' Muses' hill remain, That still doth burn, no lesser light retain; To show that other wits, compar'd with thee, Is but Rebellion i' th' high'st degree. For from thy labours (thus much I do scan) A tailor is ennobled to a man. TO HIS DEAR FRIEND, MR. THOMAS RAWLINS. To see a springot of thy tender age With such a lofty strain to word a stage; To see a tragedy from thee in print, With such a world of fine meanders in't, Puzzles my wond'ring soul; for there appears Such disproportion 'twixt thy lines and years, That when I read thy lines, methinks I see The sweet-tongued Ovid fall upon his knee, With (parce precor) every line and word Runs in sweet numbers of its own accord: But I am wonder-struck that all this while Thy unfeather'd quill should write a tragic style. This above all my admiration draws, That one so young should know dramatic laws. 'Tis rare, and therefore is not for the span Or greasy thumbs of every common man. The damask rose, that sprouts before the spring, Is fit for none to smell at but a king. Go on, sweet friend; I hope in time to see Thy temples rounded with the Daphnean tree. And if men ask who nurs'd thee, I'll say thus, It was the ambrosian spring of Pegasus. TO HIS FRIEND, MASTER THOMAS RAWLINS, ON HIS PLAY CALLED "THE REBELLION." I will not praise thee, friend, nor is it fit, Lest I be said to flatter what y' have writ: For some will say I writ to applaud thee, Robert Davenport.[7] [8] R. W.[8] [9] Robert Chamberlain.[9] That when I print, thou may'st do so for me. Faith, they're deceiv'd, thou justly claim'st thy bays: Virtue rewards herself; thy work's thy praise. TO THE AUTHOR, MASTER THOMAS RAWLINS. Kind friend, excuse me, that do thus intrude, Thronging thy volume with my lines so rude. Applause is needless here, yet this I owe, As due to th' Muses; thine ne'er su'd (I know) For hands, nor voice, nor pen, nor other praise Whatsoe'er by mortals us'd, thereby to raise An author's name eternally to bliss. Were't rightly scann'd (alas!) what folly 'tis! As if a poet's single work alone Wants power to lift him to the spangled throne Of highest Jove; or needs their lukewarm fires, To cut his way or pierce the circled spheres. Foolish presumption! whosoe'er thou art, Thus fondly deem'st of poet's princely art, Here needs no paltry petty pioneer's skill To fortify; nay, thy mellifluous quill Strikes Momus with amaze and silence deep, And doom'd poor Zoilus to the Lethean sleep. Then ben't dismay'd, I know thy book will live, And deathless trophies to thy name shall give. Who doubts, where Venus and Minerva meet In every line, how pleasantly they greet? Strewing thy paths with roses, red and white, To deck thy silver-streams of fluent wit; And entertain the graces of thy mind. O, may thy early head sweet shelter find Under the umbrage of those verdant bays, Ordain'd for sacred poesy's sweet lays! Such are thy lines, in such a curious dress, Compos'd so quaintly, that, if I may guess, None save thine own should dare t' approach the press. TO THE INGENIOUS AUTHOR. A sour and austere kind of men there be, That would outlaw the laws of poesy; And from a commonwealth's well-govern'd lists Some grave and too much severe Platonists Would exclude poets, and have enmity With the soul's freedom, ingenuity. These are so much for wisdom, they forget That Heaven allow'th the use of modest wit. These think the author of a jest alone Is the man that deserves damnation; Holding mirth vicious, and to laugh a sin: Yet we must give these cynics leave to grin. What will they think, when they shall see thee in The plains of fair Elysium? sit among A crowned troop of poets, and a throng Of ancient bards, which soul-delighting choir Sings daily anthems to Apollo's lyre? T. Jourdan.[10] [10] I. Gough.[11] [11] Amongst which thou shalt sit, and crowned thus, Shalt laugh at Cato and Democritus. Thus shall thy bays be superscrib'd: my pen Did not alone make plays, but also men. TO HIS FRIEND THE AUTHOR. Bless me, you sacred Sisters! What a throng Of choice encomiums 's press'd? such as was sung When the sweet singer Stesichorus liv'd; Upon whose lips the nightingale surviv'd. What makes my sickly fancy hither hie (Unless it be for shelter), when the eye Of each peculiar artist makes a quest After my slender judgment? then a jest Dissolves my thoughts to nothing, and my pains Has its reward in adding to my stains. But as the river of Athamas can fire The sullen wood, and make its flames aspire, So the infused comfort I receive By th' tie of friendship, prompts me to relieve My fainting spirits, and with a full sail Rush 'mongst your argosies; despite of hail Or storms of critics, friend, to thee I come: I know th' hast harbour, I defy much room: Besides, I'll pay thee for't in grateful verse, Since that thou art wit's abstract, I'll rehearse: Nothing shall wool your ears with a long phrase Of a sententious folly; for to raise Sad pyramids of flattery, that may be Condemn'd for the sincere prolixity. Let envy turn her mantle, and expose Her rotten entrails to infect the rose, Or pine—like greenness of thy extant wit: Yet shall thy Homer's shield demolish it. Upon thy quill as on an eagle's wing, Thou shalt be led through th' air's sweet whispering: And with thy pen thou shalt engrave thy name (Better than pencil) in the list of fame. ON MASTER RAWLINS AND HIS TAILOR, IN "THE REBELLION." In what a strange dilemma stood my mind, When first I saw the tailor, and did find It so well-fraught with wit! but when I knew The noble tailor to proceed from you, I stood amaz'd, as one with thunder struck, And knew not which to read; you or your book. I wonder how you could, being of our race, So eagle-like look Phœbus in the face. I wonder how you could, being so young, And teeming yet, encounter with so strong And firm a story; 'twould indeed have prov'd A subject for the wisest, that had lov'd To suck at Aganippe. But go on, My best of friends; and as you have begun E. B.[12] [12] I. Tatham.[13] Alerzo, Fulgentio, Pandolpho,} Leonis, Gilberti, Firenzo,} With that is good, so let your after-times Transcendent be. Apollo he still shines On the best wits; and if a Momus chance On this thy volume scornfully to glance, Melpomene will defend, and you shall see, That virtue will at length make envy flee. TO HIS INGENIOUS FRIEND, MASTER RAWLINS, THE AUTHOR OF "THE REBELLION." What need I strive to praise thy worthy frame, Or raise a trophy to thy lasting name? Were my bad wit with eloquence refin'd, When I have said my most, the most's behind. But that I might be known for one of them, Which do admire thy wit and love thy pen, I could not better show forth my good-will, Than to salute you with my virgin quill, And bring you something to adorn your head Among a throng of friends, who oft have read Your learned poems, and do honour thee And thy bright genius. How like a curious tree Is thy sweet fancy, bearing fruit so rare The learned still will covet. Momus no share Shall have of it; but end his wretched days In grief, 'cause now he seeth th' art crown'd with bays. DRAMATIS PERSONÆ. A Cupid. King of Spain. Antonio, a count. Machiavel, a count. three Spanish colonels. Petruchio, Governor of Filford. Raymond (a Moor), General of the French army. three French colonels. Sebastiano, Petruchio's son, in the disguise of a tailor called Giovanno. Old Tailor. Vermin, his man. Three Tailors more. Captain of the Banditti. Two Ruffians and a Bravo. Philippa, the Moor's wife. Auristella, Machiavel's wife. Evadne, Antonio's sister. Aurelia, Sebastiano's sister. Nurse, attendant on Evadne. Attendants. Scene—Seville. [13] I. Knight.[14] Jo. Meriell.[15] [14] THE REBELLION. ACT I., SCENE 1. Enter severally, Alerzo, Fulgentio, and Pandolpho. Aler. Colonel? Ful. Signor Alerzo? Aler. Here. Pan. Signors, well-met: The lazy morn has scarcely trimm'd herself To entertain the sun; she still retains The slimy tincture of the banish'd night: I hardly could discern you. Aler. But you appear fresh as a city bridegroom, That has sign'd his wife a warrant for the Grafting of horns; how fares Belinda After the weight of so much sin? you lay with her To-night; come, speak, did you take up on trust, Or have you pawn'd a colony of oaths? Or an embroidered belt? or have you ta'en The courtier's trick, to lay your sword at mortgage? Or perhaps a feather? 'twill serve in traffic, To return her ladyship a fan, or so. Pan. Y' are merry. Ful. Come, be free, Leave modesty for women to gild Their pretty thriving art of plentitude, To enrich their husbands' brows with cornucopias. A soldier, and thus bashful! Pox! be open. Pan. Had I the pox, good colonel, I should stride Far opener than I do; but pox o' the fashion! Aler. Count Antonio. [To them enter Antonio. Ful. Though he appear fresh as a bloom That newly kiss'd the sun, adorn'd with pearly Drops, flung from the hand of the rose-finger'd morn, Yet in his heart lives a whole host of valour. Pan. He appears A second Mars. Aler. More powerful, since he holds wisdom And valour captive. Ful. Let us salute him. [Whilst they salute Antonio, enters Count Machiavel. Mach. Ha! how close they strike, as if they heard A winged thunderbolt [that] threaten'd his death, And each ambitious were to lose his life; So it might purchase him a longer being: [15] [16] Their breath engenders like two peaceful winds, That join a friendly league, and fill the air With silken music; I may pass by, and scarce be spar'd a look, Or any else but young Antonio. Rise from thy scorching den, thou soul of mischief! My blood boils hotter than the poison'd flesh Of Hercules cloth'd in the Centaur's shirt: Swell me, revenge, till I become a hill, High as Olympus' cloud-dividing top; That I might fall, and crush them into air. I'll observe. [Exit behind the hangings. Ant. Command, I prythee, all[16] This little world I'm master of contains, And be assur'd 'tis granted; I have a life, I owe to death; and in my country's cause I should—— Ful. Good sir, no more, This ungrateful land owes you too much already. Aler. And you still bind it in stronger bonds. Pan. Your noble deeds that, like to thoughts, outstrip The fleeting clouds, dash all our hopes of payment: We are poor, but in unprofitable thanks; Nay, that cannot rehearse enough your merit. Ant. I dare not hear this; pardon, bashful ears, For suffering such a scarlet to o'erspread Your burning portals. Gentlemen, your discourses taste of court, They have a relish of known flattery; I must deny to understand their folly: Your pardon, I must leave you: Modesty commands. Ful. Your honour's vassals. Ant. O good colonel, be more a soldier, Leave compliments for those that live at ease, To stuff their table-books; and o'er a board, Made gaudy with some pageant, beside custards, Whose quaking strikes a fear into the eaters, Dispute 'em in a fashionable method. A soldier's language should be (as his calling) Rough, to declare he is a man of fire. Farewell without the straining of a sinew, No superstitious cringe! adieu! [Exit. Aler. Is't not a hopeful lord? Nature to him has chain'd the people's hearts; Each to his saint offers a form of prayer For young Antonio. Pan. And in that loved name pray for the kingdom's good. Ful. Count Machiavel! Enter Machiavel from behind the hangings. Aler. Let's away. [Exeunt: manet Machiavel. [17] [18] Mach. Heart, wilt not burst with rage, to see these slaves Fawn like to whelps on young Antonio, And fly from me as from infection? Death, Confusion, and the list of all diseases, wait upon your lives Till you be ripe for hell, which when it gapes, May it devour you all: stay, Machi'vel, Leave this same idle chat, it becomes woman That has no strength, but what her tongue Makes a monopoly; be more a man, Think, think; in thy brain's mint Coin all thy thoughts to mischief: That may act revenge at full. Plot, plot, tumultuous thoughts, incorporate; Beget a lump, howe'er deform'd, that may at length, Like to a cub lick'd by the careful dam, Become (like to my wishes) perfect vengeance. Antonio, ay, Antonio—nay, all, Rather than lose my will, shall headlong fall Into eternal ruin; my thoughts are high. Death, sit upon my brow; let every frown Banish a soul that stops me of a crown. [Exit. Enter Evadne and Nurse. Evad. The tailor yet return'd, nurse? Nur. Madam, not yet. Evad. I wonder why he makes gowns so imperfect; They need so many says. Nur. Truly, in sooth, and in good deed, la, madam, The stripling is in love: deep, deep in love. Evad. Ha! Does his soul shoot with an equal dart From the commanding bow of love's great god, Keep passionate time with mine? or has She spi'd my error to reflect with eager beams Of thirsty love upon a tailor, being myself Born high? [Aside.]——I must know more— In love, good nurse, with whom? Nur. Truly, madam, 'tis a fortune, Cupid, good lad—prais'd be his godhead for't, Has thrown upon me, and I am proud on't; O, 'tis a youth jocund as sprightly May, One that will do discreetly with a wife, Board her without direction from the stars, Or counsel from the moon to do for physic; No, he's a back;—O, 'tis a back indeed! Evad. Fie! this becomes you not. Nur. Besides, he is of all that conquering calling, A tailor, madam: O, 'tis a taking trade! What chambermaid—with reverence may I speak of those lost maidenheads— Could long hold out against a tailor? Evad. Y' are uncivil. Nur. What aged female, for I must confess I am worn threadbare— Would not be turn'd, and live a marriage life, [19] [20] To purchase heaven? Evad. Heaven—— Nur. Yes, my dear madam, heaven; whither, My most sweet lady, but to heaven? hell's a Tailor's warehouse; he has the keys, and sits In triumph cross-legg'd o'er the mouth: It is no place of horror, There's no flames made blue with brimstone; But the bravest silks, so fashionable— O, I do long to wear such properties! Evad. Leave your talk, One knocks: go, see. [Knocks within. Nur. O, 'tis my love! I come. [Exit. Evad. A tailor; fie! blush, my too tardy soul, And on my brow place a becoming scorn, Whose fatal sight may kill his mounting hopes. Were he but one that, when 'twas said he's born, Had been born noble, high, Equal in blood to that our house boasts great; I'd fly into his arms with as much speed As an air-cutting arrow to the stake. But, O, he comes! my fortitude is fled. Enter Nurse and Giovanno with a gown. Gio. Yonder she is, and walks, yet in sense strong enough to maintain argument; she's under my cloak; for the best part of a lady, as this age goes, is her clothes; in what reckoning ought we tailors to be esteemed then, that are the master-workmen to correct nature! You shall have a lady, in a dialogue with some gallant touching his suit, the better part of man, so suck the breath that names the skilful tailor, as if it nourished her. Another Donna fly from the close embracements of her lord, to be all- over-measured by her tailor. One will be sick, forsooth, and bid her maid deny her to this don, that earl, the other marquis, nay, to a duke; yet let her tailor lace and unlace her gown, so round the skirts to fit her to the fashion. Here's one has in my sight made many a noble don to hang the head, dukes and marquises, three in a morning, break their fasts on her denials; yet I, her tailor, blessed be the kindness of my loving stars, am ushered; she smiles, and says I have stayed too long, and then finds fault with some slight stitch, that eyelet-hole's too close, then must I use my bodkin, 'twill never please else; all will not do. I must take it home for no cause but to bring it her again next morning. We tailors are the men, spite o' the proverb, ladies cannot live without. It is we That please them best in their commodity: There's magic in our habits, tailors can Prevail 'bove him honour styles best of man. Evad. Bid him draw near. Nur. Come hither, love, sweet chuck: My lady calls. Gio. What means this woman? sure, she loves me too, Tailors shall speed, had they no tongues to woo: Women would sue to them. [Aside.] Evad. What, have you done it now? Gio. Madam, your gown by my industry [21] Is purg'd of errors. Evad. Lord, what a neat methodical way you have To vent your phrases; pray, when did you commence? Gio. What mean you, madam? Evad. Doctor, I mean; you speak so physical. Nur. Nay, madam, 'tis a youth, I praise my stars For their kind influence, a woman may be proud on, And I am. O, 'tis a youth in print, a new Adonis. And I could wish, although my glass tells me I'm wondrous fair, I were a Venus for him. Gio. O lady, you are more fairer by far. Nur. La you there, madam! Gio. Where art thou, man? art thou transform'd, Or art thou grown so base, that This ridiculous witch should think I love her? [Aside.] Evad. Leave us. Nur. I go. Duck, I'll be here anon; I will, dove. [Exit. Gio. At your best leisure. Protect me, manhood, lest my glutted sense, Feeding with such an eager appetite on Your rare beauty, [and] breaking the sluices, Burst into a flood of passionate tears. I must, I will enjoy her, though a Destroying clap from Jove's artillery were the reward: And yet, dull-daring sir, by your favour, no, He must be more than savage can attempt To injure so much spotless innocence: Pardon, great powers, the thought of such offence. [Aside.] Evad. When Sebastiano, clad in conquering steel, And in a phrase able to kill, or from a coward's heart Banish a thought of fear, woo'd me, [He] won not so much on my captive soul As this youth's silence does. Help me, some power, out of this tangling maze, I shall be lost else. [Aside. Gio. Fear, to the breast of women; build Thy throne on their soft hearts; mine must not be Thy slave.—[Aside.] Your pleasure, madam? Evad. I have a question must be directly answer'd; No excuse, but from thy heart a truth. Gio. Command me, madam; were it a secret, On whose hinges hung the casements of my life, Yet your command shall be obey'd to the least Scruple. [22] [23] Evad. I take your word: My aged nurse tells me you love her: Answer; is't a truth? Gio. She's jealous, I'll try; As oracle. Evad. Ha! Gio. 'Tis so, I'll further; I love her, madam, With as rich a flame as anchorites Do saints they offer prayers unto. I hug her memory as I would embrace The breath of Jove when it pronounced me Happy, or prophet that should speak my After-life great, even with adoration deified. Evad. My life, like to a bubble i' th' air, Dissolv'd by some uncharitable wind, Denies my body warmth: your breath Has made me nothing. [She faints. Gio. Rather let me lose all external being. Madam, good madam. Evad. You say you love her. Gio. Madam, I do. Can any love the beauty of a stone, Set by some curious artist in a ring, But he must attribute some [virtue] to The file that adds unto the lustre? You appear like to a gem, cut by the Steady hand of careful nature into such Beauteous tablets, that dull art, Famous in skilful flattery, is become A novice in what fame proclaim'd him doctor; He can't express one spark of your great lustre. Madam, those beauties that, but studied on By their admirers, are deifi'd, serve But as spots to make your red and white Envi'd of cloister'd saints. Evad. Have I, ungrateful man, like to the sun, That from the heavens sends down his Cherishing beams on some religious plant, That with a bow, the worship of the Thankful, pays the preserver of his life And growth: but thou, unthankful man, In scorn of me, to love a calendar of many Years.[17] Gio. Madam, upon my knees, a superstitious rite, The Heathens us'd to pay their gods, I offer up A life, that until now ne'er knew a price— Made dear because you love it. Evad. Arise; It is a ceremony due unto none but heaven. Gio. Here I'll take root, and grow into my grave, Unless, dear goddess, you forget to be Cruel to him adores you with a zeal, Equal to that of hermits. [24] Evad. I believe you, and thus exchange a devout vow Humbly upon my knees, that, though the Thunder of my brother's rage should force divorce, Yet in my soul to love you; witness all The wing'd inhabitants of the highest heaven! Gio. If sudden lightning, such as vengeful Jove Clears the infectious air with, threaten'd to scorch My daring soul to cinders, if I Did love you, lady, I would love you, spite Of the dogged fates or any power those curs'd Hags set to oppose me. To them enter Nurse. Evad. Be thyself again. Nur. Madam, your brother. Evad. Fie! you have done it ill; our brother, say you? Pray you, take it home and mend it. Gio. Madam, it shall be done; I take my leave. Love, I am made thy envy; I am he This vot'ress prays unto, as unto thee: Tailors are more than men; and here's the odds: They make fine ladies: ladies make them gods: And so they are not men, but far above them. This makes the tailors proud; then ladies love them. [Exit. Antonio meets him. Ant. What's he that pass'd? Evad. My tailor. Ant. There's something in his face I (sure) should know. But, sister, to your beads; pray for distress'd Seville; Whilst I mount some watchtower, To o'erlook our enemies: religion's laws Command me fight for my lov'd country's cause. [Exit. Evad. Love bids me pray, and on his altars make A sacrifice for my lov'd tailor's sake. [Exit. Alarum. Enter Raymond, Philippa, Leonis, Gilberti, and Firenzo. Ray. Stand. Leo. Stand. Gil. Stand. Fir. Give the word through the army, stand there. Within. Stand, stand, stand, stand, ho! Ray. Bid the drum cease, whilst we embrace our love: Come, my Philippa, like the twins of war, Lac'd in our steelly corselets, we're become The envy of those brain-begotten gods Mouldy antiquity lifted to heaven; [25] [26]